MORE DRAGON IN THE POST, THAT INTRODUCES A PHOENIX AND A CHANCE TO JOIN A FUNDING CAMPAIGN ALREADY AT 34%!

DRAGON IN THE POST – THE STORY CONTINUES, LIKE THE INDIEGOGO CAMPAIGN THAT YOU CAN SUPPORT NOW BY CLICKING HERE AND CONTRIBUTING

Gareth Marks was in a world of dream, or nightmare. On a mean little cot in a dingy basement in Pendolis where the 12-year-old was now sleeping he suddenly heard a soft, whispering voice in his darkened mind.
“Gareth, where are you, Gareth? I can’t even see you.”
At first the boy thought that it was his mum but the voice became clearer, delicate but strong and almost beautiful, and he saw his little dragon, the Firecutter, hovering before his eyes again.
“You must get out of there, Gareth, it’s not safe. No where’s safe any more. Not even Pendolis.”
The dragon’s mouth didn’t move at all but she was definitely speaking to him. Gareth Marks felt an awful ache and reached out to the little creature, but like a spirit, trying to escape capture, it flapped its blue wings, pulled backwards in the air, and was gone.
“NO. Don’t leave me. Not again.”
The 12-year-old woke with a jolt, shivering badly, and sat bolt upright, half expecting his step dad to be there. Instead he saw Sao Cheung standing at the end of his cot, smiling kindly at him, although his eyes were red and puffy, and he had obviously been crying.
He was holding some clothes in both hands and his Baseball jersey was gone. Instead, the Chinese American boy was wearing baggy moleskin trousers, leather sandals, and a kind of rough sacking, that looked like it was made of coconut hair with a big pocket at the front. It made him look slimmer.
“Hiya,” he said softly, blinking, “I didn’t want to wake you.”
“Thanks, Sao.”
“Er. They brought us these,” said Sao, holding out the bundle of rough clothes, “They say they want us at work in ten minutes.”
“Work?” mumbled Gareth wearily, half thinking himself back in the flat in London. His back was aching.
“Scullies. Kitchen boys, I guess,” whispered Sao, “The twins have started Dragon training. I saw them through the window, this morning.”
“Morning?” said Gareth, “But how long have I been asleep, Sao?”
“Hours and hours. A whole day and night, and more. I had some really weird dreams. It was horrid.”
Gareth rubbed his eyes, got up and took the unpleasant outfit. He suddenly felt a pang of jealousy for the older twins, joining those tough looking Dragon Warriors, and wondered where Sarissa was. They had taken her to a different room, the morning before. Then Gareth thought of the poor mute boy, and his smuggled FireCutter. He shuddered.
“Gareth, er, it’s going to be ok, isn’t it?” asked Sao Cheung nervously. “Please.”
“Yes,” answered Gareth kindly, not knowing at all, “I promise.”
The poor eleven year old looked a little reassured.
“And I promise something else, Sao, I’ll find a way to get us all home. Somehow.”
“They left us some water and funny biscuits,” said Sao, more cheerfully now, looking to a battered metal tray, sitting on a wooden table in the corner. The room was like a stone cell, with a metal grill over the window. From the light outside, Gareth Marks guessed it was about mid day in Blistag.
“Go and have some, Sao,” said Gareth, yawning but trying to be the adult, “I’ll get changed.”
The 12-year-old boy was used to dealing with himself at home and pleased to get out of his pyjamas, and into some shoes, and proper clothes, although he made sure to collect all the pieces of the very dangerous book and stuff them in his front pocket. As Gareth turned there was a thumping on the thick wooden door that made them both jump.
“Scullies to the ready,” cried a gruff and angry voice. “Bouchebold is waiting and it he doesn’t like waiting.”
“Bouche…what?” whispered Sao nervously.
“Come on, Sao,” gulped Gareth, “Keep your eyes peeled and stick close to me.”
As the two boys pulled open the door and stepped outside into a narrow stone corridor, lit by burning braziers in brackets on the walls, they saw other scullions emerging from their rooms too. From their evident confusion it seemed they were just starting too. They were one or two grimy faced girls amongst them, although they were mostly boys, tall and older than Gareth and Sao, about ten of them in all. They were all silent and nervous, as they stood in their coconut sacking and they looked rather brow beaten and frightened.
“I WON’T. YOU JUST CAN’T TREAT ME LIKE THIS!”
Gareth grinned immediately, surprised how glad he was to see Sarissa again, as she came storming out of a door on the right, dressed like Gareth and Sao, although with a kind of white napkin on her head like the other two girls. Sarissa Hallet was addressing no one in particular but she kept looking around frantically.
“I demand to be sent home immediately. I’m Sarissa Hallet and I’ve got a tennis…”
Sarissa suddenly noticed Gareth and blushed and fell silent. He and Sao Cheung lined up beside her as a tall, thin scullion, marched up and down the line. He was about seventeen, with a mean, angry face and he looked at them all in utter contempt, with a definate hint of cruelty in his mean little eyes.
“Buttersqueak fodder,” he snorted scornfully and Gareth Marks wanted to run at him with his head, “Nothing but filthy Buttersqueak Fodder. But know yer place, right, and learn the rules around the Great Bouchebold. Do as you’re told, work yer fingers to the bone, keep quiet, and you’ll be rested and fed, more than water and biscuits too. I takes my cut, mind. Cry, steal, make wave, or mess up and you might be fed to a dragon instead.”
They all looked wretched and bowed their heads.
“But one tip, above all,” said the bullying scully, “While you’re working in the kitchens or anywhere near Bouchebold, never, ever mention Dragon Chefs, right? Now come with me.”
The chief scully turned on his heels and dutifully the ten of them followed down the dingy, flickering corridor, Sao, Gareth and Sarissa taking up the rear. The stone passages seemed to go on forever, as they traipsed along, sensing the weight of an entire citadel above them, and wondering what they were about to face. But at last they saw a blaze of light ahead and heard the sound of shouts and frantic voices, the bustle of hectic activity. The new scullions were all flabbergasted as they stepped into the open room.
The great kitchens of Pendolis were like a huge stone cathedral or a stone vaulted wine cellar, billowing out smoke and steam, like incense, lined with wooden work benches, above which, from metal racks, hung huge spoons and knives, colanders, kettles and saucepans and copper pots, that shone like evening gold.There were people everywhere, cooking over open flames, washing in great stone basins, like cattle troughs, or preparing food, from great mounds of fresh produce, piled everywhere.
In one corner was an enormous bench, completely clear, that opened beyond into a dark hall, while in another was a great stone archway that glowed with a dim orange firelight. A giant carcass that looked like a miniature rhinoceros was slow roasting on a huge spit in the centre of the kitchen as scullies stood around and basted it in oil and fat. But strangest of all the flames seemed to rise out of the ground, with no coal, or wood to feed it, and Gareth noticed a peculiar smell, slightly unpleasant, mixing with the many delicious scents he recognised around him.
