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THE DRAGON AND PHOENIX ARK PRESS TAKE TO THE SKIES OVER THE SOLENT!

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UPDATE: The crowd funded book on Indiegogo, you will get in the post, is now at a soaring 50%!

What an astonishing day driving through the Meon Valley today to Phoenix Aviation in Lee-on-Solent, to take a very first flying lesson with the commendably calm and efficient CFI (Chief Flying Instructor) Steve Cockshott. Out of a perfect misty morning the plumping wheat fields were almost russet as the harvest begins here and the blue skies near crystal glass clear, skirting through lovely morning Hampshire. A very different experience then to the Air Ambulance that I once found myself stuck behind when I once drove to write about Accelerated Freefall, skydiving from 12000 feet in Kent. With little wind, until we landed, near perfect flying weather then, given a touch of royalty at the Argus gate to the airfield too when we learnt that Princess Michael of Kent was nipping in to do some work for the coastguard! Past the old hanger still labelled Overlord, from the war effort, the offices of Phoenix Aviation are housed inside the small control tower and there, with a confident handshake and the remark that he recognised me from the Dragon In The Post Indiegogo film, Steve took us into the briefing room for a quick lesson in Lift, Bernoulli’s Theorem, Ailerons, Control yoke, flaps and something reassuringly called a Stabilator, instead of an elevator on the tail. Basically it makes the 4 Seater Warrior plane we were going up in more stable.

So, when the red wooden model had been put aside, nerves began to calm as we crossed the runway and learned that reassurance is always about knowledge and the intimacy of being hands on. Phoenix have seven planes in all, including 2 microlights, and I was rather amazed to discover that you can reach the level of a solo flight after only 12 hours! But the first real thrill was climbing onto the wing and then into the cockpit, to belt up and don the headsets that allow everyone to communicate with each other and the control tower too. The training inside had taught us the basic movement of the rudder pedals, the brakes just above, you must never use until the last moment and the flaps, while Steve was very clear in showing us how things really and rather simply function. A marked contrast to the bewildering display on the instruments panel, which pilots only glance at, except in cloud, because awareness and real sight is the key, while you must navigate towards the horizon with something through that glass in front of you called a ‘Picture’. So, accompanied by some colourful Hampshire butterflies in the stomach, to taxiing down the short turn to the base of the runway, with nothing but a firm grip on the control yoke and the movement of those pedals. The engine had fired up and I learnt the foolishness of wearing my pointed spanish boots, as too-long toes brushed the brakes but no disaster happened. Then to a sharp turn and stop to check everything, a Roger from the tower and pushing the throttle forward to head down the take off strip. The routine exchange of “I have Control’You have control’, since every plane has dual controls, had returned that mastery to Steve, since no novice can take off or land, and soon we were near the 65 Knotts needed to take off. Chocks away.

So a novice pilot quickly learns, although there is a great deal to learn, that the art of flying is most essentially about the science, the effect of the wind moving at the right speed across the top of the curved wings, so producing reduced pressure above and the necessary ‘Lift’ to carry the 900 Kilogram Dragon bird into the sky. That you have to both know and rely on, because it is a far less dangerous exercise than driving and a very different kind of thrill to say taking to a racing car. It is all somehow dreamier, more peaceful, far more majestic. Then the enemy of the mind is always fear and an over active imagination, not exactly helped by the remark of a flatmate that morning that the average life expectancy of a pilot in the First War was 20 minutes! Not sure it is true, but no dog fights today. We have all experienced it in commercial aircraft but it is a far more thrilling thing too being in your own little cockpit, in potential control, feeling those racing vibrations and suddenly you are in the air, rumbling up a stairway to heaven, with a propeller flashing and breaking light before your eyes. Up to a thousand feet and then that “Picture” before us was like the most brilliant, dreamy oil painting, by a Master of the world and all there is.

The three of us were heading out across the Solent now, that edges the airfield, towards the Isle of White and the feeling and the day were glorious. The dwindling patchwork tapestry of fields, roads and houses below, the flashing white yachts cutting slashes of cotton white in the turquoise water, the super tankers hulking the flowing sea and then the majesty and complexity of clouds seen at eye level or below. The colours were magnificent. It felt like suddenly starring in It’s A Wonderful Life, as Steve said ‘you have control‘ and I was flying too, gently holding the nose and wings level, with a splendid bit of machinery thrumming around us. You really begin to touch the joy and power though when you start to turn a plane and bank, as Steve explained more about the controls, awareness and trimming, the deeper mysteries of pitch and roll, unchallenged by today’s weather, with the little wheel between our seats. When you are not in control you have you hands and feet lightly on, just to get the feel, especially when landing or taking off and begin to really learn what must eventually become instinctive. I was perhaps a bit stiff armed with nerves, because relaxation is key, but it began to come more and more, as I flew in towards The Needles, that remarkable display of eroded hard limestone cliffs at the nose of the white island and came back in a cloud riding circle. The Dragon was airborn and starting to learn! The sea was dancing flashing horse tails 2000 feet below us, those all important checks were made for any planes around, and much of the time you are simply cruising, able to chat quietly about a forty minute flight to Cherbourg, Steve’s business partner Frank or the 130 members the little club have. Neither are paid for what they do, the essential cost is fuel and landing fees and any extra goes to help the club. The rates are very competitive.

