No more pointless cultural posturing, when the world’s not interested and has its own problems. Though I think Shakespeare muzzled should become iconic and appear on hundreds of Pheonix Ark Press T-shirts, that might have happened if I was a real businessman, not a bloody author. The blog’s not muzzled though but laid to rest. Don’t blog, or waste your heart and soul into the invasive ether,
but write, and try and write in the appropriate medium! Then just queitly believe and make things happen.

DCD

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No blogs at the Muzzled Blog, just a wonderful poem in The Poet’s Sweatshop. Click on the page link above.

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THE MUZZLED BLOG?

I read today of David Walliams and his time in the Priory, perhaps he can only speak about years later. It happened on the edge of celebrity and he describes his experience as terrifying. So it was in 2008/9 for me and the more I think of the way I was treated by my own publisher, the more I think I should sue, however I can. They saw it well, my editor telling me she was sorry she saw me in so much pain, yet still did what they did. I also told them of how an anti smoking drug I used, Champix, has been noted across the web as producing psychosis and suicidal depression. Yet still a CEO could try and defame me and distort what happened to the US Authors Guild. The only thing that matters to them is money. This must find an end.

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THE MUZZLED BLOG?

29th September 2012

The problem with talking about the past, or even leaving this blog up for six months, is it’s a place of neurosis, shame and even psychological harm for me. It’s just that somehow I will not let Abrams get away with what they did to a writer, person, work and the law. With what they did to truth, me and my stories. Rather than being some simple ‘Mr Stalker’ back in 2008, to the ‘Damsel in Distress’, with someone I saw as potentially my wife and after two years together, I was, at times, on my knees to my ex in New York, though on a phone from London. Asking not only for love, or even a friendship also reversed, but for my privacy to be respected or protected, as their own author, who a publisher said was “loved at Abrams”. Bound there with five novels, an enormous thing in any writing life and career. It is because of issues in my past, I’ve found hard to cope with sometimes, especially as ‘children’s author’, having some small public profile, but any split up involves the feeling of invasion. But I alone know the journey of my own books, the huge emotional process that involved, which is why I so feared what an ex did, and so asked her not to, at the heart of my American publisher. She knew about previous publishing fights too and a ten-year struggle to start taking off as a writer in the US, but it made no difference.

When I told an ex what I had been through already though, for nearly a year, trying to tour professionally too, as company support started to vanish, the person who just refused to read FELL, that book joked about by her and my own editor, as I wrote us into it so happily, asked “am I evil?” and I answered “of course not”. Dangerous and awful labels at that level, among supposedly adult or sophisticated people, and with presumed higher knowledge of the process of art and writing itself, indeed of metaphor. Especially out of a family there, perhaps, with darkness in the background we discovered while going out, I think part of the reason for such an obsessive sense of privacy or rights on her part, especially related to Children’s Books. But with literally no imagination for other’s rights or privacies at all. Dangerous labels she then used against me, and my own editor heard too, but just left there outrageously for five months.

Pathetic to plead too, but I literally could not just walk away, or curl up and die, and the psychological invasion became terrible, trying to work there, and produced massive writer’s block too. As intense as was the rage that came out, at times, because I could not protect myself, so lashed out in words, like the cornered animals I was writing about in my fantasy novel. My own editor saw it fully, and it was much the reason I tried to take power back in a much lighter novel. As I later lashed out in a way that shook a whole firm. My ex though, having so betrayed trust with her “Hew, Screw and Glue” book, slammed a door but had invaded me over another friend in London too, living up the road. With her personally extreme reversals, silence and passive aggression in the place she was, that she said she found ‘hard’ for months in early 2008, but did anyway, she simply went to another man, and changed a phone number, as she warned she might. But first leaving me completely in the dark, as did the people I knew so well and needed to work with, right next to her, she then left a distortive accusation in the background, disappeared, and let a destruction of an entire career unfold. “I wish you peace,” it was tagged, in an official company email, when I tried to contact through my publisher, talking of how she had found life happiness, as the people on the inside of course won. I have never heard from her since, but she never stood up to stop a thing professionally, as she could so easily have done. It was the full expression of the power and harm we had been arguing about before, now relayed into a limitless future. That’s love in New York City, for two years together, friendship, truth, or just the business of books.

