A LETTER FROM AMERICA

The world has always had its horrors, its darkness, its sadnesses, but perhaps each new generation wakes up to new jolts. When did the world lose it’s innocence for you? It did for me when I read that the bones of Alistair Cook, veteran radio and news reporter and enlightened and liberal commentator, with his brilliant Letters From America, had gone missing in New York. Still, perhaps it’s only while you’re still around that things really matter!

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JANE EYRE

Jane Eyre, which Charlotte Bronte wrote under the pen name Currer Bell, in an age when it was not decent for women to write, is one of the most romantic stories ever and like the story of Silas Marner involves a fictional blinding, when Mr Rochester’s home catches fire. With the shame of his psychic Grace Poole in the attic, of the past, his marriage and so thwarted love of Jane, he is redeemed and gets his sight back too, spiritually and literally, thanks to the love of the active not the passive and judging feminine, in the understanding, courage and love of the heroine, Jane.

Just as Silas Marner loses his soul to acquisitiveness, then loses everything too, but is redeemed by his love for and parenting of a little girl. That golden haired child he sees through the fog of his own blindness, at first thinking it is his lost money restored, but finding a far bigger prize. I talked of the film Half-Nelson too and the potential agony of an idealistic man getting so lost, and being so shamed too, but also redeemed by his friendship with a teenage girl. Such concepts and words don’t sit so easily in today’s world, but the ‘soul’ and its fears and problems, for men and women, are as real today as ever. We just need a language for that, and the spirit contained inside that, that is not necessarily religious, or split into easy labels and opposites. Out of my novel Fell, and so in the dark, I so cried out for my own Jane, for so long, and she never came. No one has a right to anything, but I am still understanding the why in me and in others. But it is another theme in the book The Seven Basic Plots, on the history of storytelling and its reasons, of why the strong but wildly inflated masculine, like King Lear, can so rage and go so dark when it loses touch with the balanced and honest heroine, like Cordelia. ‘I love you according to my bond, no more, no less.‘ Yes, indeed. That great, tragic play is also about blindings too, types of seeing and imagination, but as ever in Shakespeare how an alchemy is always going on inside people themselves, but most especially with people on one another.

The picture is of the original edition of Jane Eyre from Wikedpedia.

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WINSLOW HOMER, ART, MONEY AND FAKE OR FORTUNE?

The BBC repeat of Fake or Fortune, with Philip Mould and Fiona Bruce, produced another little gem, with the story of the discovery of a Winslow Homer at The Antique’s Roadshow in 2008, perhaps the greatest American watercolourist, and its valuation at £30,000. Then the journey to prove its provenance in England, America and the Bahamas, its restoration and re-valuation, at close to quarter of a million dollars, but the stepping in at the New York Southeby’s sale of the original owners, the Murrays, right at the eleventh hour. It was highly dramatic, proved Philip Mould’s toughness, but now the ownership has been disputed for over two years.

There were some strange ellisions in the tale of why the original owners had showed no acknowledgement of a painting though, or theft either, in Southeby’s original due dilligance investigations. Family letters clearly proved the family had been one time owners, yet what they did not prove was how the painting, and drawings of relations too, got on a rubbish tip, if crime had been involved, or they had perhaps been given away, sold, or discarded in some folder. Surely the fact that an unframed and then rather grubby sketch had been with other sketches, suggests it had been in a folder, and so never hung illustriously on the walls of the ancestral home, Myrtle Grove, despite the family’s mounting passion for art.

To me it was particularly telling though when the young scion of the Murray family, Simon, and a former barrister and now lawyer, spoke on camera about his supposed sympathy for the family who found it on a rubbish tip, their natural disappointment that it was suddenly wanted back, now its true value had been flagged in the Telegraph, and how the finders were obviously thinking of the money in terms of ‘swimming pools or cars’. Oh those awful, greedy, ignorant and unartistic working classes! Actually what you saw were some rather nice people, four great kids and, despite an admittance of knowing nothing about art from the daughter, Selina, a rather moving sequence involving a charming American curator and her emotional response to one of Homer’s big sea paintings. Beyond the power of money, that is always the true value of art, how it speaks. That sea tussle, swept up in wilder forces, became her personal story, by natural association, and then the bigger story of a tug of war now underway, across the classes.

