Category Archives: Publishing

HORRID HEROES AND CRAZY CROOKS

TheJabberwocky[1]

In the oddest of these excerpts from HORRID HEROES AND CRAZY CROOKS by David Clement-Davies comes a very rare bird, originally designed for a collection of nonsense poems and stories called Pollipigglepuggar, but now finding her rightful place at the end of a human hall of fame…

THE INFAMOUS POLLIPIGGLEPUGGAR BIRD

Though PolliPigglepuggar is a nonsense kind of WORD
You CAN’T hunt down in any diction-reeeee,
THE Pollipigglepuggar’ is a most exotic bird,
Who sleeps within the Pollipiggle tree.
As brazen as the Jabberwock,
As brutal as the Jub,
She boasts a certain blabber shock
A kind of ‘there’s the rub’,
Defying good AND monstrous villainy!
With something of the sensless too,
In a lofty place to rook,
Who couldn’t make here hero, no,
Nor even worse a crook,
So I hope her form defies a cator-greeee!
She isn’t quite a Parrot
Though her plumage is akin
And her ears are thin and furry, as a bear,
Her tail looks like a carrot,
While she has a sort of chin,
And wears a set of curlers in her hair.
Her beak is made of lemon peel,
Her eyes are black and blue,
Her call is like the bleating of a goat,
Her favourite meal’s spaghetti
It’s weird, but still it’s true,
She loves to string so loosely round her throat.
While, on her Pollipiggle branch,
She perches day and night –
A look that says – there’s nothing else to do.
Though in those scented piggle leaves,
She’s dreaming of the fright
I gave her when I stole out and went – ‘BOO’.
But just before I tell you
What a racket THAT inspired,
There’s something else to show you all, for free,
Not the colour of those feathers
Or the way her feet are wired,
But the nature of the Pollipiggle Tree.
The Pollipig’s a cousin of the Lollipopple plant,
In the genus of the Ligglepipple root,
Its leaves are made of herbal tea,
Although the branches aren’t,
While its flowers sprout out in rubber, like a boot.
It sways there in the piggle breeze,
Just waiting on some fun
Or that Puggar bird to use it for her bed,
And, since this tree can’t walk with ease,
(The thing can’t even run!)
It’s fond of simply growing up instead!
So there it waits to ponder,
As it blossoms once a year,
When the swooping puggar-puggar will appear,
Until from out of yonder
The thing loops through the air
And settles with a whooping, on its ear.
Behold the Pollipiggle Bird,
A fowl that isn’t deep,
A-landing on its side within the shrub
A bird, you see, that’s so absurd,
It promptly falls asleep
And dreams of bathing nightly in a tub.
So there they snooze together,
Like a perfect pair of chums
A-deep within the pollipiggle wood
And there the tree gets bigger
While the Pollipuggar hums
A tune I can’t remember, though I should.
You see, I’ve quite forgotton
That thing I had in mind,
Namely WHAT the creature cried when given fright;
It screeched out something rotten
When I woke it from behind,
Then called out like an ostrich taking flight:
“oh, polli, pig AND puggar,
oh piggle, puggle, pol
oh, rallop, lipig, gopple, gup and gol
oh luggup, paggle, leppug, paaaa
And glipple loppgup too.
Which really meant no more than;
‘Who are you?”
Oh, I love my Pollipiggle bird
A-sleeping in her tree
With her multicoloured feathers on her wings
And her strange, but polli, habits
Which NEVER seem absurd,
Like those ears that grow like rabbit’s,
Or the piggle way she sings,
And the puggar way she knows just how to be,
While she’s snoring up her Pollipiggle Tree.

Horrid Heroes and Crazy Crooks is under copyright to Phoenix Ark Press, 2014, All Rights Strictly Reserved. If you enjoyed this you might like to read about Vladimir Putin, Dick Whittington, Al Capone, Sweeney Todd and Sherlock Holmes in blogs below. The picture is a Wikepedia image of The Jabberwocky from Alice Through The Looking Glass.

Leave a comment

Filed under Books, Poetry, Publishing

PHOENIX INVESTMENT – A READER’S LETTER

Dear David,

I’m just thinking aloud, really, so feel free to do with this whatever you feel it merits. I realize I have limited understanding of the challenges you face in starting up a publishing company, but I imagine that funding could be something that heads up the list! I just wanted to relay an idea that came to me this week. Across the pond a new buzz word is forming in the business world – “Crowd Funding”. This has really been around for a while, but utilized mainly by charitable agencies for 3rd world entrepreneurs. Now, it seems small western entrepreneurs are catching onto the trend! Here’s how it works.

