Category Archives: Publishing

ANSWERING A LETTER FROM A READER

‘Hello. I am a big fan of your stories. I especially loved Fell, and the scene with the salmon.
I was wondering though… This is the first time I’ve been to this site, and excuse me for saying that I am a little confused as to what is going on. I have never heard of Phoenix Ark, and would like to know when it started, and by whom. I think it’s a great idea to focus on writers and sharing the stories they work so hard on. I am very interested in it (being a hopeful writer myself). I hope that you succeed in letting your voices be heard, and that everything works out. When Scream of White Bears comes out in Canada, I’ll be anxious to read it.

Helene

Dear Helene,

many thanks for writing. Phoenix Ark was founded by David Clement-Davies, mid last year, in response to the awful publishing climate, and the politics inside many big publishers too, to talk straight to readers, and allow writers’ voices, even beyond their works, to be heard, shared, and to hope that writers and artists are really respected and protected too. The problem we faced and face is the very difficult financial climate, and so raising the necessary investment, not only to survive, but to really get books published properly, David Clement-Davies’s, and others. It was blogged that in fact we can only afford to get Scream of the White Bear, and probably other books, out electronically, to Kindle and elsewhere, though if investors came in, that could and would change. The founder, while trying to make a living himself, and come out of an awful and unneccessary battle in New York, is still looking for the right people though. We hope you like all there is on the website though, cover designs, cultural essays, personal blogs, articles, and a free story, and great to hear from you.

Very best,

Phoenix Ark Press

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Filed under Books, Community, Publishing

WORLD BOOK NIGHT

World Book Night, launched in London’s Trafalgar Square last Saturday, brainchild of Cannongate’s Jamie Byng, in alliance with the BBC, and the wonderful idea to give away one Million free books to readers has certainly created a buzz, and hopefully will do so in future. For the culture of reading it is tremendous, despite the carping about affecting the perceived price and value of books, for the culture of authors though it seemed dominated by the heavy weights, from Yan Martel to Philip Pulman. It would have been nice to see more independents taking a role, more indy voices, and a bigger voice for those who think that publishing is in crisis, in part because some big publishers have been so ruthless in following lead titles and lead authors.Today’s publishing challenge though is as much about changing technologies and the disappearance of traditional ‘gate-keepers’ in the best sense. It is the eternal paradox of the publishing industry, that financial need and desire to forge forward with success stories, but also to try to promote the unheard, the original, and the off-the-wall literary challengers. Still, when Phoenix Ark began, and called on Independents to join together to create some kind of wider cultural debate, there was hardly a stampede, and this has got people talking, and reading too, always a good thing.

To find out more about World Book Night and perhaps prepare for next year, just click

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BARCLAYS AND THE BIG SOCIETY?!

How interesting that Barclays Bank in the UK have just refused a small business loan, both to back an established, award-winning author, with 300,000 sales behind him, and a whole little publisher. Despite billions in profits, reported scandals about paying little tax, and their glossy adverts on TV purporting to be at the heart of Mr Cameron’s Big Society, backing 4 in 5 start-ups, not only was it a no, but the potential interest rate was absolutely punitive. So what are the realities for real but small business people out there, as banks are reporting more record profits, continued bonuses, and harder and harder lending requirements? For the little guy, the small business, those absolutely key links in finding a truly healthy and not top-heavy business community and society, there are reports everywhere of doors slammed, and people being financially throttled to death. Vince Cable was absolutely right, that although banks are not charities and have to assess risk, the banks need to be forced to use some of those taxpayer ring-fenced profits to support people and good, viable new projects everywhere, especially those entrepreneurs who want not only to support themselves, if allowed to, but generate jobs, not to mention sales, ideas and real culture. Or perhaps the gurus behind the desks should have asked to read David Clement-Davies and Phoenix Ark books before assessing that risk! Barclays has a very bad name, from some of the people we’ve talked to, and we are starting to believe it, but will they ever take the lead and show a more reasonable and visionary way, unless somehow forced? If regulation isn’t the answer, then something is needed to shake them and wake them up. Where are you Vince Cable, and what is the Liberal-Con alliance really doing to help and protect?!