So we turned into towards the grass airstrip at Sandown, maintained by the £15 landing fee and the very English little cafe, in airfields here purely for the benefit of private aircraft. You come into land downwind, as you enter something called The Circuit, the imaginary rectangle that surrounds any airfield, as you contemplate the kind of holding pattern we have all experienced too. No delays in this case. Two other training craft were coming in, although it seemed more to me, and one not very well, but suddenly after forty minutes we were descending again towards lush green grass, like a large croquet lawn: 100 feet, 30, 5 and down, with very little bumping at all, although moles can be a problem. All far less dramatic than landing in the cockpit of an Airbus, as I did on one travel piece, but far more charming and liberating too. So to another little taxi and parking among the other drowsing craft. I think I had already decided, as had Jim, who came for a flight too and to kindly help make a little film, that after our twenty-minute break and cups of tea this flying thing was the thing. The only problem being the cost, which, to hit those 45 hours needed for a licence, can be around £9000, although it is quite a bit less to master a microlight. It was Jim who took the controls on the flight back, as I perched in the rear of the four seater, with a confidence perhaps increased by his own sailing skills and experience, because although the wind rules are different to waves, up there in the heavens much the same principles are involved. His face was glowing all the way.

Actually as we came back to land again on hard tarmac it wasn’t such enormous exhilaration that I felt, that had passed, but a sense of calm and of expanded knowledge too, that once you have mastered all the things you have to take on board, from actual flying hours to nine exams, it would be a wonderful thing to be able to fly and land your own plane, wondering more and more what it is like to be up there alone in the skies and in such glorious weather. Perhaps a little like flying with your Dragon! It was in all a very lovely experience, only added to as we raced home in the car but stopped at old Titchfield Abbey. I had no idea that extraordinary fortified monastery, dissolved by Henry VIII, became the Hampshire seat of none other than the Earls of Southampton and Henry Wriothesley, Shakespeare’s greatest patron. The bard could well have visited a stunningly beautiful ruin, then a magnificent functioning house, and so many things at Phoenix Ark Press seemed to coalesce. A project is flying then and has further to journey too.

DCD


If you enjoyed this article and are interested in trying to help crowd fund a book and a little publisher you can do so right now by clicking on HELPING A DRAGON FLY If you want to know more about Steve, Frank and the flying club then visit their website at http://www.phoenixaviation.net/ In the next few days we will edit the film and put it up here and in the Indiegogo gallery. The photos courtesy of Jim Plumridge show DCD in the cockpit mid air over the Solent, on the ground thanking Steve Cockshott warmly and with the wooden model in the classroom.

Come on, let’s all go flying!

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Filed under Adult Fiction, Books, Community, The Phoenix Story

THE DRAGON, ART, FIREBRINGER AND THE OLD OR THE NEW?

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UPDATE: The crowd funded book on Indiegogo, you will get in the post, is now at a soaring 50%!

Anyone supporting the Dragon In The Post publishing project knows that one of the reasons I have chosen the Indiegogo Flexible Funding model is that I’m working during all this to bring my first and favourite novel Fire Bringer back into hard copy availability in the UK. That means some POD platform, Print on Demand, although it would be nice to try and get it back into bookshops too. It was published for 12 years and I still think Macmillan did not stand up enough for a book some think a classic and which Richard Adams, author of Watership Down, called one of the best anthropomorphic fantasies known to him..

But in that vein I just contacted the original artist for the book cover, Kenny Mckendry, who said it has brought him and his work much interest over the years and has kindly sent me photos of the original painting. The question to the Street Team then is should I go with an original, classic design or try and do a completely new edition? The painting is above, showing Rannoch as a young stag and you can visit Kenny’s website at http://www.kennymckendry.com

With our needing to get to 50% funding this week you can also see the Dragon In The Post project and support the campaign by CONTRIBUTING HERE

Thank you and going up into the skies today!

DCD

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A PHOENIX TAKES TO THE SKIES, TO FLY WITH A DRAGON IN THE POST

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To support the thrilling crowd funding book project happening right now at Indiegogo David Clement-Davies is taking to the skies next week (weather permitting) and blogging about his very first flying lesson, in a journey from Hampshire to Sandown, in the Isle of White. It will be at the aviation club there magnificently called Phoenix and you can check out some of the planes by going to http://www.phoenixaviation.net/ We are now flying at 39%, with a month to go, and many more fun projects planned, but we need every inch of your support, sharing and contributions, this weekend please!