To one side of the cobbled kitchen were lined bulging sacks and every now and then cooks would shout and scullies would run to the sacks to bring them more ingredients as they worked over their hobs, where flames seemed to rise magically too, since Gareth Marks was sure Pendolis hadn’t invented modern cooking methods.
The haze was like being in an old-fashioned train station and the place like a little citadel itself. The newcomers noticed that every now and then a cook would turn on the scullies though and shout, clip one over the ear, or give them a kick with a boot.They saw all this through the haze like a magical dream itself, but suddenly a huge shape loomed out of the steam, there was a sharp cry of HALT and everything stopped moving.
The most extraordinary man was standing there now in a shining white chef’s outfit, smeared with blood and gravy. Huge, not for his height, but his girth and his chubby, rubicond face. It was so hot and red it looked like a Halloween pumpkin with a blaze of shock white hair on the top, that made him look like a mad, but rather brilliant professor. His eyes were gleaming, although the strangest and purest blue and he was sweating profusely and looked rather angry. The scullies suddenly looked terrified, even their leader, because he was also holding a huge chopping knife in his gigantic, fat fingered hands. But the chef suddenly smiled and it was like the sun coming out.
“Here, now. The new recruits!” he cried, in a rather squeaky, high-pitched voice, “How very splendid. Der-licious. And so much to do today too. I am the Great Bouchebold and this is my little kingdom. We serve the entire citadel, of course, but we’ve a special banquet tonight, for the start of the season. The first day’s often the hardest so we must serve the young Dragon Warriors something tremendous.”
The Great Bouchebold had begun to walk up and down the row slapping that knife rather ominously into his sweaty palm and eyeing his new recruits.
“The Dragoman will be there too, of course, ‘the Man Upstairs’, who adores his food. Though little does he know who’s really in charge, since an army marches on it’s stomach, eh?”
Bouchebold grinned and winked and turned to look back at his little army, hanging on his every word now.
“The Dragon Maidens will be there too,” Bouchebold went on in his odd, breathless voice, glancing at Sarissa and the other girls, “and to please THEM, we’ll have have to be real magicians, tonight, even you scullies.”
The new kitchen scullions were trying to nod and look interested.
“You may not have been chosen as fit to be Dragon Warriors,” said Bouchebold, “but you’re still young, so worthy to do your bit in the kitchens, in the great fight. It’s a war down here too, remember, so just try to do as you’re told and we’ll all get on splendidly.”
The new scullies were all rather relieved since Bouchebold did not seem a bad sort at all, until he stepped up to each and began prodding them, tweaking their cheeks, feeling their biceps, or surveying them carefully, as if they were all the finest cuts.
‘Scrubbing’ he would decree, with a laugh, or ‘Peeling vegitables’, or ‘basting’.
As he did so the elder scully pointed to one part of the kitchen and they filed meekly away, until Bouchebold scowled at him and pointed to a sack of potatoes.
At last Bouchebold came to Sarissa, Sao and Gareth though and it was Sao he was suddenly scrutinizing carefully. At first Gareth Marks fancied there was some recognition at the podginess of the Chinese boy, until he realised he was looking at Sao’s eyes.
“Extraordinary,” the Great Bouchebold whispered with an odd little giggle, “most remarkable. We should send you to see the Great Naturalist. What can you do though, lad?”
Sao Cheung gulped and shrugged.
“Dish washing,” said Bouchebold immediately, looking at Sao’s stomach, “and no pinching food.”
“If I have to work here,” said Sarissa suddenly, straightening her back with immense dignity “I’m not washing or scrubbing, I assure you. I’m pleased to help you cook though. As a Sou Chef,” she added knowledgeably. “I’m nearly fourteen, you know.”
Sao gulped and ducked slightly while Gareth Marks looked nervously at that gigantic knife, but they both sighed with relief as Bouchebold roared with laughter and rocked back on his heels. The roar, it has to be said, was more like clattering saucepans and ended in a high-pitched squeal.
“How splendid,” he cried, “Really delectable. You’ve spirit, girl, and I always like that in the mix. Just can’t get the help any more, so I’ll trust you with some basting, today, if you can lift the ladles. But keep your pretty nose clean and learn, girl, then who knows, in a year or two you…
“A year,” cried Sarissa Hallet in utter horror.
“Time flies like Dragon wing in Pendolis,” said the enormous cook and even as he said it, Gareth thought, at the very far side of the kitchen, he saw something take to the air from a pile of plucked chickens.
Bouchebold was pointing now and Sarissa and Sao were already moving off towards their allotted positions, obediently, but the cook turned to Gareth Marks now. He did not speak for several moments though.
“Hmmm. There’s something keen in your eye,” he said, at last. “Some boldness. Discernment too, perhaps.”
Bouchebold suddenly flipped the huge kitchen knife and offered Gareth the handle.
“Correcting,” he said, looking significantly to a group of scullies in a line, also wielding chopping knives, waiting in front of a bench piled with plucked animals, vegetables and spices.
“Correcting, Sir?” gulped the twelve-year-old nervously, although trying to look enthusiastic too. Gareth wanted to make an impression.
“The produce,” explained Bouchebold a little wearily, “there’s something wrong in Pendolis now the Black Warlock’s slobbering over everything and we have to be careful. Puts everyone off their food too, upstairs, if we don’t prepare and present, absolutely perfectly.”
Gareth Marks looked confused.
“So when a cut of lamb turns up with a sow’s ear or a lamprey starts to look like a lobster, we chop, separate and put things back in order. Order, order, order. It won’t ever go to high table, but nothing’s wasted down here.”
“The Teller,” said Gareth suddenly, his eyes sparking furiously, although his head was starting to spin too, “Because they say the Teller’s wounded?”
“You’re sharp, lad,” said Bouchebold approvingly, “For one so young and lowly. With ears to the ground too. That’s good. Very goos. In training, or down here. But what’s your name, lad?”
“Gareth Mar…. Er, Gareth of the Mark,” corrected Gareth, trying to stand taller.
“Got one, boy?” asked Bouchebold and his pure blue eyes narrowed.
“One, Sir?”
“A mark? Scar, birthmark, lesion, cicatrices, sixth finger?”
“No,” answered Gareth softly and he blushed. Bouchebold seemed rather disappointed as he loomed over him.