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SEEING WELL

In presentations and school visits, when I’ve read out excerpts from my books, I’ve sometimes told listeners I didn’t remember actually writing that bit, often coded with a Stephen Fry style joke – ‘well now, that’s rather good though!’ It’s been strangely emotional this week though, laying out Fire Bringer and The Sight to go to eBooks, on Kindle and Ipad. Firstly because it really is the end of an era, and the end of having any truck with big, conventional publishers. That’s strange, after 12 years fighting to be a writer. Secondly though because it put me back in touch with my own characters, characters loved by many readers, like Rannoch, Crak, Rurl, Larka and Fell. They came back, like old friends, and with a sense that in taking back my erights I have taken back some power in my own storytelling, snatched away by the very people who should have protected it. It reminded me too that writer’s lives are not that lonely after all, largely because they go on long emotional journeys, with others actually living inside their heads and imaginations, like true friends. Sebastian Faulks is doing a UK TV series soon on how we often know the characters in fiction far more than we do each other, friends, family and lovers too, and I can’t wait.

I wish someone I loved in New York, as I say in a new afterword, and at my own publisher too, had understood how books like The Sight were so close to my own emotional ‘coal face’ though, and my philosophical struggles. Because then they might have seen me more clearly, without projecting so badly, and The Sight is precisely about projection and labels, and their danger. I wish too they had read the sequel to The Sight, Fell, because it is also a love letter, and in a sense the full expression of what was happening in America. That book is all about the redemptive power of balanced love, to bring the mind out of darkness, fear, negativity or despair. What is still eerie though is that in all that writing about seeing properly, and being seen, there is so much in all my books about eyes. The fact that Scream of the White Bear has such an astounding ‘coincidence’ in it to real life though, involving eyesight, and actually events that happened around me, might make even the most ‘rationally’ and sceptically minded stop to ask if it is not powerful proof of precognition. Proof of the very ‘powers’ of The Sight I am talking about, which is really the visionary understanding of the mind and consciousness, true imagination, beyond what we see in the every day. It is not ‘God’, though the language of spirit may be vitally important, it is about levels of language, understanding, maturity and consciousness. Many people believe, with all those New Age ‘Aquarian’ and Mayan prophecies, Mankind has to wake up to its real power, and so real responsibility too, and so increasingly do I. Perhaps there is another stage of consciousness and awareness we need to reach, and one so abused in quick, side-driven, morally sententious but privately ruthless New York.

I was chatting to an American last night though, who when I started to talk about it, shrugged as if it was par for the course. ‘New York, they cover you in warmth on the surface,’ he said, ‘then stab you in the back, but they don’t mean to. It’s an accident.’ Perhaps that ‘not meaning to’ is vital, because it is really is about a lack of awareness, a boxed-in disconnection, a sense of ‘rights’ without wider responsibility, and a failure to see what is at the other end of all that aggression, those labels, that high-minded and morally superior front, at the cost of real hearts, real lives, and real careers. At the cost of the human. It really isn’t enough any more to excuse it as an accident though, and there may be some motor driving it on in the ‘bright, lights, big city’ machine of NYC, but it is certainly not limited to there. Indeed, the greatest surprise was to find it so close to home, with so-called ‘friends’ in London too, like the author of ‘Hew, Screw and Glue’, who so disrespected everything by working with my ex, desperate to hop on a bandwagon. Still, there are other friends, other journeys, and they are coming back, with the return of a say in my own books. Perhaps Fell needs a sequel, but there are certainly exciting adventures to come. DCD

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Filed under America and the UK, Publishing

TO KINDLE OR NOT TO KINDLE? THAT IS STILL THE QUESTION

People have asked if they will need to get a Kindle to get Phoenix books, and it’s brought up the question again of what books are. Books are many things, done in many beautiful and important ways, and I’ve no intention of being an enemy of printed books. One factor alone means Phoenix will go first to Kindle, and that is we hold the electronic rights to Fire Bringer and The Sight. But the internet is also as significant a revolution as Guttenberg, and ‘publishing’ now has very different meanings. Kindle is just one ‘platform’, among many, that becomes like an instant bookshop. The reader friendly quality of such devices, the bookish feel, except that you can have thousands of titles, is advancing in leaps and bounds. So to me, especially with fiction and journalism – although physical books are like old friends and will never disappear, or let you down – it does not matter so much in what form people are reading. But the fact that they are reading, and what they are reading. That is crucial, and why a core belief has to be in the power of great story, and the storytellers that make them. Of course, since so much is dominated by the power of money, and product placement, which always seems to take over inside big publishers, it still remains to be seen how the ‘self-publisher’, or the little publisher, can get the works they believe in to the fore. It is why independents, authors and publishers alike, so need to hook up, to provide mutual quality control, and so create a voice and prominence in the market place. Then the challenge will be whether they can hold to certain principles of protecting writers and artists, and balancing money with other talent. DCD