A project is tendered through an agency website, inviting the average man to invest small increments – for altruistic purposes – in any one or more of a variety of entrepreneurial projects. When the project is fully subscribed, operations proceed. Investors typically expect to recoup their original investment (although there are no guarantees), but have no further interest in the projects beyond this. Okay, so yours would be a large project! But I was wondering if this type of loan funding could be helpful to Phoenix Ark. Imagine, if 1 million people gave you ₤10.00, to see a work published – say, Scream of the White Bears – for free!! I also imagine that if you put out the word, your many fans would eagerly step up to the plate! Here is my pledge for the first increment. You need only contact me to collect. I can make payment via Paypal (preferred), or whatever other method you favour. It would, or course, be prudent to research the legalities of such a venture in Phoenix’s jurisdiction. I suppose if we received a book back, instead of our original investment, this could also be deemed a type of “advance sales”!

Best regards, and Happy Christmas, Christine, Montreal

Dear Christine,

how kind of you to write with thoughtful ideas. I have thought of this, put donation buttons on some articles, and indeed owe a good friend for a donation to support me and Scream. A Company has started in the UK called ‘Books Unbound’ I have talked to, which tries to do just that, though on a larger scale.

It has always been an irony here though that I don’t particularly like the internet and for all its positives it has many downsides for human culture, thought and interaction. So it is no way to go for an author to spend his time seeking money like that, when really he should be protected in trying to work and create. It sounds a bit grand but though nowadays all authors are expected to sell and sell and sell themselves it’s the books alone, if they are any good, that should really matter.

But you are right about the problems of investment. In terms of giving things for free I have wanted to do that because it’s the spirit you should set out with in writing, and you have already earnt a free copy when Scream emerges. The truth is I am the most terrible businessman and do not want to be a publisher but only a writer or creator of stories but have been forced into this position. Things are too difficult right now to juggle the balls well but I will certainly keep your crowd funding idea in mind.

Have a lovely Christmas too,

David

Leave a comment

Filed under Free Story, Publishing, The Arts

THE MUZZLED BLOG?

29th September 2012

The problem with talking about the past, or even leaving this blog up for six months, is it’s a place of neurosis, shame and even psychological harm for me. It’s just that somehow I will not let Abrams get away with what they did to a writer, person, work and the law. With what they did to truth, me and my stories. Rather than being some simple ‘Mr Stalker’ back in 2008, to the ‘Damsel in Distress’, with someone I saw as potentially my wife and after two years together, I was, at times, on my knees to my ex in New York, though on a phone from London. Asking not only for love, or even a friendship also reversed, but for my privacy to be respected or protected, as their own author, who a publisher said was “loved at Abrams”. Bound there with five novels, an enormous thing in any writing life and career. It is because of issues in my past, I’ve found hard to cope with sometimes, especially as ‘children’s author’, having some small public profile, but any split up involves the feeling of invasion. But I alone know the journey of my own books, the huge emotional process that involved, which is why I so feared what an ex did, and so asked her not to, at the heart of my American publisher. She knew about previous publishing fights too and a ten-year struggle to start taking off as a writer in the US, but it made no difference.

When I told an ex what I had been through already though, for nearly a year, trying to tour professionally too, as company support started to vanish, the person who just refused to read FELL, that book joked about by her and my own editor, as I wrote us into it so happily, asked “am I evil?” and I answered “of course not”. Dangerous and awful labels at that level, among supposedly adult or sophisticated people, and with presumed higher knowledge of the process of art and writing itself, indeed of metaphor. Especially out of a family there, perhaps, with darkness in the background we discovered while going out, I think part of the reason for such an obsessive sense of privacy or rights on her part, especially related to Children’s Books. But with literally no imagination for other’s rights or privacies at all. Dangerous labels she then used against me, and my own editor heard too, but just left there outrageously for five months.

Pathetic to plead too, but I literally could not just walk away, or curl up and die, and the psychological invasion became terrible, trying to work there, and produced massive writer’s block too. As intense as was the rage that came out, at times, because I could not protect myself, so lashed out in words, like the cornered animals I was writing about in my fantasy novel. My own editor saw it fully, and it was much the reason I tried to take power back in a much lighter novel. As I later lashed out in a way that shook a whole firm. My ex though, having so betrayed trust with her “Hew, Screw and Glue” book, slammed a door but had invaded me over another friend in London too, living up the road. With her personally extreme reversals, silence and passive aggression in the place she was, that she said she found ‘hard’ for months in early 2008, but did anyway, she simply went to another man, and changed a phone number, as she warned she might. But first leaving me completely in the dark, as did the people I knew so well and needed to work with, right next to her, she then left a distortive accusation in the background, disappeared, and let a destruction of an entire career unfold. “I wish you peace,” it was tagged, in an official company email, when I tried to contact through my publisher, talking of how she had found life happiness, as the people on the inside of course won. I have never heard from her since, but she never stood up to stop a thing professionally, as she could so easily have done. It was the full expression of the power and harm we had been arguing about before, now relayed into a limitless future. That’s love in New York City, for two years together, friendship, truth, or just the business of books.