Watch this page then, if you like the travel articles that will come from the project, including walking the South Downs Way or join the wonderful chats and artwork being put up on Facebook and in the Indiegogo gallery. But above all come in now and help the story of Dragon In The Post really take wing by contributing in fact and spirit. Thank you for all you support, welcome aboard and chocks away!

You can join the team at Dragon In The Post by Watching, reading and Contributing Here

PA PRESS

ps The author takes a laconic attitude to the suggestion by one supporter that ariel disaster would at least produce posthumous fame. Too famous already, darling, though is a little worried about the names of planes like Icarus! The things an artist has to suffer these days for his art.

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Filed under Books, Childrens Books, Community, The Phoenix Story

MORE DRAGON IN THE POST, THAT INTRODUCES A PHOENIX AND A CHANCE TO JOIN A FUNDING CAMPAIGN ALREADY AT 34%!

DRAGON IN THE POST – THE STORY CONTINUES, LIKE THE INDIEGOGO CAMPAIGN THAT YOU CAN SUPPORT NOW BY CLICKING HERE AND CONTRIBUTING

Gareth Marks was in a world of dream, or nightmare. On a mean little cot in a dingy basement in Pendolis where the 12-year-old was now sleeping he suddenly heard a soft, whispering voice in his darkened mind.
“Gareth, where are you, Gareth? I can’t even see you.”
At first the boy thought that it was his mum but the voice became clearer, delicate but strong and almost beautiful, and he saw his little dragon, the Firecutter, hovering before his eyes again.
“You must get out of there, Gareth, it’s not safe. No where’s safe any more. Not even Pendolis.”
The dragon’s mouth didn’t move at all but she was definitely speaking to him. Gareth Marks felt an awful ache and reached out to the little creature, but like a spirit, trying to escape capture, it flapped its blue wings, pulled backwards in the air, and was gone.
“NO. Don’t leave me. Not again.”
The 12-year-old woke with a jolt, shivering badly, and sat bolt upright, half expecting his step dad to be there. Instead he saw Sao Cheung standing at the end of his cot, smiling kindly at him, although his eyes were red and puffy, and he had obviously been crying.
He was holding some clothes in both hands and his Baseball jersey was gone. Instead, the Chinese American boy was wearing baggy moleskin trousers, leather sandals, and a kind of rough sacking, that looked like it was made of coconut hair with a big pocket at the front. It made him look slimmer.
“Hiya,” he said softly, blinking, “I didn’t want to wake you.”
“Thanks, Sao.”
“Er. They brought us these,” said Sao, holding out the bundle of rough clothes, “They say they want us at work in ten minutes.”
“Work?” mumbled Gareth wearily, half thinking himself back in the flat in London. His back was aching.
“Scullies. Kitchen boys, I guess,” whispered Sao, “The twins have started Dragon training. I saw them through the window, this morning.”
“Morning?” said Gareth, “But how long have I been asleep, Sao?”
“Hours and hours. A whole day and night, and more. I had some really weird dreams. It was horrid.”
Gareth rubbed his eyes, got up and took the unpleasant outfit. He suddenly felt a pang of jealousy for the older twins, joining those tough looking Dragon Warriors, and wondered where Sarissa was. They had taken her to a different room, the morning before. Then Gareth thought of the poor mute boy, and his smuggled FireCutter. He shuddered.
“Gareth, er, it’s going to be ok, isn’t it?” asked Sao Cheung nervously. “Please.”
“Yes,” answered Gareth kindly, not knowing at all, “I promise.”
The poor eleven year old looked a little reassured.
“And I promise something else, Sao, I’ll find a way to get us all home. Somehow.”
“They left us some water and funny biscuits,” said Sao, more cheerfully now, looking to a battered metal tray, sitting on a wooden table in the corner. The room was like a stone cell, with a metal grill over the window. From the light outside, Gareth Marks guessed it was about mid day in Blistag.
“Go and have some, Sao,” said Gareth, yawning but trying to be the adult, “I’ll get changed.”
The 12-year-old boy was used to dealing with himself at home and pleased to get out of his pyjamas, and into some shoes, and proper clothes, although he made sure to collect all the pieces of the very dangerous book and stuff them in his front pocket. As Gareth turned there was a thumping on the thick wooden door that made them both jump.
“Scullies to the ready,” cried a gruff and angry voice. “Bouchebold is waiting and it he doesn’t like waiting.”
“Bouche…what?” whispered Sao nervously.
“Come on, Sao,” gulped Gareth, “Keep your eyes peeled and stick close to me.”
As the two boys pulled open the door and stepped outside into a narrow stone corridor, lit by burning braziers in brackets on the walls, they saw other scullions emerging from their rooms too. From their evident confusion it seemed they were just starting too. They were one or two grimy faced girls amongst them, although they were mostly boys, tall and older than Gareth and Sao, about ten of them in all. They were all silent and nervous, as they stood in their coconut sacking and they looked rather brow beaten and frightened.
“I WON’T. YOU JUST CAN’T TREAT ME LIKE THIS!”
Gareth grinned immediately, surprised how glad he was to see Sarissa again, as she came storming out of a door on the right, dressed like Gareth and Sao, although with a kind of white napkin on her head like the other two girls. Sarissa Hallet was addressing no one in particular but she kept looking around frantically.