“Pity. I thought there was something about you. Everything in life is about the best ingredients but it’s important to stand out in Pendolis too. Mind you, the first lesson in blasted Warrior Training, they say, is always pick the right moment to show your true stuff. It can be really vicious out there, at times, and I mean, we’re making heroes here, not idiots.”
Bouchebold winked.
“Yes, Sir” said Gareth, feeling like an idiot and wondering what the twins were getting up to in their warrior training. He was suddenly glad he had been given kitchen duties.
“And stop calling me, Sir, lad. It’s COOKS down here. First Cook, in my case. Got that, Garnet?”
“Yes, First Cook, but it’s Gar.”
“And take a tip from Bouchebold. High or low, whatever it is you do in life lad, do it well. Everything you learn is of use, everything. But here, very few will tell you how it’s really done. Why should they? I mean they have their own dreams and ambitions. So you have to learn on the job. LEARN.”
“Yes,” said Gareth Marks, as BoucheBold seemed to look at him rather significantly, “thank you, Sir.”
“Manners too. I like that. Perhaps we’ll have you serving then, in six or eight months time. Now, musn’t dawdle. They’ll soon be waiting at the Pass.”
Gareth Marks suddenly felt home sick.
“Kitchen Staff of Pendolis,” bellowed Bouchebold though, swinging round dramatically, “Back to work now. Keep it tight and together and Good Luck, one and all. A Working kitchen is a happy kitchen. GET IT DONE.”
Bouchebold flicked his head and started to move off towards the bench as Gareth followed meekly but suddenly there was a flash of red and a bird went sailing over their heads.
“What’s that?” cried Gareth, ducking. The bird had settled on top of an enormous upturned copper cooking pot and he looked around as if he owned the place.
“THAT?” said Bouchebold, looking rather irritated with Gareth for even asking, “THAT is not a THAT, boy, but Herbert, the Kitchen Phoenix.”
“Phoenix,” gasped Gareth Marks, “the mythical bird that rises from…”
A thin wisp of steam seemed to be rising from the Phoenix’s feathers even now while Herbert had a decidedly sour expression in his doleful, watery eyes and his red feathers looked rather old and mangy. In fact one suddenly fell out, drifted into a bowl of jam and burst into flames.
“Mythical!” squeaked Bouchebold, looking very flustered indeed now, “oh, we don’t use such language in Pendolis, dear me, no. You’ll be saying Dragons are mythical next, heavens, or chimera, gorgons and even the Last Unicorn. Herbert would get very steamed up to hear he’s mythical. And Herbert has very good ears, or had, before he started to go a little deaf.”
Gareth shivered and suddenly remembered that horse he had seen running in terror from the Dark Wood.
“Yes, Sir, I mean First Cook,” corrected Gareth Marks quickly, “of course. You don’t use Dragons then, in your kitchen?”
Gareth was thinking of those recipes in Pendellion’s book and Bouchebold looked at him sharply. His face had suddenly become rather hard and suspicious, but it softened again.
“None to spare, nowadays,” answered Bouchbold almost wistfully, “But Herbert is my real eyes and ears down here,” he added fondly, although he seemed to be talking to himself now, “Quality Control, you see. Could never manage without him, dear creature. Herbert has a perfect palette too. Herbert’s worked and slaved in the Kitchens of Pendolis even longer than I have. And that’s nearly 80 years.”
Gareth was astounded, since the First Cook looked rather young, but even as Bouchebold said it the old bird took wing again and landed next to a cook who had been tasting something with a spoon and was looking rather confused.
The Phoenix stuck his head straight into the saucepan and, when it emerged, it was dripping with a thick, wine dark gravy. Gareth wanted to curl up with laughter as Herbert shook its head furiously and nodded its beak towards a pile of fresh rock salt. The cook looked rather crestfallen but added some obediently, and then some more, as Herbert nodded, rather superiorly too, then flew away in disgust, with a mournful and disapproving screech. The inspecting Phoenix settled by another cook now, chopping huge red onions this time, nearly the colour of its moulting feathers. Rather than do anything though, the bird just stood there, and Gareth suddenly realised huge tears were streaming from its feathery face.
“Is he chopping them wrong?” asked Gareth, holding his knife even tighter, and determined to make an impression today.
“Not at all,” said Bouchebold. “Best slicer in the kitchens. Trained him myself.”
“The onions then,” said Gareth, because Herbert the Phoenix was literally sobbing now, as the bird stood there watching.
“They’re sweet onions, not eye waterers,” answered Bouchebold, grinning. “Thing is, poor Herbert can be rather sentimental and always gets upset at cruelty, especially to vegetables.”
“Oh,” said Gareth Marks, thinking Pendolis the maddest place he had ever been now, and feeling suddenly lost again. He saw Sarissa by that spit-roast rhinoceros thing trying to pick up an enormous copper spoon, very irritably indeed, and poor Sao rolling up his sleeves, by a stone water trough and the most horrendously large pile of filthy plates.
Gareth looked down at the bench they had stopped at. It was ranged with plucked chickens, ducks, rabbits and geese, but they all had something slightly wrong. A rabbit had a frog’s legs, a duck had sparrow’s wings, a chicken had what looked like the comb of a Dragon. Gareth Marks felt rather sick but Bouchebold had suddenly reached out and grabbed one of the chopper’s arms.
“Not like that,” he growled, looking significantly towards that stone archway with the red glow, “or I’ll send you to work cooking for the Dragons, and you wouldn’t like that at all. Be careful and precise.”
Gareth wondered if Dragons really lay beyond and was rather startled by Bouchebold’s change of mood and tone but two men had come bustling across the room now, carrying two large wooden crates.
“Your fish, Bouchebold,” grunted one, “fresh from the Foundless Sea.”
“And a delivery of berries and champignon,” said the other, “from the Dark Wood.”
The Great Bouchebold’s glowing face lit up immediately.
“At last,” he cried delightedly, “The special ingredients. I thought they’d never get through, with the wars. Put them over there and don’t forget to mark them VERY DANGEROUS.”
The men nodded gravely and the great Bouchebold swept away into his kingdom, as Gareth was left with his chopping knife wondering what could be dangerous about food. So it began, their very first day’s work in the great kitchens of Pendolis.
As they worked Sao, Gareth, and Sarissa kept checking on each other’s progress, although they often lost sight of each other in all that smoke and steam. Gareth also kept trying to catch the First Cook’s eye, since he felt they had made some special connection but as he went about, testing, checking and suggesting, and the cooks took out their anger or frustration on the scullions, the Great Bouchebold had completely forgotten who they were.