My own ten-year editor though, now Vice President, after openly threatening me months before on the subject herself, and turning off the tap of support, showed no duty of care either, breaching my privacy to an outside editor and publisher, I heard on the grapevine from my own New York agent, who later jumped ship. That alone is called basic editorial malfeasance and pretty outrageous considering her written instruction to me that I should effectively “keep my mouth shut.” Um, writers are not editors, even if it all poured out in emails and into the wrong places in such distress. Then, once my apology had taken too much blame, and she felt she had the green light to discuss it with me openly on paper, she came in with a sledge-hammer, attacking me personally, and openly breaching conditions in written contract too. In a complete expression of editorial power and abuse, that destroyed editorial sensitivity and trust in commissioned work in progress. You cannot imagine the pain of that, a personal nightmare now raised to the level of semi-official company line, or at least a small department inside a company, Amulet, when I was allowed no say and no defence either, until I refused to work. Only then was I told “a firm takes this sort of thing very seriously’. Sure, but who is the firm? Let alone how awful it was being discussed and judged ‘personally’ at work, by two women once at the centre of my life, but having that alliance between an ex and my editor, intimate with my ex’s new man too, as I saw when I flew to New York. It was like having acid poured into an openly wounded psyche, a wound that had got bigger for two months of dialogue before a number was changed, as an ex knew, but instead cynically used a label to gloss everything. I say cyncically because I am sure it was discussed internally as strategy.

Especially after I had almost begged for some kind of help or understanding about growing internet addiction too, with a medical issue involved too, after having openly talked healing with a partner and in my books, as I felt my emotional life over. But rather than show understanding, or the ‘compassion‘ she started patronisingly mouthing, the woman who had also called all porn ‘evil’ not only rejected everything we had been, but called me literally evil too, though quickly tried to reverse it. She knew it’s implications. “Life is unfair” was and is her only bottom line though, and “Hew, Screw and Glue” you too, buddy. The outcome of the story proves that. It is why her pride in being like a self-described “self cleaning oven” became so awful and unilateral in those circumstances too.

Out of what had been severe psychic disturbance already then, near breakdown, it was me against my own publisher, with betrayed love and friendships in the background, in both New York and London, still trying to work and function. Going mad alone in a flat, in fear and agony, well used words, it lasted for a year and more and brought repeated thoughts of suicide. Abrams tried to push me out, backed down, reversed it, then half backed down again, but I walked away, then Abrams pursued me right up to 2011, to muzzle a blog and hide the truth. Their outrageous assertion was the protection of my ex’s career, or privacies they so destroyed, even Human Rights, when I had repeatedly asked for this all to just stop, for everyone’s sake. They openly denied my Human and contracted rights and showed very little Due Process at all.

My own commissioning editor destroyed the wonderful working conditions we had had before too though, and cut off all channels with people there I had loved working with, even against protected say in a cover written into contract, after promising help with a book. The threats, acts of contempt, duress and bullying went on for months, before I threw down a pen, and forced an ‘enquiry’. I could not go on, did not become a writer for that, and they would have forced a book into print they did not think good enough, and which would itself have harmed my writing reputation. They mutilated principles of Moral Copyright too, let alone written contract, that held another novel there four years. I proved their enquiry a white-wash, with its fifteen minutes by phone and editors lying about a major breach of trust issue written all over my communications. My bright and very ambitious editor was fully aware of the political implications, long before I lost the plot, or begged, or why else threaten with “we will protect our girl” in early 2008, then describe me as a ‘good person’ when I apologised and asked for help? Why good? Because I decided not to take it elsewhere, even though the threat was already huge. Yet seeing me ‘in so much pain’, did nothing objective to help or maintain proper editorial duty either, nor bring needed peace back. My publisher warned me on the phone “You know what could happen” and called me a “nice guy”, but what kind of nice guys are they, and was it really necessary? I raise the charge of IIED, Intentional Infliction of Emotional Distress. In New York a woman who had hot coffee spilt on her was awarded a million dollars!