“I demand to be sent home immediately. I’m Sarissa Hallet and I’ve got a tennis…”
Sarissa suddenly noticed Gareth and blushed and fell silent. He and Sao Cheung lined up beside her as a tall, thin scullion, marched up and down the line. He was about seventeen, with a mean, angry face and he looked at them all in utter contempt, with a definate hint of cruelty in his mean little eyes.
“Buttersqueak fodder,” he snorted scornfully and Gareth Marks wanted to run at him with his head, “Nothing but filthy Buttersqueak Fodder. But know yer place, right, and learn the rules around the Great Bouchebold. Do as you’re told, work yer fingers to the bone, keep quiet, and you’ll be rested and fed, more than water and biscuits too. I takes my cut, mind. Cry, steal, make wave, or mess up and you might be fed to a dragon instead.”
They all looked wretched and bowed their heads.
“But one tip, above all,” said the bullying scully, “While you’re working in the kitchens or anywhere near Bouchebold, never, ever mention Dragon Chefs, right? Now come with me.”
The chief scully turned on his heels and dutifully the ten of them followed down the dingy, flickering corridor, Sao, Gareth and Sarissa taking up the rear. The stone passages seemed to go on forever, as they traipsed along, sensing the weight of an entire citadel above them, and wondering what they were about to face. But at last they saw a blaze of light ahead and heard the sound of shouts and frantic voices, the bustle of hectic activity. The new scullions were all flabbergasted as they stepped into the open room.
The great kitchens of Pendolis were like a huge stone cathedral or a stone vaulted wine cellar, billowing out smoke and steam, like incense, lined with wooden work benches, above which, from metal racks, hung huge spoons and knives, colanders, kettles and saucepans and copper pots, that shone like evening gold.There were people everywhere, cooking over open flames, washing in great stone basins, like cattle troughs, or preparing food, from great mounds of fresh produce, piled everywhere.
In one corner was an enormous bench, completely clear, that opened beyond into a dark hall, while in another was a great stone archway that glowed with a dim orange firelight. A giant carcass that looked like a miniature rhinoceros was slow roasting on a huge spit in the centre of the kitchen as scullies stood around and basted it in oil and fat. But strangest of all the flames seemed to rise out of the ground, with no coal, or wood to feed it, and Gareth noticed a peculiar smell, slightly unpleasant, mixing with the many delicious scents he recognised around him.
To one side of the cobbled kitchen were lined bulging sacks and every now and then cooks would shout and scullies would run to the sacks to bring them more ingredients as they worked over their hobs, where flames seemed to rise magically too, since Gareth Marks was sure Pendolis hadn’t invented modern cooking methods.
The haze was like being in an old-fashioned train station and the place like a little citadel itself. The newcomers noticed that every now and then a cook would turn on the scullies though and shout, clip one over the ear, or give them a kick with a boot.They saw all this through the haze like a magical dream itself, but suddenly a huge shape loomed out of the steam, there was a sharp cry of HALT and everything stopped moving.
The most extraordinary man was standing there now in a shining white chef’s outfit, smeared with blood and gravy. Huge, not for his height, but his girth and his chubby, rubicond face. It was so hot and red it looked like a Halloween pumpkin with a blaze of shock white hair on the top, that made him look like a mad, but rather brilliant professor. His eyes were gleaming, although the strangest and purest blue and he was sweating profusely and looked rather angry. The scullies suddenly looked terrified, even their leader, because he was also holding a huge chopping knife in his gigantic, fat fingered hands. But the chef suddenly smiled and it was like the sun coming out.
“Here, now. The new recruits!” he cried, in a rather squeaky, high-pitched voice, “How very splendid. Der-licious. And so much to do today too. I am the Great Bouchebold and this is my little kingdom. We serve the entire citadel, of course, but we’ve a special banquet tonight, for the start of the season. The first day’s often the hardest so we must serve the young Dragon Warriors something tremendous.”
The Great Bouchebold had begun to walk up and down the row slapping that knife rather ominously into his sweaty palm and eyeing his new recruits.
“The Dragoman will be there too, of course, ‘the Man Upstairs’, who adores his food. Though little does he know who’s really in charge, since an army marches on it’s stomach, eh?”
Bouchebold grinned and winked and turned to look back at his little army, hanging on his every word now.
“The Dragon Maidens will be there too,” Bouchebold went on in his odd, breathless voice, glancing at Sarissa and the other girls, “and to please THEM, we’ll have have to be real magicians, tonight, even you scullies.”
The new kitchen scullions were trying to nod and look interested.
“You may not have been chosen as fit to be Dragon Warriors,” said Bouchebold, “but you’re still young, so worthy to do your bit in the kitchens, in the great fight. It’s a war down here too, remember, so just try to do as you’re told and we’ll all get on splendidly.”