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DRUE HEINZ, AND THE LITTLE LITERARY MYSTERY OF A WARTIME STRIPTEASE

FROM THE PHOENIX ARK FILES:

It turned up in a World War II visitor’s book, from an aristocratic home, on a hill in Switzerland, with sweeping views to Mont Blanc. There a glamorous American heiress, and a Swiss Baron, banker, and notable art collector, lived out the war in grand style, and with a considerable taste for adventure. Among their more permanent guests was the painter Balthus. They were also intimately connected with a celebrated spy – Allen Dulles – first Civilian Director of the CIA. The hostess of the house would help Dulles retrieve the Ciano diaries from Mussolini’s favourite daughter, Edda. As part of an American East Coast elite, she was at least an informal agent for the OSS, forerunner to the CIA, the Office of Strategic Services. As for Dulles, still said to be a romantic hero at the Agency, and a committed lady’s man, the be-spectacled, swashbuckling, but famously discrete lawyer had crossed into Switzerland, via Lisbon and Spain, as the borders slammed shut on the eve of Operation Torch, the allied invasion of North Africa. He was armed with a banker’s draft for a million dollars, and a virtually free hand, as Berne OSS station chief. That he cherished, and fully exploited, culminating in his work over Operation Sunrise, for German surrender in Northern Italy. His all important Swiss escapade is touched on, fictionalised, but largely avoided, in the film The Good Shepherd, starring Matt Damon. Dulles certainly believed in something that seems to have gone into decline, operatives fully enagaged on the ground, and culturally educated and well informed, rather than doing much second hand, perhaps nowadays down the net. He once famously said that all you really need in life is ‘a little bit of courage’.

Dulles had worked for the State Department, became a lawyer with Cromwell and Sullivan, and was a member of Yale’s infamous Skull and Bones Society, initiate to Presidents and security gurus, alike. In Switzerland he set about building a spy network that saw his intelligence gathering reach Roosevelt’s own desk. Since he had turned Lenin from the American Legation door in Switzerland, in 1918, he would never make the same mistake again, and worked with many. He also contacted every American living there, to ask for help, in what he described to Washington as a ‘somewhat distorted world’. It was the kind of world where agents still wore red carnations, or proffered a pack of Camel cigarettes, rather than Gauloise, to establish their allegiance to Free France, or Vichy. One that saw the British and Americans in touch with Admiral Canaris, employer and lover of Mata Hari, as head of the Abwehr, German Military Intelligence. Until Canaris fell, after the attempt to assassinate Hitler, and the Abwehr were abolished. Canaris was effectively replaced by Walter Schellenberg, who mounted two machine guns on his desk in Berlin, and later settled in Switzerland to write The Labyrinth. One of Allen Dulles’s greatest coups though was securing the help of the heroic Fritz Kolbe, who the British had turned away from ‘the shop’, and whose reports were validated in London by none other than Kim Philby, already working for the Soviets. Actually Dulles was too acute to sign his name in a visitor’s book, although his daughter Joan, and troubled wife Clover Todd, both appear in 1944. As does a patient of the psychologist Carl Jung, who, though he never came to the house, Dulles also consulted in Germany, and had his own OSS code number. There too came Dulles’s station replacement in Berne, Robert P. Joyce, and General Barnwell Legge, American Legation secretary. Legge was heavily criticized in a recent military controversy on the internet, for his involvement in preventing downed American airmen escape, under threat of Court Martial, probably because Dulles did not want their Swiss operation compromised. Also for failing to correct conditions at the scandalous camp at Wilmeroose, although one subordinate called him a caring man.