It became sustained psychological torture for an author, using my good name and career, five novels with them, and entire future livelihood, after the pain of what had happened ‘personally’, out of an ex’s almost complete negligence and double standards, even possible malice, to threaten and force silence. Not for everyone’s benefit at all, but theirs alone, so that a secret would not get beyond a department, especially to a CEO. Why could an ex not allow just a professional peace though, in a small department? In law that is called Improper Motivation, and it was very nasty indeed. It became so mendacious that lies were told everywhere, promises broken, and there was no editorial trust or honest comment. I only learned what my own editor really thought of a manuscript in process from my own vanishing agent. Which even a bullying CEO could not deny, when he accepted my attack on the grounds of collusion, and breach and repudiation of contracts, and work started again in mid 2009 with a new editor, for a time. What they did when a family issue came into the frame is just unbelievable, but then it’s a pretty unbelievable story.

The pain has returned, and confusion too, because though it could have been stopped at key moments, on their front, it’s source goes back six years too, to a woman who asked and promised for care over relationships and trusts, I gave her at every turn. Who asked me not “to make her the last to know”, yet did that absolutely to me, at a puerile and completely selfish level of consciousness too. But somehow I will find a way out, and end a disgraceful human and artistic story forever. Either that, or end this blog itself, now ‘The Muzzled Blog’, but you see the former writer’s problem! Love and work are surely the two things that really matter in anyone’s life, and both were stripped from me, in the same place, totally ruthlessly in the end, or because New York companies are places of awful fear and back stabbing. My ex’s projected life fears were enormous though. They tore aware my power in the world, well published writing, rights even in contract, and my ability to earn, while the end of that line is now losing my flat too.

It was disgraceful or shaming on my part sometimes, sure, especially with my sense of a family name, as I lost control of words, touched breakdown and nearly went mad, though have never harmed anyone in my life. As I writhed, trying to get out of a place I could not and trying to explain it to an editor too, let alone understand it myself. But utterly disgraceful, indeed possibly criminal, on the part of people I knew intimately for years, and New York publisher Abrams. Where I was tortured trying to work in safety and my career thrown in a trash-can, my publisher removed, and the two women who did the real damage in the first place, very much in cahoots, got straight to the top. It is not because of my editor’s special editorial skills, certainly not the dreadful edit she delivered to me, but more importantly under the wrong conditions, also begged for back and denied because of her ‘power over her list’, nor love for books, people or publishing at all. It is because my editor brought in huge bestsellers like The Diary of A Wimpy Kid and Hello Kitty to Abrams. She used my book The Sight to get her job, supposedly Fire Bringer too, but for her “loyalty is a tricky thing.” I think that’s why a CEO removed a man he did not get on with, who was far nicer and more imaginative and who all his authors liked. It has implications too about how men are always painted the villains nowadays.

In every other sphere of life there are employment protections, legal standards, means of redress, we have come to expect as very basic, but not in the one place where the fundamentals of freedom of speech and human vision themselves actually begin, Publishing. Because it is only commercial success that gives a writer any real power or protection, if good relationships, which is what it is really about, become so damaged. I am watching as any say in the printed copies of my lauded published books is stripped away too. In reverse, people inside publishers are protected by each other, share schemes and pension plans, and the interrelations of big money makes them much like the Cartels we complain about in banking. Editors move between publishing houses and so does negative gossip and ‘ ‘decision making‘. I could not stay at Abrams because I would not be just ‘owned’ and abused like that, my legal rights stripped away, the very principle of true editorial interchange and dialogue destroyed. There needs to be an Ombudsman to stop those individual nightmares, or release pressures for both writers and editors too, but the degree of open abuse that took place at Abrams, over so long, is phenomenal, and I fear has done lasting emotional harm.

“We are willing to bring happier memories into the future” my own editor informed me, at one point, after I apologised in a way meant to protect everyone and be heard, to an author under two contracts, with two published novels there. But only if I shut up about an ex who had broken such trusts, personal and professional, so harmed very happy memories here, but then left an impossible and distortive accusation right at the heart of a firm, that I was not even allowed to defend. It’s consequences distorted everyone’s judgements and actions. Thanks for the legal and editorial principle, and the happy memories too. I will look to real friends, and pray for small miracles elsewhere.