My own ten-year editor though, now Vice President, after openly threatening me months before on the subject herself, and turning off the tap of support, showed no duty of care either, breaching my privacy to an outside editor and publisher, I heard on the grapevine from my own New York agent, who later jumped ship. That alone is called basic editorial malfeasance and pretty outrageous considering her written instruction to me that I should effectively “keep my mouth shut.” Um, writers are not editors, even if it all poured out in emails and into the wrong places in such distress. Then, once my apology had taken too much blame, and she felt she had the green light to discuss it with me openly on paper, she came in with a sledge-hammer, attacking me personally, and openly breaching conditions in written contract too. In a complete expression of editorial power and abuse, that destroyed editorial sensitivity and trust in commissioned work in progress. You cannot imagine the pain of that, a personal nightmare now raised to the level of semi-official company line, or at least a small department inside a company, Amulet, when I was allowed no say and no defence either, until I refused to work. Only then was I told “a firm takes this sort of thing very seriously’. Sure, but who is the firm? Let alone how awful it was being discussed and judged ‘personally’ at work, by two women once at the centre of my life, but having that alliance between an ex and my editor, intimate with my ex’s new man too, as I saw when I flew to New York. It was like having acid poured into an openly wounded psyche, a wound that had got bigger for two months of dialogue before a number was changed, as an ex knew, but instead cynically used a label to gloss everything. I say cyncically because I am sure it was discussed internally as strategy.

Especially after I had almost begged for some kind of help or understanding about growing internet addiction too, with a medical issue involved too, after having openly talked healing with a partner and in my books, as I felt my emotional life over. But rather than show understanding, or the ‘compassion‘ she started patronisingly mouthing, the woman who had also called all porn ‘evil’ not only rejected everything we had been, but called me literally evil too, though quickly tried to reverse it. She knew it’s implications. “Life is unfair” was and is her only bottom line though, and “Hew, Screw and Glue” you too, buddy. The outcome of the story proves that. It is why her pride in being like a self-described “self cleaning oven” became so awful and unilateral in those circumstances too.

Out of what had been severe psychic disturbance already then, near breakdown, it was me against my own publisher, with betrayed love and friendships in the background, in both New York and London, still trying to work and function. Going mad alone in a flat, in fear and agony, well used words, it lasted for a year and more and brought repeated thoughts of suicide. Abrams tried to push me out, backed down, reversed it, then half backed down again, but I walked away, then Abrams pursued me right up to 2011, to muzzle a blog and hide the truth. Their outrageous assertion was the protection of my ex’s career, or privacies they so destroyed, even Human Rights, when I had repeatedly asked for this all to just stop, for everyone’s sake. They openly denied my Human and contracted rights and showed very little Due Process at all.

My own commissioning editor destroyed the wonderful working conditions we had had before too though, and cut off all channels with people there I had loved working with, even against protected say in a cover written into contract, after promising help with a book. The threats, acts of contempt, duress and bullying went on for months, before I threw down a pen, and forced an ‘enquiry’. I could not go on, did not become a writer for that, and they would have forced a book into print they did not think good enough, and which would itself have harmed my writing reputation. They mutilated principles of Moral Copyright too, let alone written contract, that held another novel there four years. I proved their enquiry a white-wash, with its fifteen minutes by phone and editors lying about a major breach of trust issue written all over my communications. My bright and very ambitious editor was fully aware of the political implications, long before I lost the plot, or begged, or why else threaten with “we will protect our girl” in early 2008, then describe me as a ‘good person’ when I apologised and asked for help? Why good? Because I decided not to take it elsewhere, even though the threat was already huge. Yet seeing me ‘in so much pain’, did nothing objective to help or maintain proper editorial duty either, nor bring needed peace back. My publisher warned me on the phone “You know what could happen” and called me a “nice guy”, but what kind of nice guys are they, and was it really necessary? I raise the charge of IIED, Intentional Infliction of Emotional Distress. In New York a woman who had hot coffee spilt on her was awarded a million dollars!

It became sustained psychological torture for an author, using my good name and career, five novels with them, and entire future livelihood, after the pain of what had happened ‘personally’, out of an ex’s almost complete negligence and double standards, even possible malice, to threaten and force silence. Not for everyone’s benefit at all, but theirs alone, so that a secret would not get beyond a department, especially to a CEO. Why could an ex not allow just a professional peace though, in a small department? In law that is called Improper Motivation, and it was very nasty indeed. It became so mendacious that lies were told everywhere, promises broken, and there was no editorial trust or honest comment. I only learned what my own editor really thought of a manuscript in process from my own vanishing agent. Which even a bullying CEO could not deny, when he accepted my attack on the grounds of collusion, and breach and repudiation of contracts, and work started again in mid 2009 with a new editor, for a time. What they did when a family issue came into the frame is just unbelievable, but then it’s a pretty unbelievable story.