In a very ‘Special Relationship’, British Intelligence were at the house too, many times. In the person of George Younghusband, military number two at the British Legation, and the Colditz escapee Pat Reid, famous for his escape-themed board game, and for so successfully telling The Colditz Story, after the war. Reid never wrote about his time in Switzerland though. More specifically, on the British front, there is Henry Cartright, head of MI9 in Switzerland. MI9 dealt with escape routes out of Switzerland, although the role of MI6 has been little written about, in terms of the use and significance of information that debriefed escapees must have provided to intelligence networks, for attacks on Germany. Cartwright was a world War I escapee himself, whose best seller on the subject was avid Nazi reading in WWII, for obvious reasons. That house was watched closely by the Swiss Police too, reported for high antics, and for harbouring ‘a nest of spies’. Its owners were friends with the head of the Berne police though, and so probably protected, in the semi neutral atmosphere of smoke and mirrors diplomacy. One affected in Switzerland by the changing winds of war.

Soon after the war though, they received a grateful card from the British Legation, commending the couple not only for hospitality, but for their invaluable help to British and American escapees. It makes a family visitor’s book a very important historical document, as are unseen papers on Hitler and Edda Mussolini. Perhaps significantly, they received no such commendations from US Services, since spying rarely stops. The question still remains though as to how much their Brit guests were aware of the depth of their American connections, because the house’s true significance is testified to by a meeting in 1945, still a mystery, that involved a visit by colonels at the heart of SHAEF, The Supreme Headquarters of the Allied Expeditionary Force, and ETOUSA, American Theatre of Operations, during Operation Overlord. They had helped covertly in a war that would see Nazi scientists smuggled to America too, in the battle for the A-Bomb, under Dulles’s Operation Paperclip, and herald the triumph of American world hegemony, in more ways than simple military victory. If information is power, cash rich America certainly won the covert war, because America soon had vast reserves of European files transferred to Washington. Incidentally, some 6000 secret papers relating to Switzerland, and designated Safehaven, remain closed.

There is one rather surprising name in the visitor’s book too though, on an evening in 1943 – Drue Mackenzie Robertson. She is actually Drue Heinz, future wife of the Baked Bean and Ketchup Multi-Millionaire, Henry J Heinz. She was a doyenne of New York Society for many years – writing letters to the New Yorker in 1944, so she may have been back in the States by then – but also became a celebrated patron of the literary arts. One the flapping Phoenix Ark could certainly do with a little help from – for our love of stories, real and fictional! She is publisher of The Paris Review, established the Drue Heinz Literature Prize, and her foundation endows the Drue Heinz lecture series in Pittsburg. At the Carnegie Museum of Art, her foundation also funds exhibitions at the Heinz Architectural Centre, and supports The Lincoln Centre Review. Having endowed a chair of American Literature at St John’s College, Oxford, and involved with Hertford College too, Drue Heinz has long been at the very epicentre of American Arts and Culture, but also influential in the UK. In 2002 she was made an Honorary Fellow of The Royal Society of Literature.

Born Doreen Mary English, Mrs Heinz clearly had a taste for theatrics earlier on, and as an actress, earned a small part in the movie Uneasy Terms, in 1948. It is all a long time ago, and many lives have passed in-between, so distance affords both mystery, and admiration, for a now grand old literary lady. But what of such tantalising ‘skull and bones’ in her cupboard, and was Drue Heinz really part of the OSS too, America’s Office of Strategic Services, or only linked by association? The term spy became a very moveable feast during the war, but it is an open secret that some of the most fertile areas of unwritten intelligence history are neutral territories, and Switzerland is no exception. Drue Heinz was there that night in Switzerland, 67 years ago, in 1943, and her signature is on the visitor’s page too, below her second husband, Dale Wilford Maher. As a graduate of the US Cavalry School and military attaché, Maher is a dead ringer for a spy, and signs himself ‘Master of the Five by Five”. That entry rather bemused this excited researcher, until, last year, one of the obvious links sprang fully armed from the pages of history, to validate a remarkable story, worthy of a movie, or a very stylish spy novel. ‘Five by Five’ was official Nato parlance for the best quality wireless transmissions, namely ‘reading you loud and clear’.