David Clement-Davies Copyright 2014 – All Rights Reserved Published by Phoenix Ark Press

You can join the campaign on Facebook too, with David Clement-Davies, or at the page “Stories in The Post – The Dragon tries again”. There is an online meeting tonight with the Street Team about strategy at 6pm London time. You can also read what has been blogged so far on Wattpad.

Leave a comment

Filed under Books, Childrens Books, Community, Young Adult

THE DRAGON FLIES AT 30% AND RIGHT NOW THE PHOENIX NEEDS YOU!

12_001Hooray, we’re at 30% already on Dragon In The Post and with far fewer backers, which is exactly why I am going to mention names like Barb, Trais, Melody, Sharon, Cath and all Phoenix Ark Press readers and those inspired by the Fellowship of The White bear too. Contributions are wonderful, but with a lower target this time this is so not just about money but a constituency, a readership, a shared publishing endeavour and making it happen for a Dragon story and much more.

Come home then and help us soar! People are sharing wonderful art of the Facebook page “Stories In the Post” and in the Phoenix Ark group, while the Dragon is up on Wattpad and more to come later. It would be lovely if you’d become part of the adventure today by going to Indiegogo to contribute by BACKING THE DRAGON but also spreading the word to break through again for DCD and real books, in the post.

Well done and thank you.
PA PRESS

Leave a comment

Filed under Books, Childrens Books, Community

DAVID CLEMENT-DAVIES DISCUSSES THE PERSONALITIES, PLEASURES AND PAINS OF CROWD FUNDING BOOKS

Perhaps it was a note from a ‘street team‘ member today and fan of my books, or last night’s heated conversation about ‘real publishing‘ and the horrors of Facebook or the Internet that prompts this article, and in the middle of a second attempt to crowd fund Dragon In The Post. In fact it was being a bit too thin skinned that made me pull the last Kickstarter effort, before it was even half way through and when we were doing well on 37%. I think that both shocked and disappointed some and I am sorry for that, but I was selling my flat too. The truth is that putting yourself out there, as an established author or not, can be an invasive, very personal and sometimes a painful thing. That’s because, while you should really only be selling the merits of a story, if you can even be heard and so judged for it with all the Net noise, it feels as if you are having to sell your whole personality and simultaneously act as a door to door money grabber. I made a mistake then not thanking everyone who had taken part last time personally, whether they had been able to actually donate to the campaign or not, because I so enjoyed some of the conversations that went on around the world, the enthusiasm, art put up, passion and the sense of mutual effort to reach a goal. This is a thank you to them and you.