The pain has returned, and confusion too, because though it could have been stopped at key moments, on their front, it’s source goes back six years too, to a woman who asked and promised for care over relationships and trusts, I gave her at every turn. Who asked me not “to make her the last to know”, yet did that absolutely to me, at a puerile and completely selfish level of consciousness too. But somehow I will find a way out, and end a disgraceful human and artistic story forever. Either that, or end this blog itself, now ‘The Muzzled Blog’, but you see the former writer’s problem! Love and work are surely the two things that really matter in anyone’s life, and both were stripped from me, in the same place, totally ruthlessly in the end, or because New York companies are places of awful fear and back stabbing. My ex’s projected life fears were enormous though. They tore aware my power in the world, well published writing, rights even in contract, and my ability to earn, while the end of that line is now losing my flat too.

It was disgraceful or shaming on my part sometimes, sure, especially with my sense of a family name, as I lost control of words, touched breakdown and nearly went mad, though have never harmed anyone in my life. As I writhed, trying to get out of a place I could not and trying to explain it to an editor too, let alone understand it myself. But utterly disgraceful, indeed possibly criminal, on the part of people I knew intimately for years, and New York publisher Abrams. Where I was tortured trying to work in safety and my career thrown in a trash-can, my publisher removed, and the two women who did the real damage in the first place, very much in cahoots, got straight to the top. It is not because of my editor’s special editorial skills, certainly not the dreadful edit she delivered to me, but more importantly under the wrong conditions, also begged for back and denied because of her ‘power over her list’, nor love for books, people or publishing at all. It is because my editor brought in huge bestsellers like The Diary of A Wimpy Kid and Hello Kitty to Abrams. She used my book The Sight to get her job, supposedly Fire Bringer too, but for her “loyalty is a tricky thing.” I think that’s why a CEO removed a man he did not get on with, who was far nicer and more imaginative and who all his authors liked. It has implications too about how men are always painted the villains nowadays.

In every other sphere of life there are employment protections, legal standards, means of redress, we have come to expect as very basic, but not in the one place where the fundamentals of freedom of speech and human vision themselves actually begin, Publishing. Because it is only commercial success that gives a writer any real power or protection, if good relationships, which is what it is really about, become so damaged. I am watching as any say in the printed copies of my lauded published books is stripped away too. In reverse, people inside publishers are protected by each other, share schemes and pension plans, and the interrelations of big money makes them much like the Cartels we complain about in banking. Editors move between publishing houses and so does negative gossip and ‘ ‘decision making‘. I could not stay at Abrams because I would not be just ‘owned’ and abused like that, my legal rights stripped away, the very principle of true editorial interchange and dialogue destroyed. There needs to be an Ombudsman to stop those individual nightmares, or release pressures for both writers and editors too, but the degree of open abuse that took place at Abrams, over so long, is phenomenal, and I fear has done lasting emotional harm.

“We are willing to bring happier memories into the future” my own editor informed me, at one point, after I apologised in a way meant to protect everyone and be heard, to an author under two contracts, with two published novels there. But only if I shut up about an ex who had broken such trusts, personal and professional, so harmed very happy memories here, but then left an impossible and distortive accusation right at the heart of a firm, that I was not even allowed to defend. It’s consequences distorted everyone’s judgements and actions. Thanks for the legal and editorial principle, and the happy memories too. I will look to real friends, and pray for small miracles elsewhere.

DCD

Leave a comment

Filed under America and the UK, Books, Childrens Books, Publishing, The Phoenix Story

THE MUZZLED BLOG

27th September 2012 –

I had a weird dream last night, about a great, ancient house, and a beautiful woman seeking love, yet my failure to reach her! Something’s terribly wrong then, and out of a story that might give actual proof of what Jung called The Collective Unconscious, with so many connected dreams, I think it’s about my own family name, and a ‘house’ I’m very proud of. My father and grandfather’s house. The third post below has been removed then, not in again backing down on it here, but because there are ‘Calibans’ out there, in the lost cyber world, and it’s too specific and too invasive to my family. It’s also too long. I’ve been very ashamed in terms of harm to that name, having had to talk about my fear, internet addiction and a nervous breakdown, although the term’s too easy. As for Fifty Shades of Grey stuff, just let it be some warning about what it does to real love, although I think the psyche will find any way it can to heal itself and I try not to judge. Anyone can come here just to talk about it, in trust. A writer is on a reader’s side, as editors should be on a writer’s side. You cannot be labelled mad and evil by a major editor though, at the heart of a department, and it just be left there at any serious publisher. A cry for help has been completely wrong, I would rather help, and this isn’t, it is open protest.

As for miracles, it’s enough to know some ‘bad’ miracle happened, if only in the relationship between my novel, and real events with a real child, concerned with eyesight and seeing. But then I did write The Sight. It’s written not just across one but several novels, and strange events too, as Fell involves people at my own publisher Abrams, in happier days. The novel commented on by an ex and my own editor, as it was being written and real events being turned to fiction, but which an ex refused to even read, as she slammed a door. It’s tragic that at a Children’s and fantasy publisher, Amulet, a wing of Abrams, and with people who mouth ‘God’, they could not have given the spirit of love to at least try a real miracle, when I cried out in the middle of Scream, or something good for a family, in those terrible circumstances. I think that’s why a CEO reversed a decision to cancel a book, he had no right to cancel, only when a family member called, so not to been seen to be awful, yet the way they tried it was even more Kafkaesque. I resisted that too, but had to walk away.

