Well, when Press people suddenly disappear, and there has been long standing controversy about the resignation of the Globe’s Artistic Director Emma Rice too, who goes to The Old Vic, even coming fresh to the subject you instantly start to pick up little intimations of controversy and discontent, perhaps even a tempest. That and some kind of regime change may settle with yesterday’s announcement of the new artistic director at The Globe, Michelle Terry.
I only hope that Emma Rice’s fight with a very silent Board, supposedly over issues of poor lighting and sound, though Rice has spoken out over how the Board did not respect her, and a transitional relationship between the two directors lasting into 2018, will be made less painful by the new triumph of Much Ado About Nothing, directed by Matthew Dunster. It was Rice who jumped at the chance to commission this ‘Mexican’ version of the play, and in it all her and Dunster’s best instincts have been vindicated.
It perhaps throws light on what has been going on behind the scenes at the Globe too, in that unusually Terry has mighty little experience of directing, although is both an actress and a writer. Something Dunster, by the way, is clearly not, in his current version of Dickens, although we have forgiven him because of Much Ado. Perhaps then, now the Globe has become a worthy academic institution and study source, and a popular destination for tourists too, and you wonder how much a silent Board cleave to such things, since worthies so often know so little about living theatre, there is a clearer line in reaching back to the writer-player traditions of Shakespeare’s day, in an avowed desire to catch the spirit of the place. As Mark Rylance so famously and successfully did at the Globe’s inception.
However, for now things are on hold because neither directors are as yet giving interviews on the subject. Clearly a sensitive moment, so watch this space. With Terry wanting to find her head the transition may have its stormy moments too, but in this Summer of Love Season, perhaps not. But while being warmly welcomed to the Globe, Michelle Terry should certainly soak up the glorious vibe of Rice’s Much Ado About Nothing, because that’s the kind of theatre The Globe should revel in.
David Clement Davies reviews Much Ado below. The images are public domain photos of Michelle Terry, new Globe Artistic Director and her predecessor Emma Rice