DCD

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THE MUZZLED BLOG

27th September 2012 –

I had a weird dream last night, about a great, ancient house, and a beautiful woman seeking love, yet my failure to reach her! Something’s terribly wrong then, and out of a story that might give actual proof of what Jung called The Collective Unconscious, with so many connected dreams, I think it’s about my own family name, and a ‘house’ I’m very proud of. My father and grandfather’s house. The third post below has been removed then, not in again backing down on it here, but because there are ‘Calibans’ out there, in the lost cyber world, and it’s too specific and too invasive to my family. It’s also too long. I’ve been very ashamed in terms of harm to that name, having had to talk about my fear, internet addiction and a nervous breakdown, although the term’s too easy. As for Fifty Shades of Grey stuff, just let it be some warning about what it does to real love, although I think the psyche will find any way it can to heal itself and I try not to judge. Anyone can come here just to talk about it, in trust. A writer is on a reader’s side, as editors should be on a writer’s side. You cannot be labelled mad and evil by a major editor though, at the heart of a department, and it just be left there at any serious publisher. A cry for help has been completely wrong, I would rather help, and this isn’t, it is open protest.

As for miracles, it’s enough to know some ‘bad’ miracle happened, if only in the relationship between my novel, and real events with a real child, concerned with eyesight and seeing. But then I did write The Sight. It’s written not just across one but several novels, and strange events too, as Fell involves people at my own publisher Abrams, in happier days. The novel commented on by an ex and my own editor, as it was being written and real events being turned to fiction, but which an ex refused to even read, as she slammed a door. It’s tragic that at a Children’s and fantasy publisher, Amulet, a wing of Abrams, and with people who mouth ‘God’, they could not have given the spirit of love to at least try a real miracle, when I cried out in the middle of Scream, or something good for a family, in those terrible circumstances. I think that’s why a CEO reversed a decision to cancel a book, he had no right to cancel, only when a family member called, so not to been seen to be awful, yet the way they tried it was even more Kafkaesque. I resisted that too, but had to walk away.

Two people there, my editor, the now Vice President, and the President of Abrams, should answer it, and say why they destroyed a lauded writing career, with no regard to writing process, award-winning story or fans at all. With no regard to the meanings in my books, trying to address Global Warming, endangered animals or a climate of World Terror, much about America, that must affect our children as much as us all. They are not simple issues, as Man is not a simple animal, and need addressing in story. Perhaps they have to ask if an ex is only capable of malice. Why the former Vice President and my publisher was removed, but no redress made to me, or just no action taken to stop it, and where they think real ‘evil’ lies too. Whether it might be more related to terrible American labels like ‘Evil’, their legal abuses, appalling human cruelty, over so long, and to the obsessive privacies of a woman, my ex and so-called friend, who comes from a family involved in real child abuse and a death from Aids, but who caused such much harm in her selfishness and mounting arrogance. That does not ignore my own rage, or pleading.

The CEO admitted both Civil Conspiracy inside a department and breach and repudiation of contracts. I’m loosing my home now, but no US lawyer will touch the case, because I can’t afford to pay, and perhaps because of my so-called ‘harassment’ of someone I loved, had spent two years with, and discussed a life and future with. A Pro Se, self respresenting action 3000 miles away is too difficult, and could take years, while only 7% win, but never say never. The truth is it was harassment of me too, by my editor too, in a place I could not walk from, with five novels at a firm and a career just taking off in the USA, although something tore out of me, in despair at what people can do, and what she did. Their lie though that my ex, simply as an officer of company, had no better duty of care to me than “Hew, Screw and Glue” was first used in a cover up, I exposed, then described as ‘tedious’ by a CEO, then returned to as a legal manoeuvre to further harass me and a blog right up to 2011, and hide the truth.

Every time they have backed down, when I found the strength to stand up, if sometimes I just appealed to love or spirit and hate invasion, and I have invited them to challenge in court. They should be shamed into action, but have no shame. It was humanly appalling that a woman I had a natural right to trust, let alone loved, could not show any sensitivity to my asking for help over addiction too, or to protect delicate privacies, from a medical issue, to other secrets. Think of ‘David’ in ‘One flew over the Cuckoo’s nest‘ and Jack Nicholson getting labelled mad and lobotomized. Perhaps I should be happier being ‘the bad boy’. The response she put in a Company email was collusion too, inside a small department I loved, incredibly cruel, and harmed several people’s lives. It’s human and artistic cynicism is disgusting.