Two people there, my editor, the now Vice President, and the President of Abrams, should answer it, and say why they destroyed a lauded writing career, with no regard to writing process, award-winning story or fans at all. With no regard to the meanings in my books, trying to address Global Warming, endangered animals or a climate of World Terror, much about America, that must affect our children as much as us all. They are not simple issues, as Man is not a simple animal, and need addressing in story. Perhaps they have to ask if an ex is only capable of malice. Why the former Vice President and my publisher was removed, but no redress made to me, or just no action taken to stop it, and where they think real ‘evil’ lies too. Whether it might be more related to terrible American labels like ‘Evil’, their legal abuses, appalling human cruelty, over so long, and to the obsessive privacies of a woman, my ex and so-called friend, who comes from a family involved in real child abuse and a death from Aids, but who caused such much harm in her selfishness and mounting arrogance. That does not ignore my own rage, or pleading.

The CEO admitted both Civil Conspiracy inside a department and breach and repudiation of contracts. I’m loosing my home now, but no US lawyer will touch the case, because I can’t afford to pay, and perhaps because of my so-called ‘harassment’ of someone I loved, had spent two years with, and discussed a life and future with. A Pro Se, self respresenting action 3000 miles away is too difficult, and could take years, while only 7% win, but never say never. The truth is it was harassment of me too, by my editor too, in a place I could not walk from, with five novels at a firm and a career just taking off in the USA, although something tore out of me, in despair at what people can do, and what she did. Their lie though that my ex, simply as an officer of company, had no better duty of care to me than “Hew, Screw and Glue” was first used in a cover up, I exposed, then described as ‘tedious’ by a CEO, then returned to as a legal manoeuvre to further harass me and a blog right up to 2011, and hide the truth.

Every time they have backed down, when I found the strength to stand up, if sometimes I just appealed to love or spirit and hate invasion, and I have invited them to challenge in court. They should be shamed into action, but have no shame. It was humanly appalling that a woman I had a natural right to trust, let alone loved, could not show any sensitivity to my asking for help over addiction too, or to protect delicate privacies, from a medical issue, to other secrets. Think of ‘David’ in ‘One flew over the Cuckoo’s nest‘ and Jack Nicholson getting labelled mad and lobotomized. Perhaps I should be happier being ‘the bad boy’. The response she put in a Company email was collusion too, inside a small department I loved, incredibly cruel, and harmed several people’s lives. It’s human and artistic cynicism is disgusting.

I am stopping a blog though, because it is harmful to me psychologically, going back and back to the issue. But also in silent protest at what happened and is happening everywhere, although this is just one publishing story. There’s no respect nor protection for the artist though, unless money is involved, but all over we see abuses of power. Abrams’s abuses became monumental, but Macmillan UK were in specific breach of contract too, just handing electronic rights to Penguin US, and have no respect for a classic novel either, letting Fire Bringer fall out of hard copy print after 12 years, and with amazing reviews, and resounding love and praise from readers. Penguin UK keeps classics in print, even if the turnover is not huge. I wonder what they will do to The Sight. It sounds arrogant to say it, but when a friend of my brother’s asked what her daughter might think of Fire Bringer and I said she’ll say it’s “the best book she’s ever read“, in three weeks she came back to say “she said it’s the best book she’s ever read!” I’m not arrogant, but very confident as a writer and storyteller, or was, when I was allowed to do it, with proper and legally contracted support. I just can’t survive this now and cannot find an agent or the right support. No simple sob story, just an awful story.

Culture is in danger though when no one stands up, but then my own editor was allowed to breach my rights to Privacy and Seclusion to another publisher at Penguin US, treating everything I am as owned commodity, while literally using a threat to my own career to muzzle me. “The one thing in life I have learnt, David, if anything, is to keep my mouth shut,” she had already said. As well as warning “we will protect our girl” and being intimately involved both with my ex and her new man, as I saw when I flew out to New York. Fine, but you are a protected editor, behind the scenes, living off share schemes in your writer’s work, using The Sight in your job interview, not an author hired and risking everything to write truthful or inspiring stories. What she said on the phone to my former agent Ginger Clarke in 2009 must be considered to have involved some kind of criminal libel. “Loyalty is a tricky thing,” she once told me too. It certainly is at Abrams.

She put Abrams in specific breach of written conditions of contract too, fighting absurdly for her “power over her list”, nothing else, and admitted to seeing it was all”holding my life to ransom”. But then did nothing except exploit the situation to get to the top as Vice President and try and force a novel into print she mangled, to try and keep a secret from a CEO. The Calibans are definitely at the heart of Abrams, and these are bald facts. That is why ‘culture’ is being given mass market books like Diary of A Wimpy Kid and Hello Kitty, which drive the money machine and so editorial power too.