The sale was stopped, perhaps rather sadly for Selina, if she could have shared 30% of the sale. But Phoenix Ark would like to offer an enlightened solution. Why don’t both the finders and the original owners offer the painting to a major American Museum, brokered by the BBC, and split the proceeds 50/50, because it probably would not even be around if the finder had not gone on his fishing trip. Then honour would be served, money shared for swimming pools, cars, children’s education, or the upkeep of said Myrtle Grove. But above all the truer purpose of art would be served. People would actually get to see the damn thing, not have it languishing in some safe, so enjoy it and its rather strange story too, and America would have one of its favourite sons come proudly home. A truly democratic solution. We know, it will never happen!

The image is a wikepedia photo of Winsolw Homer

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RIOTS, WATERSTONES AND A BONEFIRE OF THE VANITIES

An American academic friend wrote today to ask me ‘so David, what’s up with your people?!‘ Good question. It seems to be one of the favourite moments in the movie Indianna Jones and The Last Crusade though, certainly mine, when Indy bumps into Hitler at the Berlin books burning and the Furher signs his diary. Someone pointed out that the sequence is set in 1938, and the book burnings really happened in 1933, but we already know that fantasy plays with fact, and Spielburg always does that brilliantly. Before the US or anyone starts to gloat about London though, I was, before my recent attempt to leave behind a bad ‘past’, going to use it to create a viral video and attack not what is happening in London, but my American publisher Abrams, for their own attitude to my books, and to free speech too. Because when a publisher does that to its own author and work, in a kind of bonefire of the vanities and values, something is seriously wrong.

But now London has been burning, a point came up on Newsnight yesterday from a ‘Free School‘ proponent about the search for ‘bling‘, quick cash and the fact that you have not seen looters attacking Waterstones, only the trainers stores, mobile phone shops and bookies nearby (as in the gamboling shops, not the printers or binders!). Of course, it makes the very good point that there is no deeper social statement being made, it is a mix of frustration, aggression and directed criminality, but it’s also a very middle class thing to say. It would be almost reassuring to see our angry youth trying to break into Waterstones, to get their hands on bundles of The Master and Margerita, The End of the Affair, War and Peace or Brazzaville Beach and flog them down the Old Kent road, or read them to each other by bonefire light. The bigger point, of course, is the frightening figures suggesting 17% of 15 year olds are functionally illiterate, fed by the addictions of the image, MTV values (coming out of America too) and all the hypocrisies that Big Brother, Celebrity and fame obsessed culture engenders. In the modern crisis of publishing too though, in the spawning of celebrity biogs, ‘ how I made it rich’ tales and the decline of writer’s voices in the democratisation of publishing methods, there are subtler ways of producing real book burnings at work. But people need to be literate in a great many ways. Reading literate, emotionally literate, professionally literate, legally literate and especially socially literate. Something like one in three London parents also say they are not confident enough to read aloud to their children, and that storytelling process is a key part of bonding, mentoring and sharing values.

Apart from the policing questions though, and political grand standing, apart from economic and moral arguments, especially about family and community structures and responsible mentoring, in the ‘am I my brother’s keeper?’ mould, there needs to be a very real debate about culture too and what, if anything, it means nowadays. About the decline of communities, the dislocations of social networking and perhaps, above all, about the shift from a reading culture, to a visual and news driven one, twenty-four hours a day, that is itself massively addictive. The eye finds it hard to resist a moving object. Not only are markets connected world-wide though, but so is a Western world ‘culture’, and to be frank, especially with my own New York publishing experience, there are many bad things to say about that too. I remember very well being in New York though when there were minor riots, because of a limit on the number of Playstations available, so perhaps no-one is immune. Wouldn’t it be nice if we could all sit down together and read a good book! In the pro-free speech and anti-book burning argument though, it is the paradox of freedom that we probably need less forms of entertainment and product, not more, just more of a sense of some shared culture and one that brings both value and meaning.

The photo shows the Wikepedia photo by David Shankbone of books burned by the Nazis, at the Yad Vashem memorial.

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A QUIET QUESTION

It’s just a quiet question, put out into the Universe, or in the way that Bhuddist do, or I knew something had changed before I got on a plane to America. Is what stops someone just picking up a phone and healing something really an entire firm, or no sense anywhere that the Universe somehow got badly out of joint in this? Because it did and something needs healing.

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PHOENIX ARK PRESS RELEASE

In line with the Class Action Lawsuit underway in New York, Phoneix Ark Press is delighted to announce that it is slashing it’s ebook prices. All our eBooks will now be available on Kindle priced between $.99 and $2.99, and their equivalent UK prices. Happy Reading!