The new scullies were all rather relieved since Bouchebold did not seem a bad sort at all, until he stepped up to each and began prodding them, tweaking their cheeks, feeling their biceps, or surveying them carefully, as if they were all the finest cuts.
‘Scrubbing’ he would decree, with a laugh, or ‘Peeling vegitables’, or ‘basting’.
As he did so the elder scully pointed to one part of the kitchen and they filed meekly away, until Bouchebold scowled at him and pointed to a sack of potatoes.
At last Bouchebold came to Sarissa, Sao and Gareth though and it was Sao he was suddenly scrutinizing carefully. At first Gareth Marks fancied there was some recognition at the podginess of the Chinese boy, until he realised he was looking at Sao’s eyes.
“Extraordinary,” the Great Bouchebold whispered with an odd little giggle, “most remarkable. We should send you to see the Great Naturalist. What can you do though, lad?”
Sao Cheung gulped and shrugged.
“Dish washing,” said Bouchebold immediately, looking at Sao’s stomach, “and no pinching food.”
“If I have to work here,” said Sarissa suddenly, straightening her back with immense dignity “I’m not washing or scrubbing, I assure you. I’m pleased to help you cook though. As a Sou Chef,” she added knowledgeably. “I’m nearly fourteen, you know.”
Sao gulped and ducked slightly while Gareth Marks looked nervously at that gigantic knife, but they both sighed with relief as Bouchebold roared with laughter and rocked back on his heels. The roar, it has to be said, was more like clattering saucepans and ended in a high-pitched squeal.
“How splendid,” he cried, “Really delectable. You’ve spirit, girl, and I always like that in the mix. Just can’t get the help any more, so I’ll trust you with some basting, today, if you can lift the ladles. But keep your pretty nose clean and learn, girl, then who knows, in a year or two you…
“A year,” cried Sarissa Hallet in utter horror.
“Time flies like Dragon wing in Pendolis,” said the enormous cook and even as he said it, Gareth thought, at the very far side of the kitchen, he saw something take to the air from a pile of plucked chickens.
Bouchebold was pointing now and Sarissa and Sao were already moving off towards their allotted positions, obediently, but the cook turned to Gareth Marks now. He did not speak for several moments though.
“Hmmm. There’s something keen in your eye,” he said, at last. “Some boldness. Discernment too, perhaps.”
Bouchebold suddenly flipped the huge kitchen knife and offered Gareth the handle.
“Correcting,” he said, looking significantly to a group of scullies in a line, also wielding chopping knives, waiting in front of a bench piled with plucked animals, vegetables and spices.
“Correcting, Sir?” gulped the twelve-year-old nervously, although trying to look enthusiastic too. Gareth wanted to make an impression.
“The produce,” explained Bouchebold a little wearily, “there’s something wrong in Pendolis now the Black Warlock’s slobbering over everything and we have to be careful. Puts everyone off their food too, upstairs, if we don’t prepare and present, absolutely perfectly.”
Gareth Marks looked confused.
“So when a cut of lamb turns up with a sow’s ear or a lamprey starts to look like a lobster, we chop, separate and put things back in order. Order, order, order. It won’t ever go to high table, but nothing’s wasted down here.”
“The Teller,” said Gareth suddenly, his eyes sparking furiously, although his head was starting to spin too, “Because they say the Teller’s wounded?”
“You’re sharp, lad,” said Bouchebold approvingly, “For one so young and lowly. With ears to the ground too. That’s good. Very goos. In training, or down here. But what’s your name, lad?”
“Gareth Mar…. Er, Gareth of the Mark,” corrected Gareth, trying to stand taller.
“Got one, boy?” asked Bouchebold and his pure blue eyes narrowed.
“One, Sir?”
“A mark? Scar, birthmark, lesion, cicatrices, sixth finger?”
“No,” answered Gareth softly and he blushed. Bouchebold seemed rather disappointed as he loomed over him.
“Pity. I thought there was something about you. Everything in life is about the best ingredients but it’s important to stand out in Pendolis too. Mind you, the first lesson in blasted Warrior Training, they say, is always pick the right moment to show your true stuff. It can be really vicious out there, at times, and I mean, we’re making heroes here, not idiots.”
Bouchebold winked.
“Yes, Sir” said Gareth, feeling like an idiot and wondering what the twins were getting up to in their warrior training. He was suddenly glad he had been given kitchen duties.
“And stop calling me, Sir, lad. It’s COOKS down here. First Cook, in my case. Got that, Garnet?”
“Yes, First Cook, but it’s Gar.”
“And take a tip from Bouchebold. High or low, whatever it is you do in life lad, do it well. Everything you learn is of use, everything. But here, very few will tell you how it’s really done. Why should they? I mean they have their own dreams and ambitions. So you have to learn on the job. LEARN.”
“Yes,” said Gareth Marks, as BoucheBold seemed to look at him rather significantly, “thank you, Sir.”
“Manners too. I like that. Perhaps we’ll have you serving then, in six or eight months time. Now, musn’t dawdle. They’ll soon be waiting at the Pass.”
Gareth Marks suddenly felt home sick.
“Kitchen Staff of Pendolis,” bellowed Bouchebold though, swinging round dramatically, “Back to work now. Keep it tight and together and Good Luck, one and all. A Working kitchen is a happy kitchen. GET IT DONE.”