I was born to write and am rather addicted to blogging too now, earning nothing here, if we’re all addicted to the Internet these days. That needs debate itself but the truth is Phoenix Ark, including most design, was built single handed. Readers’s letters and support were extremely important to that. There are brilliant stories here though, about many things, especially real London in the late 16th Century and Edmund Shakespeare, and other artists and writers might have come in, if everyone was not so wary of being linked to a ‘scandal’, or just looking for cash.

That is the sadness of watching supposed friend’s reactions too, though it is quite hard to stand up to what I did stand up to, in such circumstances. You fight into a place of love and it harms the Self. It was quite hard to get my sanity back, at a point of the most enormous metaphysical grief and fear. I challenged Abrams, God and Heaven, like a loony, when I wrote to them and went on pilrimage, but it reconnected me, heart and soul, and Heaven’s inside and only on earth. Like Hell. I’ve committed to readers to try and get Scream out and will, but everything stops now, until something dramatic changes, which I fully expect, in our frightened, frightening and faithless world, melting ice caps and all, it will not.

Just to stress who I am, to resist any more fear or shame here, and show how the sad years have rolled on, a new author photo is going up in the page headed “The Beginning” too. Pity it’s most likely the end, but it was not for want of trying. Perhaps it’s been too much about me, but its spirit is about the times. I’m not Paulo Coehlo, nor a Catholic, am fascinated by science and nature, the writing power is really there, but I’ve seen true darkness and could help too, in a world that needs balance back, and the language of love, that breathes out of literature, religious and secular. Perhaps in six months time some miracles of the human heart will be allowed, because that is what storytelling is about too.

David Clement-Davies

Phoenix Ark Press

Leave a comment

Filed under America and the UK, Books, Childrens Books, London, New York, Publishing, The Phoenix Story

THE FLAMES OF HEAVEN AND HELL, FIFTY SHADES OF GREY AND THE BAD PHOENIX ARK MIRACLE

THIS ARTICLE HAS BEEN SUSPENDED AS TOO INVASIVE TO DCD AND TOO MANY PEOPLE

Leave a comment

Filed under America and the UK, Books, Language, London, Publishing, The Phoenix Story

TRAVEL WRITING AND HOW IT STUMBLED WITH A SHORT WALK IN THE HINDU KUSH

Every world is changing, even as you step into it. But my own experience of how the world changed in travel writing was growing up reading the likes of Eric Newby, he of A Short Walk in The Hindu Kush. Like Patrick Lee Fermour, Newby was one of the gentlemen greats, who came to travel edit the pages of the Observer, and when I went out to The North West Frontier, lots of people took his very funny Short Walk with them, including me. How travel writing has changed since then, and how our knowledge of Pakistan and Afghanistan too. No longer an adventure, more a horror story. But then all writing is the mediation of supposed universal experience, through a particular consciousness, as language and its precise use mediates too. It was why it was a little funny, talking of “gentlemen greats” to find Country Life editing an article about a polo match on the Shandur Pass, from my line about a local man peeing in a lake, to his “relieving himself”. Up in the Hindu Kush folk pee, they do not relieve themselves, if “this is true, throughout the shires, that horses sweat but Man perspires!”

I was always freelance, trying to write in papers like The Telegraph, The Times or Guardian, specialising in stories related to wildlife or environmentalism. It never brought in any money, but it did give the chance to do some extraordinary trips, and to write too. So I heard little stories like an editor bumping into Jan Morris, James in a dress by then, and telling her travel writers had charmed lives. Hmmm. Jan Morris is certainly a deeply charmed writer. The problem was the days when you could sound off as real traveller and writer were also morphing into the days when you had to write about the quality of hotel shower heads, and so sell the travel industry itself, to support a paper’s advertising revenues.

The democratically thin end of that enormous wedge is the Internet and the likes of Trip Advisor, where self-appointed experts apparently cause horror stories complaining about the number of tea bags, or the position of the kettle in Bed and Breakfasts. In trying to set up potentially interesting pieces though, with prominent companies, that could be a little corrosive of your independence too. But there was also the fact that no journalists took travel writing very seriously, as they should have done, and often saw it as a chance for freebies, or a holiday from the real fight. Art though, and finding a real voice in writing, and travelling the world, is the fight too.

I fell very foul of The Telegraph when I was attacked by an editor, and many editors on the inside love their bits of power, for daring to be rude about Devon and Cornwall, although I wasn’t really. That was the impression that came out from a piece about history there, or England’s story, notably falling off our own maritime identity into American dreams and longings at “Westwood Ho”, that had been severely slashed in print, causing several “points of view” complaints from the public. Hey ho. Travel writing at its best is writing at its best, but rather than glossy food fests, posh hotels or book stunts like crossing the Atlantic in a bathtub, it should be brought back in print, if only as a leader to other articles more obviously engaged in selling things. One place that dedicates itself to travel writing as writing, almost purely in fine reprints, is Eland Books.