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CHARLIE WILSON AND THE ZEN MASTER

I saw Charlie Wilson’s War the other day, with that great actor who played Truman Capote, Philip Seymour Hoffman. He was very moving talking about his new film recently, and especially about love. With the risk that we just have to take each time of getting hurt, even if in five or ten years time people may not even like us, let alone love us. But the story in this film is of the almost privately begun covert war in Afghanistan, between the US and the Soviets, and is quite extraordinary. Charlie Wilson pushed the military precurements budget from $1 million to $1 billion. Afghanistan was one of the reasons for the collapse of the Soviet Empire.

Yet, of course, half the film’s point was the civil war that then began, the arrival of the ‘crazies’ in Kabul, who the Taliban were originally the heroes against, in bringing some kind of order, and the perhaps inevitable betrayal of various idealisms. It was tragic when you saw Wilson arguing hopelessly for a $1 million to rebuild a school, only to be told no one was interested in schools. So the budget was about the military industrial complex, and the judgeable victories of war waged in high places, but the history of the world has been others suffering the damage of international conflicts. No more American bashing, yet there is great truth in the observation that the US is a country of real and high idealisms, even innocences, that at times can be atrociously blinkered and superficial, masking the true hardball. As Wilson said “These things happened and they were glorious…and then we fucked up the peace.

I loved the CIA man played by Hoffman though, perfectly open about wanting to kill some Soviets and do his job, yet strangely humane. He tells the story of the Zen Master who, when an Afghan boy was given a horse, and the villagers asked him if he agreed it was wonderful fortune, answered ”We’ll see’. The boy promptly fell off the horse and broke his leg, and when the Zen Master was asked if he thought it was terrible, answered ‘we’ll see’. Then war came and half the young men went off to fight and got killed. Except the boy with the horse and the broken leg. Life’s that all over, and so’s love, so as for Afghanistan now, or the everyday, perhaps the only response is always ‘we’ll see!

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THREE EPIGRAPHS TO THE UNPUBLISHED ‘SCREAM OF THE WHITE BEAR’

I think it was ‘American’ consciousness that really wounded me, because it could not be more split, or absolute either. Drive down a Texan highway and you will see churches and huge neon crosses on one side of the road, and ranks of porn cinemas on the other. Democrat vs Republican, them and us, the creation of ‘other’, brutally done very often to energise the great captialist powerhouse. It could not be more a place of ‘tribal victories’. So here are three epigraphs to the unpublished Scream of the White Bear.

According to a series of studies by the U.S. Geological Survey, future reduction of sea ice in the Arctic could result in a loss of two-thirds of the world’s polar bear population within fifty years.

“The most beautiful thing we can experience is the mysterious. It is the source of all true art and all science. He to whom this emotion is a stranger, who can no longer pause to wonder and stand rapt in awe, is as good as dead: his eyes are closed.”
Albert Einstein

“The modern hero…cannot, indeed must not, wait for his community to caste off that slough of pride, fear, rationalized avarice, and sanctified misunderstanding. ‘Live’ Nietsche says, ‘as though the day were here.’ It is not society that is to guide and save the creative hero, but precisely the reverse. And so every one of us shares the supreme ordeal – carries the cross of the redeemer – not in the bright moments of his tribes great victories, but in the silences of his personal despair.”
Joseph Campbell – The Hero with a Thousand Faces.

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LONDON’S BURNING – SURREALLY!

Iran urging the UK Government to show restraint, German News comparing us to Mogadishu, a Russian Reporter claiming there are escaped tigers from London Zoo roaming the streets, and David Cameron’s Cobra Committee meeting in a building on Horse Guard’s, overlooking the US Olympic girl’s baseball team! It’s surreal, but the World Media are clearly having a ball and a field day turning the lens on Britain. The US Economist Joseph Steilglitz was right to say that when hope goes huge resentments can build and then be unleashed, but as for the idea doing the rounds on the Cyberverse and Internet that it is like the Arab Spring, the characters involved and what they are doing does not wash for a moment. The Summer of Discontent indeed, in the Anti-Social Network.

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JAMIE OLIVER AND STOPPING THE THUGS

In fact, now is no time for playing politics like Ken Livingstone, or for complicated social arguments either, this breakdown in London needs to be stopped. When you see footage of a young boy, bleeding and knocked over, then ‘helped up’ but mugged by his so called helpers, and his things stolen from his napsack, the real bastards out there need to be stopped. So perhaps Jamie Oliver is right, or the Government should think of bringing in the army and water cannon. It could put out the fires too.

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