Bouchebold flicked his head and started to move off towards the bench as Gareth followed meekly but suddenly there was a flash of red and a bird went sailing over their heads.
“What’s that?” cried Gareth, ducking. The bird had settled on top of an enormous upturned copper cooking pot and he looked around as if he owned the place.
“THAT?” said Bouchebold, looking rather irritated with Gareth for even asking, “THAT is not a THAT, boy, but Herbert, the Kitchen Phoenix.”
“Phoenix,” gasped Gareth Marks, “the mythical bird that rises from…”
A thin wisp of steam seemed to be rising from the Phoenix’s feathers even now while Herbert had a decidedly sour expression in his doleful, watery eyes and his red feathers looked rather old and mangy. In fact one suddenly fell out, drifted into a bowl of jam and burst into flames.
“Mythical!” squeaked Bouchebold, looking very flustered indeed now, “oh, we don’t use such language in Pendolis, dear me, no. You’ll be saying Dragons are mythical next, heavens, or chimera, gorgons and even the Last Unicorn. Herbert would get very steamed up to hear he’s mythical. And Herbert has very good ears, or had, before he started to go a little deaf.”
Gareth shivered and suddenly remembered that horse he had seen running in terror from the Dark Wood.
“Yes, Sir, I mean First Cook,” corrected Gareth Marks quickly, “of course. You don’t use Dragons then, in your kitchen?”
Gareth was thinking of those recipes in Pendellion’s book and Bouchebold looked at him sharply. His face had suddenly become rather hard and suspicious, but it softened again.
“None to spare, nowadays,” answered Bouchbold almost wistfully, “But Herbert is my real eyes and ears down here,” he added fondly, although he seemed to be talking to himself now, “Quality Control, you see. Could never manage without him, dear creature. Herbert has a perfect palette too. Herbert’s worked and slaved in the Kitchens of Pendolis even longer than I have. And that’s nearly 80 years.”
Gareth was astounded, since the First Cook looked rather young, but even as Bouchebold said it the old bird took wing again and landed next to a cook who had been tasting something with a spoon and was looking rather confused.
The Phoenix stuck his head straight into the saucepan and, when it emerged, it was dripping with a thick, wine dark gravy. Gareth wanted to curl up with laughter as Herbert shook its head furiously and nodded its beak towards a pile of fresh rock salt. The cook looked rather crestfallen but added some obediently, and then some more, as Herbert nodded, rather superiorly too, then flew away in disgust, with a mournful and disapproving screech. The inspecting Phoenix settled by another cook now, chopping huge red onions this time, nearly the colour of its moulting feathers. Rather than do anything though, the bird just stood there, and Gareth suddenly realised huge tears were streaming from its feathery face.
“Is he chopping them wrong?” asked Gareth, holding his knife even tighter, and determined to make an impression today.
“Not at all,” said Bouchebold. “Best slicer in the kitchens. Trained him myself.”
“The onions then,” said Gareth, because Herbert the Phoenix was literally sobbing now, as the bird stood there watching.
“They’re sweet onions, not eye waterers,” answered Bouchebold, grinning. “Thing is, poor Herbert can be rather sentimental and always gets upset at cruelty, especially to vegetables.”
“Oh,” said Gareth Marks, thinking Pendolis the maddest place he had ever been now, and feeling suddenly lost again. He saw Sarissa by that spit-roast rhinoceros thing trying to pick up an enormous copper spoon, very irritably indeed, and poor Sao rolling up his sleeves, by a stone water trough and the most horrendously large pile of filthy plates.
Gareth looked down at the bench they had stopped at. It was ranged with plucked chickens, ducks, rabbits and geese, but they all had something slightly wrong. A rabbit had a frog’s legs, a duck had sparrow’s wings, a chicken had what looked like the comb of a Dragon. Gareth Marks felt rather sick but Bouchebold had suddenly reached out and grabbed one of the chopper’s arms.
“Not like that,” he growled, looking significantly towards that stone archway with the red glow, “or I’ll send you to work cooking for the Dragons, and you wouldn’t like that at all. Be careful and precise.”
Gareth wondered if Dragons really lay beyond and was rather startled by Bouchebold’s change of mood and tone but two men had come bustling across the room now, carrying two large wooden crates.
“Your fish, Bouchebold,” grunted one, “fresh from the Foundless Sea.”
“And a delivery of berries and champignon,” said the other, “from the Dark Wood.”
The Great Bouchebold’s glowing face lit up immediately.
“At last,” he cried delightedly, “The special ingredients. I thought they’d never get through, with the wars. Put them over there and don’t forget to mark them VERY DANGEROUS.”
The men nodded gravely and the great Bouchebold swept away into his kingdom, as Gareth was left with his chopping knife wondering what could be dangerous about food. So it began, their very first day’s work in the great kitchens of Pendolis.
As they worked Sao, Gareth, and Sarissa kept checking on each other’s progress, although they often lost sight of each other in all that smoke and steam. Gareth also kept trying to catch the First Cook’s eye, since he felt they had made some special connection but as he went about, testing, checking and suggesting, and the cooks took out their anger or frustration on the scullions, the Great Bouchebold had completely forgotten who they were.