That money goal, the finishing line, can be a slightly corrupting thing though, in the sense of wanting to get it in the bag, not just for me but everyone else too. That shared sense of achievement. But I assure you it is as important people are behind hit with £5 or £500, because my heart bits a little faster every time it goes up and the moral support is crucial too. Perhaps my own personality has merited an accusation of callousness from one original backer, ie being accused of only speaking to them when I wanted the money. I don’t think that is actually true though, I give time and thought as I can, as I suggested I would do unpaid work editing and publishing others at Phoenix Ark Press. Although I have always said I don’t especially like Facebook, don’t want my life swallowed up by too much time online and so on. It is the paradox of a very personal and difficult publishing story, that took time for me to confront openly, and having to work with this medium to try and get back to real books (in the post) and build a small publisher too. Perhaps people might remember that it should not be just a ‘you scratch my back‘ thing either, as in ‘I will Like your page if you Like mine‘, which seems all over Facebook! I do Like some pages but I chose what I Like, even if people have Liked my efforts. Meanwhile if Phoenix Ark could get my books up and running again, and that is its own question mark, I have always said we might be able to give back in encouraging others to crowd fund their work with us. But that itself speaks a necessary toughness, a quality control, a business head and the kind you find with big professional publishing houses and editors, although in our case with a grass roots creative spirit too.

We all know that going online has its ups and downs, the desperate sense of wanting to be heard, sometimes even the near addiction of it, mixed I know with both fear and desperation at times. Something I have talked about very seriously in my own case, so I hope establishing its own level of trust, along with awful examples of the harm it can do in terms of isolation, bullying and so on. That’s why through this whole crowd funding journey I came up with an idea called Lifeliners, which was to encourage people to mentor others and build a kind of network that might challenge the increasingly awful capital divides out there, getting people to help build mentoring, friendship and funding projects everywhere and right around the world. If crowd funding in many spheres is going to be a working model for the future though, and the online world is such a pressing reality, or unreality, such thinking should be encouraged.

My approach to this campaign then is consciously more laid back, if without sacrificing passion, work and energy, I hope. It is why I took advice and set a lower goal at £4500, during a longer period of 40 days, and why I now feel more relaxed about pages on Facebook becoming their own forums, where I do not have to be all the time, although I am alerted to them via emails. People must have their own fun with that, whether a campaign works or not, but I hope we can connect again many times, as both individuals and a united team, and I am very open to any ideas others have. I also am grateful for that, that others can be heard too, and indeed want to thank people whether they have be able to donate money or not. Of course I want to hit the target and money is an important element in life, but if that was the only thing I would never have become a writer in the first place. While I am also acutely aware of the difference in spirit among some. Meaning that those with little money have often given far more both in terms of cash and effort than often disapproving friends with money, who I know have carried two previous projects to success with little loss to themselves. That sometimes makes me angry because it seems to reflect the lack of awareness out there these days and the huge gulfs that have developed both in terms of capital divides and as importantly the real imaginative empathy with other lives and experiences. People who think it is just a stroll in the park though, whether that merits £20 or £200, might try standing up and crowd funding themselves, to know how much it can take it out of you. I have also been challenged on choosing the Indiegogo model of drawing money whether the campaign reaches its target or not. I wrestled with that and in the end fully justify it with the huge work done on other campaign and the special Opt Out Clause I introduced if anyone wants money back and we don’t hit it. But above all with the fact I am trying to build a little publisher and working now to bring my first novel Fire bringer back into hardcopy availability, so your money will be well spent. I think I may well return everything if we do not get at least close to the target, though remember if I do that without Indiegogo’s percentage taken off I will be even more out of pocket myself.

Then of course, with all that complexity, comes many hugely positive and exciting things too; the fun of really doing so well each time, the importance of trying to tell some kind of truth about Social Media or Facebook, making new and old friends, how moved I’ve been both by talking to people and hearing how my books have touched lives, and just the importance of trying. It is all in such marked contract to what happened at a big, highly commercial New York publishing house. Who knows what the future holds? If the lesson is it just does not work then it is good to learn from that and let it go. As for the mutual demands or expectations that naturally develop, especially with such personal money contributions involved, all I can say is that in the end no one owns me or my time and I must be my own person, as much as you, though I want to encourage others too. But, as Dragon In The Post tops £1250 and still with over a month to go, a big hooray and it is full steam ahead, because I am hatching many ideas to bring it to fruition this time, and hope you will become part of a Street Team and bring in your ideas too. As Jean Luc says in Star Trek “Make it so!” Thank you all again.