These people based at the American Legation then, and guests at a private home, were sending back radio reports, as Dulles himself began nightly transmissions from Switzerland, which in a coming technological age changed the cloak and dagger style of British dominated spying. It was the dawn of a new era, and they specialised in American style code words, like ‘Fatboy’ for Herman Goering. Stationed in Berne, in his beautiful flat in the Herengasse, Dulles’s own rather charming code name was Mr Burns, so you might take another glance at the satirical cartoon The Simpsons. To underline the personal touch, that Dulles would stamp all over the CIA, he called the technique for an operative communicating with a plane overhead by radio, ‘J-E Operations’. It came from the initials of Dulles’s daughter Joan, and his sister Eleanor. Despite British fears, Dulles’s work never compromised the greatest British coup though, in his supposedly ‘gung ho’ and open door approach. A coup embodied in the Enigma project, and Ultra transmissions, concealing the fact Britain had cracked and could read all German messages at the start of the war. British archives, although still closed, reveal a wireless transmitor was installed in their own Swiss legation in 1943.

Dulles, whose obsession would soon become the Soviet threat, and who encouraged later assassination programmes, out of the no-holes-barred tactics learnt in defeating the Nazis, notably had shares in the American Fruit Company, and has a rather more suspect role after his heroic war effort. Allied propaganda was one of his specialities in Switzerland, and as a master of dis-information, he was to be involved in a Mind Control programme, and Operation Mockingbird – perhaps he liked Harper Lee – the CIA’s attempt to directly influence the American media. Another visitor to that house would be Captain Tracy Barnes, a so-called ‘Jedburgh Agent’, and code named ‘Trick’, who would later turn up in the Cuban ‘Bay of Pigs’ debacle. It was of course Cuban bedeviled Kennedy who said of the CIA that he would like to scatter the organisation ‘to the four winds’. But what of Drue Heinz, whose Wikepedia profile is rather thin? Tantalizingly, that evening Drue Heinz signed herself in appealingly Mata Hari vein, for such a sparkling Manhattan hostess-to-be – “Queenie – the Striptease Queen!” The intense passions and fortunes of war, and such heady Swiss excitement, may have been too much for some. Dale Maher died in 1948, and his forwarding address on the internet is simply listed as ‘The State Department’. Drue Mackenzie Robertson married Henry J. Heinz II in 1953, becoming his third wife, and so perhaps beginning her powerful and passionate role in fiction and the arts. A passion fully shared by Phoenix Ark Press, although admittedly with a sometimes sceptical eye on other literary powers that be.

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Sherlock Holmes, security, disclaimers, Ra Ra Rasputin, and releasing the Phoenix Files!

This is a work of fiction. Names, characters, places and incidents are either the product of the author’s imagination, or used fictitiously…” Every novelist knows that is the legal disclaimer that appears in the front of any published novel, and every movie lover will have seen something similar tagged to a film. But where does it actually come from?

Phoenix’s boss found out last year, when researching a private biography in the Paris National Archive. Those files had been kept closed under the seventy year rule, probably similar in time-period to the valuable protection of authorial copyright, namely a normal lifetime’s distance after an author’s death, and included a police dossier on the arrest of Adrian Conan Doyle, the rather dissolute son of Sir Arthur, creator of the great detective himself, Sherlock Holmes. Adrian and his brother, in very Sherlock Holmes vein, had been arrested at Bolougne-Sur-Mer in the 1930’s, for trying to smuggle weapons through customs, onto a Packet Boat. They would not have had a chance in today’s high security climate, because both were carrying sword sticks, of all swashbuckling things, revolvers, and several boxes of ammunition. 21 and 19 years old respectively, they were questioned, fined and released, though according to his biographer, Adrian would later develop an obsession with weapons, and Medieval torture instruments. Among some fascinating ‘secret’ records though, was another dossier on Prince Yusupov.