David Clement-Davies Copyright 2014 – All Rights Reserved Published by Phoenix Ark Press

You can join the campaign on Facebook too, with David Clement-Davies, or at the page “Stories in The Post – The Dragon tries again”. There is an online meeting tonight with the Street Team about strategy at 6pm London time. You can also read what has been blogged so far on Wattpad.

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THE DRAGON FLIES AT 30% AND RIGHT NOW THE PHOENIX NEEDS YOU!

12_001Hooray, we’re at 30% already on Dragon In The Post and with far fewer backers, which is exactly why I am going to mention names like Barb, Trais, Melody, Sharon, Cath and all Phoenix Ark Press readers and those inspired by the Fellowship of The White bear too. Contributions are wonderful, but with a lower target this time this is so not just about money but a constituency, a readership, a shared publishing endeavour and making it happen for a Dragon story and much more.

Come home then and help us soar! People are sharing wonderful art of the Facebook page “Stories In the Post” and in the Phoenix Ark group, while the Dragon is up on Wattpad and more to come later. It would be lovely if you’d become part of the adventure today by going to Indiegogo to contribute by BACKING THE DRAGON but also spreading the word to break through again for DCD and real books, in the post.

Well done and thank you.
PA PRESS

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THE MOST FANTASTIC DRAGON START!

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Hi,

how wonderful not to sweat too much about a campaign this weekend and yet see it rise already to 21% and nearly 1K! THANK YOU SO MUCH, although I’ll be discussing contributions individually and seeing if I should return any money I think you can’t afford. I’ve also put in an OPT OUT clause if I don’t make it and there will be no hard feelings if anyone changes their mind.

Still wonderful though if you want the book, like the Dragon story and will contribute.

You can become part of that adventure for me by CONTRIBUTING HERE

DCDx

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THE PHOENIX ARK PRESS SOCIAL MEDIA RE-LANDSCAPING PROJECT!

With over 170 dedicated readers instantly following Phoenix Ark Blogs, stories and articles but a quicker and wider outreach on Facebook it is probably easier to follow a story and a crowd funding adventure there. So the second installment of Dragon in The Post has just been put up and you can read the first and the second at the page Stories in the Post – The Dragon tires again by CLICKING HERE Please do Like the page, share it, help build the project but also add your thoughts and comments about whether it is possible and how much it even interests you.

The Kickstarter campaign to turn it into a real book, a thing of beauty and to send it to you, in the post, but also to open a doorway on a grass roots publishing adventure for many brilliant books and ideas was suspended on May 5th, due to the author getting a touch grumpy. It will return!

DCDx

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FIRE BRINGER RETURNS TO THE BOOKSHELVES, TO BACK A DRAGON!

Fire-Bringerdragongood

When the dust settles on the Dragon In The Post kickstarter project running for 17 more days, win or lose, and thanks to the support of younger fans and backers too, an inspiring new generation coming of age, Phoenix Ark Press will bring a classic, Fire bringer, back into print copies again, in the UK and territories not controlled by the US and Canada, where it is still available (we think!). It is real books an author here loved and loves and many fans too, we believe, as opposed to the vast jumble of ebooks being pumped out there, many in part just to test markets. The model must be POD, publishing on demand, at Createspace, Lightening Source or perhaps another printing house.