DCD

PA PRESS

Leave a comment

Filed under Books, Culture, Publishing

THE BLOGGER’S BLOG

THE BLOGGER’S BLOG

We’re afraid Phoenix Ark Press has the only blog that is going to be defiantly anti-blogging, anti-social media and anti-facebook. Never a way to sell a thing, replete with the ironies of talking through the medium we do not want to, but recommending all to turn off the bloody blogs, have a relationship, start a revolution, get off the internet, climb a mountain, do anything but witter on into the cybersphere.

The word for a start is awful, a throw away, slightly trashy and nothing to do with the art of writing. How many million words did WordPress user’s broadcast today, now words are pixellated commodities too, and how many are actually being read and give both readers and authors a sense of engagement and real communication? Perhaps when specific issues emerge bloggers can spark important debates that really create chains of true engagement, (individual freedom, justice and a way of fighting back are both revolutionary and important), but otherwise we are all lost in that need to be linked in, limiting real human interaction by endlessly being elsewhere, half present, via our iphones, ipads, laptops and devices. If the very meaning of ‘culture’, a difficult word, is a shared experience, in many ways the internet has disconnected rather than truly connected us, creating niche pockets of interaction, but giving the impression we are all talking as one.

As for Phoenix Ark Press our advice is do ANYTHING but do what we have done in a blog! Though true writing and honesty engages the heart, shows something of the soul, to pour feeling into the void can itself be heart breaking and emptying. What we worry about most are young people, caught in that vapid hall of mirrors of posting, which is often just about putting up pictures of how great we are, how happy, what a lovely holiday we are having, and says very little that reaches to the heart. So, if someone suggests you blog, just tell them to blog off!

ps next time we’ll try to say something more positive, but the hope is readers will air their thoughts on the medium itself!

PA PRESS

Leave a comment

Filed under Culture, Education, Publishing

ABRAMS AND TERRORISM

Isn’t interesting that in such dark times, (since the Twin Towers came down, perhaps,) my own editor and now Abrams Vice President, Sarah van More, could not defend a series of children’s books, starting with the novel coming this week, The Terror Time Spies, that were designed to help kids deal with a climate of fear?

The actual value of a story was irrelevant, in their ‘defence’ of editorial power, that wrecked a career and removed a publisher too. I argued, as I had with a partner and ‘so-called’ friend, that a lot of it was about American consciousness these days, projecting fear, but also massive arrogance, and a quality of selfishness and lack of depth too, that some have called Ego Consciousness. ‘Our rights’, but no-one else’s, and engaging the full weight and threat of a system. That projection is understandable in a climate of world terror and conflict, wherever it comes from, but not for a second in a world of children’s and Young Adult books.

Perhaps my anger was actually frightening, at times, but when a publisher is trying to publish a novel with ‘no contact with the author’, actually to mask the legal dispute that had developed, you really are in the realms of Kafka, or just plain tyranny and cruelty. In this case a business tyranny as bad as any other. Tara Break’s projected life fears were enormous, perhaps out of the darkness in her own strange family, and a terror of standing up too. But when a CEO, Mike Jacobson, threatens an author, fighting for their career out of so many personal betrayals, and on their own in London, with ‘issuing attorney’s notices in New York and London’, but also suggests that I had ‘some other motive’, as if I was some terrorist, then something very odd is going on. At one point I joked that that New York madness would involve delivering a literary manuscript in an armoured car!

The abuse of power was later reflected by instructing an entire department not to read a blog, as a publisher denied dialogue on books already there. The whole thing, for a year of trying to work, was because Tara Break would not put away an accusation that was a complete distortion of the events that led up to her changing a number, and the reasons for them. That jaunt through the fields of publishing, writing, true love or friendship cost me everything, and her publisher Howard Reeves his job too, but then she was hand in glove with my editor, Sarah Van More. Who, in her own collapsing life relationships, not only chose to ‘defend’ Tara Break, but invade her own author, breach his trusts to another publisher, Sharyn Novembre at Penguin, and apply no decent or equitable principle, in her scramble for power. The question remains of who the mystery man was, in the mix, who never had the guts to stand up to this supposed bully, and if he actually works at Abrams too.

But the real ‘Terrorism’ was the ferocious and ultimately cynical politics inside Abrams. It was how they both judged and accused without allowing any kind of proper hearing too. How they abused the principles of authorial respect, proper working conditions, emotional safety, freedom of speech, and honest dialogue too, to serve Tara Break’s interests entirely. Why exactly do they publish anything – for the money and their careers alone? In the end I couldn’t take their devil’s pact of silence for success, as they disrespected all their contracts too, so I walked away. Let’s hope, in taking so much poison out, and now publishing one of those three novels too, we can sweep away the awfulness and rebuild.