I am stopping a blog though, because it is harmful to me psychologically, going back and back to the issue. But also in silent protest at what happened and is happening everywhere, although this is just one publishing story. There’s no respect nor protection for the artist though, unless money is involved, but all over we see abuses of power. Abrams’s abuses became monumental, but Macmillan UK were in specific breach of contract too, just handing electronic rights to Penguin US, and have no respect for a classic novel either, letting Fire Bringer fall out of hard copy print after 12 years, and with amazing reviews, and resounding love and praise from readers. Penguin UK keeps classics in print, even if the turnover is not huge. I wonder what they will do to The Sight. It sounds arrogant to say it, but when a friend of my brother’s asked what her daughter might think of Fire Bringer and I said she’ll say it’s “the best book she’s ever read“, in three weeks she came back to say “she said it’s the best book she’s ever read!” I’m not arrogant, but very confident as a writer and storyteller, or was, when I was allowed to do it, with proper and legally contracted support. I just can’t survive this now and cannot find an agent or the right support. No simple sob story, just an awful story.

Culture is in danger though when no one stands up, but then my own editor was allowed to breach my rights to Privacy and Seclusion to another publisher at Penguin US, treating everything I am as owned commodity, while literally using a threat to my own career to muzzle me. “The one thing in life I have learnt, David, if anything, is to keep my mouth shut,” she had already said. As well as warning “we will protect our girl” and being intimately involved both with my ex and her new man, as I saw when I flew out to New York. Fine, but you are a protected editor, behind the scenes, living off share schemes in your writer’s work, using The Sight in your job interview, not an author hired and risking everything to write truthful or inspiring stories. What she said on the phone to my former agent Ginger Clarke in 2009 must be considered to have involved some kind of criminal libel. “Loyalty is a tricky thing,” she once told me too. It certainly is at Abrams.

She put Abrams in specific breach of written conditions of contract too, fighting absurdly for her “power over her list”, nothing else, and admitted to seeing it was all”holding my life to ransom”. But then did nothing except exploit the situation to get to the top as Vice President and try and force a novel into print she mangled, to try and keep a secret from a CEO. The Calibans are definitely at the heart of Abrams, and these are bald facts. That is why ‘culture’ is being given mass market books like Diary of A Wimpy Kid and Hello Kitty, which drive the money machine and so editorial power too.

I was born to write and am rather addicted to blogging too now, earning nothing here, if we’re all addicted to the Internet these days. That needs debate itself but the truth is Phoenix Ark, including most design, was built single handed. Readers’s letters and support were extremely important to that. There are brilliant stories here though, about many things, especially real London in the late 16th Century and Edmund Shakespeare, and other artists and writers might have come in, if everyone was not so wary of being linked to a ‘scandal’, or just looking for cash.

That is the sadness of watching supposed friend’s reactions too, though it is quite hard to stand up to what I did stand up to, in such circumstances. You fight into a place of love and it harms the Self. It was quite hard to get my sanity back, at a point of the most enormous metaphysical grief and fear. I challenged Abrams, God and Heaven, like a loony, when I wrote to them and went on pilrimage, but it reconnected me, heart and soul, and Heaven’s inside and only on earth. Like Hell. I’ve committed to readers to try and get Scream out and will, but everything stops now, until something dramatic changes, which I fully expect, in our frightened, frightening and faithless world, melting ice caps and all, it will not.

Just to stress who I am, to resist any more fear or shame here, and show how the sad years have rolled on, a new author photo is going up in the page headed “The Beginning” too. Pity it’s most likely the end, but it was not for want of trying. Perhaps it’s been too much about me, but its spirit is about the times. I’m not Paulo Coehlo, nor a Catholic, am fascinated by science and nature, the writing power is really there, but I’ve seen true darkness and could help too, in a world that needs balance back, and the language of love, that breathes out of literature, religious and secular. Perhaps in six months time some miracles of the human heart will be allowed, because that is what storytelling is about too.