So an open invitation stands to artists to show their interest now and perhaps win a cover design for that and our ebooks too, or tell us how to re-design everything at Phoenix Ark Press. Just write to us, or comment below. That is much part of the spirit of a Kickstarter project right now too, Dragon in The Post, that is still very much alive but which needs grass roots fire and backing. It can open a door, like a little Firecutter dragon trying to burn a doorway into wonderful worlds (you have to watch the film!), onto many other projects here too, including a Bear epic.

You can join the story of that, help it happen and become part of a wider adventure too by BACKING THE DRAGON!

Thank you again.

PA PRESS

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WITH BRILLIANT FANS, BACKERS AND NOW A MICHELIN STARRED CHEF ON BOARD A STORY AND PUBLISHING EGG WOBBLE ON THE BRINK!

I guess this is really for people like Barb, Mathew and others, backers of Light of The White Bear and long-standing readers here, who haven’t backed the Dragon. So musings on whether I have offended you, by saying too much or having a go at folk who downloaded nearly 8000 free ebooks during a previous campaign, yet didn’t support this time. I really hope not, and you have to realize surviving as a writer can be as difficult as for anyone, but at least I hope I have put a great deal of heart and energy into things. In fact, money or not, large or small, your moral support can be just as important as anything and I have always said a book and publishing project might not even be worth pursuing, even if I hit a 6k target, because somehow a whole doorway has to be opened. One that is not about remorselessly self promoting on Social Media either, but some kind of new spirit, a grass-roots publishing excitement, a shared energy and inspiration, that would get the word and deed out to many people swiftly. To make those Friends of Phoenix Ark Press a reality at last too. So think of a Dragon as leading the charge on many things, like bears, a new wolf book, The Christmas Code and indeed your projects too. Can it be done though?

Dragon in the Post, like that strange blue egg wobbling in Gareth Mark’s suddenly delivered adventure, in the post, now hovers precariously on the brink – at 33% we are nearly at where Light of The White Bear didn’t make it, yet we stall have a fiery 20 days to go! To make the break through. To hatch a publisher. To crack it open!

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With such creative younger fans, one who has just painted us a real egg above, a British Michelin Starred chef now on board too and Backing the Project, who I met many years ago, we can stand with the great Bouchbold in the kitchens of Pendolis, a citadel in Blistag, and cook up many genius life recipes. I have slogged at Social Media, irritated at Facebook, growled too much, but reached many. But I hope this weekend we can all somehow make a little blue Firecutter fly, cut a doorway into wonderful worlds, and I will try to give it back to you, however I can! Come love a little dragon into life then, and a real publisher, and for all my flaws, I will try to start again:

Here’s the link and hope you support and see what it’s about https://www.kickstarter.com/projects/1159695087/dragon-in-the-post

Thank you.

David

The photos are a special created egg sent yesterday by Stephanie Jackson and a still from the animation, labelled Pummrey Farm. Come and Like The Dragon In The Post page at Facebook too and “Join the story, become part of the adventure.”

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THE PHOENIX ARK PRESS FREE BOOK SCANDAL, KICKSTARTER AND THE END OF WRITERS AND HONOUR?!

It really is a scandal. Are readers here just a bunch of inveterate scumbags who have no honour and what or who do you actually care about, apart from getting something for free? I exclude the passionate friends and readers helping and backing two Kickstarter projects. But the fact is that when I ran a Free books promotions to support the Light of The White Bear project, with the generosity and passion I have always given here in poetry, essays and ideas at Phoenix, OVER 7000 COPIES OF THE SIGHT, FELL AND THE CO-EDITION were downloaded from Amazon! Delighted that those books and stories live and circulate, but I asked you to give back too, to support a Kickstarter project, with whatever you could afford and hardly saw the Back This Project button being pressed or the stats shooting up! The value of those books, in fact donating just 99p per book, could well have taken Light of The White Bear into the black and made a publishing kickstarter project succeed. I am angry for my backers too.

Is that how you live, how you find your pride, in our something-for-nothing world and do you care about how authors survive or work? I have told you about a monumental publishing battle, about being betrayed by an editor I loved in New York, and a so called best friend in London too, that struck at all the values in my stories. I have told you about fighting back, resisting an attack on free speech, held in the chains of contracts in New York, and even fighting proven perjury in the New York Supreme Court last year. But how do you respond, you lurk about loving only the sad story and then pounce in to get your free goodies and return nothing but you own lack of shame! It may be coming from word of mouth around Amazon, it may be those semi-criminal pirate elements who hope to profit, in our awful internet culture, but is the same culture of greed and opportunism that will swallow the planet and cares about little. Well, since my anger is now like a flame, YOU might start feeling a little ashamed, good readers, do something real for a change and come in and support DRAGON IN THE POST now and writers and artists at Kickstarter too by GOING THERE AND BACKING THE PROJECT

David Clement-Davies

PA PRESS

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