But if an American CEO can try to lie about the real issues to the US Author’s Guild as well, and promote Sarah Van More over Harold Roves, then under his leadership Abrams are a publisher that cares about nothing, and America will make its world reputation worse and worse. America is a free country, a great democracy, at root, and I once thought Abrams an extremely fine publisher, but If you think it’s an unimportant story because it is ‘only’ about books, or one person’s livelihood, imagine what could happen if innocence or personal freedom were involved? It does happen, in ‘real’ life, and in often frightening America.

DCD

Phoenix Ark Press

Leave a comment

Filed under America and the UK, Childrens Books, Publishing, The Arts, The Phoenix Story

INTRODUCING ‘THE BLOGGING BLOG’

Along with The Edmund Shakespeare Blog, Phoenix Ark Press are now delighted to introduce ‘The Blogging Blog’. It will involve tips about publishing, encouragements and warnings to writers about blogging itself, discussions of any real cultural value, or whether Sir Tim Berners Lee’s Internet, so highlighted at The London Olympics by Danny Boyle, actually connects or disconnects. Hopefully it can be a valuable forum about writing, blogging, journalism and voices on the Net, but that depends crucially on you the reader too, so bloggers experiences and insights are much encouraged. We will give away some of the experiences and thrills and spills of Phoenix Ark’s publishing venture too.

Leave a comment

Filed under Culture, Publishing, The Phoenix Story

REPLYING TO TIFFANY B

Hi Tiffany,

thanks for writing again. I’m very positive about Phoenix, readers’ kind and interested responses, and trying to let the issue ‘go’, but some very deep principles indeed were abandoned in this, both in life and in publishing. The astounding fear generated in New York around it has much to say of our times, perhaps, and a harm that can spread well beyond something as apparently unimportant as books. I did not behave very well, at times, but Abrams did something that was not only inhuman but actually breached essential US legal, even Constitutional principles. That’s why it’s flagged at the top of a blog. It is boring and repetitive sometimes, even damaging to put it there, but it was also blind and unnecessary. It is people who make the ‘systems’ we hide in or blame, and people who stand over real harm, or actually cruelty. In other examples that can go really dark. Abrams could and should make it right, but never will, and it is also about the sad climate in Publishing nowadays. As for The Sight 3, that would have happened too. I was told in the middle of it, by my editor Susan Van Metre, now Abrams VP, that fans ‘would love’ a sequel to Fell, and wrote a proposal, but that too was jettisoned, in a completely inadequate response to another book there and an editor’s ‘power over her list’, as my time and fans were disrespected.

As for my stories, Fell, Kar, you’ve hit a nail on the head. But Fell was the novel written at a wonderful time, that a person refused to even read, once talked about in warm jokes during editorial, but later part of awful invasions, by both an ex and my own editor, side by side. No writer or artist can be forced to function under those shocking conditions. No one can be dictated to like that, but see such dreadful and cynical hypocrisy. I hope they wake up to the harm they did, not only involving me but Howard Reeves. Nor was the story only about Abrams, but friendships back in London, and a laziness and emotional negligence that well reflected the passions and rivalries of wolf packs! Wolves though also seem to look after their own. Let’s move on and tell better stories about many things. Thank you for the encouragement, fans are only and rightly interested in the quality of stories, not the back room business of publishing, which here got straight into the front room.

all very best, DCD

To David Clement-Davies

I know Abrams stung you right through the middle but (being positive) forget about them. Your on this site now, your releasing ebooks on Amazon. Your doing wonderful for yourself. Look up reviews on amazon on paperback on some of your books:

The Sight:

http://www.amazon.com/The-Sight-David-Clement-Davies/product-reviews/0142408743/ref=cm_cr_dp_all_helpful?ie=UTF8&showViewpoints=1&sortBy=bySubmissionDateDescending

Fire Bringer:

http://www.amazon.com/Fire-Bringer-David-Clement-Davies/product-reviews/0142408735/ref=cm_cr_dp_all_summary?ie=UTF8&showViewpoints=1&sortBy=bySubmissionDateDescending

These reviews are not towards the publisher but to your work. The Sight has about 182 reviews.

Forget about The Man and continue this site’s great future.

You have my fan love, I don’t care about a publisher when I read a book I only care about the story, how it’s written, how character personalities are written and their situations. For a good example: Kar from The Sight, Kar is dragged away from his family when The Balker kidnap his siblings by Skop and adopted into Larka’s family and he seemingly accepts what he’s got before being separated from Larka and having to turn lone but calls Huttser father near the end when reunited with his pack.

I remember The Sight like it was a movie. I think it’s your best. Fire Bringer was good too but for me, I personally love dogs more then deer.

I hope Sight 3, will happen one day and you can give us the epilogue where Fell and Tarlar and puppies. Puppies would insure Fell’s happiness I think he needed it after the end of Fell, Kar needs to be with Larka. I’m sorry but I can’t imagine any other wolf with him.

This is the ending I’d write as a fan but my plot and layout planning sucks.

Hope this encourages you keep on your future track. All the best.

Tiffany B, A fan

1 Comment

Filed under Publishing, The Arts, The Phoenix Story, Young Adult