If you would like to “Join the story, become part of the adventure” and see the lovely work on Facebook too then why not visit the project now by WATCHING AND CONTRIBUTING TO THE DRAGON HERE

David Clement-Davies July 2014

1 Comment

Filed under Uncategorized

THE MOST FANTASTIC DRAGON START!

eggbox_001

Hi,

how wonderful not to sweat too much about a campaign this weekend and yet see it rise already to 21% and nearly 1K! THANK YOU SO MUCH, although I’ll be discussing contributions individually and seeing if I should return any money I think you can’t afford. I’ve also put in an OPT OUT clause if I don’t make it and there will be no hard feelings if anyone changes their mind.

Still wonderful though if you want the book, like the Dragon story and will contribute.

You can become part of that adventure for me by CONTRIBUTING HERE

DCDx

Leave a comment

Filed under America and the UK, Books, Childrens Books, Community, The Phoenix Story

PHOENIX ARK GOES “INDIEGOGO” AND THE DRAGON FLIES AGAIN!

dragongood

It has been a bit of an uphill psychological battle to realise that you and the publishing industry owe me nothing at all, although my closest friends and my American publisher certainly did owe me faith, the respect of the right editorial conditions and of several contracts too, in the most astonishing battle. But all that matters now is the quality of work and the meanings inside stories too. So once more Phoenix Ark Press turns to a new crowd funding model, not at Kickstarter this time but at Indiegogo and the relaunch of Dragon In The Post, suspended in May. This time it will run for 40 days, with a goal of £4500, the crucial difference being that we can keep anything you are kind enough to contribute. To justify that, and the fact that you will be immediately supporting a writer and little publisher, so every penny counts, during that time I will be working and using my own money to bring Fire bringer back into hard copy availability in the UK. It was wrongly taken out of print by Macmillan after 12 years on the shelves.

I need and would love your passion and support as much as ever though and achieving that lowered target, down from £6000, is perhaps even more important, as is all explained on Indiegogo. It will set a bench mark for what we can or cannot do in future. I hope you visit and love the project then, watch the film and follow the thinking in the text below. You can go there now and support by Contibuting at Indiegogo

Meanwhile you can read some of Dragon In The Post on Wattpad and the page Stories In The Post on Facebook. “Join the story, become part of the adventure”.

Thank you for spreading the word, contributing or doing anything you can and wish us luck! The other key is just to have some fun, since books are an entertainment after all.

DCD – Phoenix Ark Press

Leave a comment

Filed under Uncategorized

PHOENIX ARK PRESS PROUDLY BAKES SOME CAKES FOR ST PETERS AND KENNINGTON

If you think it’s all been about Phoenix Ark asking for things via Crowd Funding, we’re happy to report that DCD has just been hard at work trying to support St Peter’s Church Vauxhall, in Kennington, no longer his manor, and to find prizes for a bake off they are holding in the grounds of Lambeth palace, tomorrow, June 28th. With quite a result too, because a bit of pushing and shoving, with some wonderfully spontaneous exceptions, produced tickets for The London Eye, Sealife, dinner at the Goring Hotel, several gastro pub meals and one from Wahaca, a lunch from the Bhuddist Jamyang Centre, hampers from John Lewis and Greensmiths, tickets to the Garden and Cinema Museums, a pack of lovely cake soaps from Lush, a voucher from Evans cycles and several other goodies, including a strange bread baking pot from Lassco called a Pancheon. Sadly Kevin Spacey at the Old Vic never responded to David’s personal overtures, unlike a charming letter from Joanna Lumley, but we hope it is a delicious event.

It is important too, especially with so many local people getting involved, because it is the 150th anniversary of that church, which will see a drive to raise money to restore the windows, clean the apse and fix the organ, in what is a very remarkable building architecturally and a symbol of the nineteenth century arts and crafts movement. The foundation stone, laid by the Prince of Wales for a church that stands smack bang in the middle of the old Vauxhall Pleasure Gardens, the altar supposedly on the site of the old fireworks tower, was laid concurrently with the founding of the local arts school. It is all much in line with blogs here about Edmund Shakespeare, Southwark, and the Garden Museum, but we very much think any funding drive should attempt to draw on interest in the history of the entire South Bankside of the river. Which is also why it was so delightful that the local restorer to some very venerable buildings, Szerelmy, have so kindly agreed to give a bit of free advice on costings. They have been in the neighbourhood as long, indeed it’s likely the business was involved with the original works.

PA PRESS

Leave a comment

Filed under Uncategorized

THE PHOENIX ARK CULTURAL ESSAY – AN ANCIENT NORMAN TAPESTRY

To honour today’s D-Day Celebrations and the soldiers of WWII, Phoenix Ark Press reblogs a cultural essay.

phoenixark's avatarPhoenix Ark's Blog

Normandy, this Sunday, on a grey, early-February day, seemed empty and almost closed. Apart from the chattering and irreverent French school group, snaking down from the magnificent medieval gothic cathedral of Bayeux, vaulting in its simple brilliance, through the defiantly haute bourgeois and rather charming town of Bayeux. With its original 16th century wooden cross-beamed buildings, the lovely centre presents a French-Tudor aspect, to a head rooted in Shakespeare, though on the roundabout sweeping you into town, arms at his hips as ever, legs set attentively apart, is a far more modern vision, in the large metal statue of General Montgomery, with a stone gateway behind, staring towards the city of Caen, that he paused to attack for two months, for fear of casualties. But it is armed with a taped guide, piping jaunty medieval music at you, that you can enjoy Bayeux’s most famous ‘World’ attraction, that almost thousand-year…