David Clement-Davies

Phoenix Ark Press

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PHOENIX ARK CLOSES

To add to the flaming post below, far too long for most to read, I’m closing a blog. It’s been a source of anguish, invasion and neurosis itself, but with respect to truth, much good work, and warnings too, I’m keeping it up online for at least six months. My strange “J’Accuse”, even if I blame myself too. As for Abrams, two women key to my life, an ex and my editor, wrecked a person, work, trusts and broke the most fundamental legal principles too, completely hand in glove and lying through their teeth. But the human and creative damage they stood over is just unbelievable. It’s key moment was that “Hew, Screw and Glue” with that creep of a man in London, that rather sums up the whole scandal, but for many reasons they should answer the charge that the ‘evil’ is fully theirs, not just claw their way to the top, though I guess a business is perfectly entitled to set Hew, Screw and Glue as its real benchmark. Quite a family at “Family Abrams”. You can try writing to my ‘editor’ too, who used The Sight in her own Abrams job interview. Time to thank real friends, and many readers, but get a life again! There might just be a slight chance. DCD

PA PRESS

ps as to Andrew Marr, at least he reversed his Super Injunction, and it’s really those reconstructions that were so….

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THE FLAMES OF HEAVEN AND HELL, FIFTY SHADES OF GREY AND THE BAD PHOENIX ARK MIRACLE

THIS ARTICLE HAS BEEN SUSPENDED AS TOO INVASIVE TO DCD AND TOO MANY PEOPLE

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THE SHAKESPEARE INSCRIPTION

phoenixark

you underestimate the power of Roper´s argument. To find words by chance in a grille is easy. To find a readable sentence is VERY improbable. To find a readable sentence with a relevant bearing on the subject simply doesn’t happen. A grille built on the figure 31 will give us PAT SIP NO FLEAS, on 32 HE YET HIT AS COT, 35: TOY TIE OR SO, and so on. But only a 34-column grille will give an answer to the challenge put to the reader of the monument: READ IF THOU CANST WHOM ENVIOUS DEATH HATH PLAST WITHIN THIS MONUMENT (for Shakespeare). Combined with the anomalies in the text, which serves the hidden message to be readable, the figure 34 which has a certain correspondence to the name hidden and the fact that the concealed words come in clusters, strengthen the argument that the whole thing was put there by design. Moreover since the person hidden in the message happens to be the same as the one person in history with the strongest known connections, biographical or literary or anything, to the texts we call the Shakespeare canon, should be enough to make anyone who cares about truth at least a bit curious.

IF, I say if, the Folio had been printed without a name on the first page, who would we today consider the Author? A man who left no traces of a literary life AT ALL, like William-of-Stratford, or a man whose literary fingerprints are left on virtually every page, like Edward de Vere? The answer is obvious, but we have a paradigm shift to go through before the world is ready for it, and such things are painful experiences to many people. So painful actually that the wish to stay in the phase of denial can be lifelong.

(pardon my English, I am from Northern Europe)

Many thanks for that. For a shortish reply please see the comments pages in The Earl fo Oxford, William Ray and a Leering hydrocephalic idiot. To go there CLICK HERE and go down to comments, at the bottom right, in blue.

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THE VERY AWFUL INTERNET

This is proof, that we all know in the spam world, of how awful the Internet can be. It was a “comment” we have not approved, about blogs here. Note the hard sell on shoes!

I have learn some good stuff here. Definitely value bookmarking for revisiting. I wonder how a lot attempt you put to create any such fantastic informative website.
http://www.pickgoodshoes.com/Nike-Air-Foamposite-One-c3756.html

You see, language and truth are not dead!

PA PRESS

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ANDREW MITCHELL, DAVE HARTNETT, TRESPASSING SCUM AND THE WINDOW ON THE ESTABLISHMENT?

Boy, if you think Andrew Mitchell had it bad, you should see ‘Robert’s‘ remarks to some rather clever, elegant protestors, giving a Golden Handshake ‘award’ at Oxford Uni…trespassing scum that they were. Set the dogs on them! ‘No, Robert, really, you’ll curdle the port.’ Click Here

ps If we posted about not hounding Andrew Mitchell too much, we’re on the protestor’s side. Does an England like that really still exist?

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