View original post 2,303 more words

Leave a comment

Filed under Uncategorized

SPINDLE CELLS, DEEP THINKERS AND THE WONDER OF REAL NATURE DOCUMENTARIES

800px-Dolphins_gesture_language
Oh what a joy to hear Stephen Fry narrating a program on Dolphins and Whales last night called DEEP THINKERS. I adore dolphins but didn’t know their brains are larger than humans, only topped by Whales, and that they share Spindle Cells, which may be the key to developing a higher aspect of consciousness – self awareness – and so adaptive cognitive thought. Perhaps shared primarily by humans, Cetaceans, primates and elephants, although I believe the weave of Super Nature to be far more mysterious, in the emergence of consciousness itself. But first to the joy and play of those delightful creatures, so magical and mysterious because they seem, unlike man, so at one with the element they inhabit. Perhaps in life we should all just be studying a capacity for freedom and deep play, as happened when the scientists placed a bubble ring machine at the sea bottom and then watched the dolphins first investigate then begin to sport with it, diving gloriously through the expanding rings, or trying to eat them. The idea seemed so cleverly in tune too with the next sequences of what Humpback Whales do so naturally themselves, apart from all that echo locating (um, do whales echo locate too?) or underwater song – bubble netting vast catches of herring, as they breach like hungry Titans. There are very few who are not somehow spiritually moved or even repositioned by encountering those creatures in the wild, hence the animal’s celebrated healing powers, just as so many have said that looking into a whale’s eye brings a connection. Then to the placing of a mirror in an aquarium and seeing dolphin fascination as they came to explore, try to look behind the thing and realizes that they were seeing themselves. For more than a moment you could be forgiven for thinking a dolphin had just smiled and winked at you.

It brought back so many memories of wildlife travel writing for UK National newspapers, years ago, and getting to do some really astonishing trips too. Like searching for Bottlenose dolphins in the Cotto Golphito in Costa Rica, when I was stupid enough to take off my shirt on the little dingy hugging a slimy sea and got secondary burns, within a couple of hours. Or touching the primeval thrill of spotting a hammerhead shark, half way up a mast on a beautiful Ketch sailing in the Azores, or feeling my heart cope with the sudden fear and desire to hyper ventilate, as I came up just ten feet above to six foot reef sharks navigating a gully diving in Lombok. Breathe, and be at one! Weirdest was a nigh time drift dive in the red sea, when a US marine very literally had to take me in hand, I got so spaced out by how the night shift came online on the reef: Crustacea with burning eyes, waving fluorescent anemone, ghoulish faces poking from the living coral and prawns that seemed to be wearing cloths ‘like the falring skirts of Spanish dancers’. Such wonders, that so make me so want to support the likes of Kelly, a young ecologist who has written here so well on her work with Coyotes in California. That trip to the Azores though, where once the seas had turned blood red with the spear whaling of remarkably brave if misguided whalers, before those mighty bodies were melted down in giant vats, was a kind of spiritual Cetacean fest. Like seeing pilot whales, with their shiny black alien heads nosing up to us out of the wild spume, or something like sixty Sperm whales breach, thundering into the skies and turning the sea into a riot of sunlit splashback. The best moment though was in a dingy at the side of that ketch when a mother Sperm whale, guarding her calf, suddenly dived and only half a boat away the fluke of her gigantic black tail rose before me, a kind of sub-equatic miracle, like a living tree dripping with new rain, before she slipped back into the deep.

The film though was such a glorious antidote to the awful and damaging documentaries that are often pumped out there, especially in the US, I’m afraid, exploiting the melodramatic or sensationalist, like the ‘killer this or that‘, essentially to encourage that most tragic human capacity, irrational fear, for all the awareness we do need in and of the wild. It is one of the things we have always done best, thanks to the likes of Sir David Attenborough. With Sol’s bird photos though being so wonderfully posted on the Facebook page “Stories in The Post – the Dragon tries again”, or Socrates, Kelly’s chum, the marvelous dogs, cats and horses (and of course Kate’s mice, to cheer on a musical CHEESE!) that I’ve seen among the Kickstarter street team and now Charlie posting about the attack on Romanian forests, such a preserve of bears and wolves in Europe, perhaps we can all connect our Spindle Cells, to affect each other and the world in some small way! Please do come and join the Facebook party too then and help breath life into a more mythical creature too, a little Fire cutting Dragon called…!

DCD

Dragon in The Post is now being blogged in part on Wattpad, at David Clement-Davies’s page there and on Facebook. It is in preparation for another Kickstarter campaign and attempt to create a crowd funded publishing model. The photo is a public domain Wikepedia image of a pod of Dolphins in the Red sea.

Leave a comment

Filed under Uncategorized

WITH SO MUCH HARM, COME THE ENGLISH RENAISSANCE!

UKIP achieving in the polls, mutterings of the final break up of the BBC, yawning questions about the reality of recovery or the direction of this country, a feeling that social differentials have returned to the 16th Century, without the patronage, and what greater place to look on its real greatness and courage again than through the tradition of its writers and that greatest age of theatre, the English Renaissance! It seems you do not need a rebirth when the kind of productions the Globe company just staged as The Duchess of Malfi are screened on BBC Two, in the new covered theatre next to Sam Wannamaker’s Globe Theatre on Bankside, now called The Sam Wannamaker Theatre. It is a beautiful little house, in fact much smaller than the real Blackfriars Theatre over the water from the original Globe, that the Burbage brothers fought so long to open, and where Shakespeare staged a performance of Henry VIII, in the very place that Henry had announced his Divorce to the Bishops, and the restructuring of the English Church. Perhaps art was never so far from truth as we think. So Ben Jonson referred to the new trend in theatre in The First Folio, with the audience sitting on the stage, the arrival of more expensive seats, candlelight that ended open air rounds and precursored ‘the limelight’, but also the darker, more intense tragedies of Jacobean theatre, in an age tipping towards Civil War.

But so you’ve had a bit of schooling or University and think you know it all, yet to rediscover Webster through this performance was almost miraculous. Perhaps that is the very point of reconstructed houses and doing it as it was, taking you back to the power of individual words and an individual consciousness. It is not the period costumes that naturally get in the way, it is the attempt to make things ‘modern’, when perhaps everything was always the same. It was written in 1612-1613, five years after Shakespeare’s brother’s death, probably the year Shakespeare wrote The Tempest and has all the flaws of the bloody revenge tragedy. Yet so does Hamlet, a stage strewn with corpses at the end, or King Lear, and what is so astonishing about both that age and the play is its profoundly revolutionary nature. In the creation of a woman as ‘The Prince’, and such a remarkable, articulate woman, raising up a man and steward because of his virtue and her love, but destroyed by the coiled lusts of near incestuous family possession and male power, it is feminist par excellence. Yet neither Shakespeare nor Webster would have placed themselves within the constraints of Feminism either, reaching to sound out the source of human tragedy, or the power of theatre to explore the human condition, in the empty glass of life’s performance. When men and woman are at war tragedy must ensue and Art is the struggle to understand. It remains a running question how, after the age of that greatest and most impossibly challenged Queen, Elizabeth I, and the death of a strangely female centric faith like Catholicism, with all its roots in female nature worship too, Puritanism so defined the model both of English power and English brutality, in the explosion of world capitalism that defines almost everything we do.

It is very hard to do such bloodletting on stage without it becoming comic, and yet this production, seemingly perfect for that little, powerful TV Box too – please give us more and you can have my license fee – proved that that very transition to intimate theatre was the movement from external symbols of faith towards the exploration of more intense individual human psychology, perhaps stripped of the life-giving link Shakespeare has to the generative power of nature itself, but set against the attempt to give meaning on any kind of wider philosophical life journey. Does it compare to Shakespeare? Well sometimes, if you see it within the movement of its age and what happened. But above all it and this production underlined the sacred place of theatre, to sound the heights and depths of the human ‘soul’, both foul and beautiful. Funny, careful, perfectly lit by candle light, sinister and deeply sexy, Gemma Aterton as the Duchess was brilliant and, though he will inevitably draw comparisons with Alan Cumming, David Dawson was utterly courageous. Dominic Dromgoole’s direction was a masterpiece of modern ‘period’ theatre, which frankly is just great theatre. Boy, having tried Kickstarter here, do we wish that world Globe venture with Hamlet had succeeded! But have no fear, British theatre is alive and well and living on Bankside (if you can afford the seats) and sometimes on the BBC too.

PA PRESS

Leave a comment

Filed under Community, Culture, London

SO THE CHEESE IS EATEN UP BUT NOTHING ENDS IF YOU BELIEVE IN THE SHOW!

Well, you heard it here first, but CHEESE is done, bar several songs, like Monsieur Malleece’s ‘Now fear is here‘ and one a Composer suddenly decided to use in a different musical! Hope you enjoyed it, but perhaps this is the spirit of the thing, in the vein of ‘let’s put on a show, right here and now‘…. as the Mousettes return to fight for art and entertainment and Victor arranges a fishy denouement for Scarapina’s new dress and, with Zola and The Desperate Crew, they drive the rats and Monsieur Malleece the secret policeman from the old Paris theatre forever.

LYRICS – ONLY A DAY TO PUT ON A PLAY

Only a day
To put on a play
Prop up the set
And learn what to say
Only a day
To stitch in her stay
Sew up these seems
How utterly gay.

Then you’ll see there’s going to be a show
Oh no!

Only a day
To set up the lights
Work on your lines
And pay for the rights
Only a day
To fill in the holes
Write some more words
But what should I say?

Oh how divine, is our time
When we’re treading on the boards

(The Mousettes get to work)

Only a day
To prop up our play
Learn how to act
NO, that’s not the way!
Only a day
To put on a play
Learn how to fight
Why don’t we pray?

Soon you’ll know – there’s going to be a show
Let’s go!

When you’re in the theatre
And you’re really near ta…
Lights up, wigs on, open up the doors
Then you raise the curtain
Never really certain…
Chin up, eyes front, working that applause…

(Reprise)
We work and slave just to earn some cheese
But soldiers, we’re singing a stirring reprise,
We toil and chore just to meet our debts
A family together – the brave Mousettes!

Only a day,
A dwindling day
Nearly the time
To put on our play

Only a day
To put on the play
Work on the scenes,
Get out of my way!

Only a … hey
No more of the day!
I’ll break a leg
Now what did you say?

Only a day
To polish our play
Will it succeed?
I think it just may!

(CORAL CRESCENDO)

Only a day
To polish our play
Will it succeed?
I think it just may!

Only a day
To polish our play
Will it succeed?
I think it just may!

Now we know that we’ve got us a show
Bravo!

Mr Moliere’s Mouse, Royal Academy of Music workshop. Story, book and lyrics by David Clement-Davies, music by Michael Jeffrey. All rights strictly reserved. Phoenix Ark Press 2014

Leave a comment

Filed under Uncategorized