It was of course Felix Yusupov who was responsible for the origins of the above disclaimer, certainly in movie theatres, after he sued MGM, for its portrayal of him in the 1932 film ‘Rasputin and the Empress’, and their dramatisation of his involvement in Rasputin’s murder. He won the case, for libel and invasion of privacy, not over the murder, but for the fact the film had suggested Rasputin had seduced his wife, Princess Irina Alexandrova. One of the richest men in Russia, who fled to Europe after the Revolution, Yusupov founded a fashion house with her, and made rather a career out of suing people. He had already gone head to head with Karensky in London, who founded the exile newspaper, The Days, and specialised in attacks on ‘White Russian’ aristocrats like Yusupov. But the file we found was itself a little gem of mis-sleuthing, and historical translation. It involved their investigating an attempt to blackmail the Prince over a homosexual affair with the son of a French Count. Among decidedly loaded police remarks about Yusupov’s femininity, and fondness for the company of young men, it reveals the French police paid a ‘snitch’ to root through Yusupov’s clothes, left at his tailor, where they found a little parcel of cocaine in his pocket. Fictional Holmes would have loved such 1% solutions, because although Yusupov is said to have boasted on the boat leaving Russia, that he had murdered Rasputin, the language of all those police files so exposes the official prejudices of the time. Also the language of professional sleuthing emerging everywhere, which, with relatively new forensic techniques like Finger Printing, began to transform the landscape of investigations, and moved it out of the romantic domain of the ‘spy’ – there were several notes in those files scrawled on restaurant napkins – into the territory of the official policeman. In Conan Doyle’s take, who at been dead for eight months when his sons were arrested, often the territory of the bumbling Lestrade. Incidentally, after fighting battles against real injustice, Sir Arthur’s famous last words must have been some of the greatest of all time, to his second wife – ‘You are wonderful.’

It was one of many fascinating things that turned up, although supposedly not of interest to today’s serious, or even scandal hungry newspapers, and so the general public, (we tried), so over the next few weeks, that and other little discoveries will be added to our own blogged ‘Phoenix files’. Phoenix puts no such disclaimer in front of its blog, we’d rather the tag ‘this is a true, or based on a true story’. We naturally coda it to ‘excerpts’, and in the books we are trying to produce, when of course they are fictional. DCD

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TALES OF THE VERY UNEXPECTED

It’s interesting Roald Dahl, any children’s author’s hero, thought of a ‘consequences style’ story, just discovered by The Sunday Times. Phoenix was thinking of one too. Many thoughts here, and many unexpected consequences, when a story is given to the world, but what is it that writers have to do to be respected, and protected? Is the only value we hold nowadays, not 12 years at a craft, starred reviews, awards, reports of books not staying on the shelves in School Libraries, fantastic letters, praised presentations, even three hundred thousand sales, but only that thing called a ‘best seller’, especially in ‘success’ obsessed America? Because it is really all about money and power, and the growing ruthlessness inside publishing houses, propping up big teams, and big money machines? I sent a file of precious fan letters received to my publisher, but that did not wake any one up either.

It is to the absolute shame of any editor though, inside that system, if they will not protect the essential openness and flow of creativity, vital to any real artist. Even let the beautiful Cleaner Wrasse feed, in the protective shadow of the great whales. Only partly because of a supposedly private matter, that stamped itself all over a publisher in New York. Where once I had a wonderful link to a designer, to a team, my editor fought for nothing but their own power base. So a writer was forced to work into a brick wall, with not even that one classic guarantee at least afforded to authors in a contract, respected either, namely some minor and genuine say in a cover. Art is about beauty, value, story into meaning, true culture, but expressed in the full and free expression of the author, whether it’s fantasy, literary fiction, or non-fiction. Unless those people who build ‘their lists’ guard those things with all they are, only the principle of money through gimmicks will prevail, not real storytellers at all. I’m not jealous of the big hitters, and readers set the pace, because if you don’t like a book, put it away. But I do not agree the market is the only meaning, in anything, and at Phoenix the power of story has to win this one, and perhaps online too, help to affect some kind of sea-change. No one at all takes a lead nowadays, and the confusion as to what we might be reading, who takes those gems to the public, and who the Gatekeepers now are, is writ large everywhere. The threat of online and Kindle is that there are no Gatekeepers at all, so how are brilliance or quality defended and identified, and how do they survive in the marketplace? That is a debate that simply has to be engaged in by everyone, and fought out in every sphere, but I suggest writers have a very big say in the matter. DCD

The opinions expressed by David Clement-Davies are unique to him, and not to be seen as the opinions of Phoenix Ark Press. That is the difference between a writer’s blog, and a publishing website, profiling several pieces of work, and both contained at WordPress. Phoenix Ark Press is a Limited Company.

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FOUNDER’S BLOG

Many apologies for continuing delays, especially with new instalments of Dragon in the Post, but apart from crashing computer systems, pretending I’m an International Corporation, and failing to raise cash, I’ve discovered the miracle of Inkscape, which as a design package is astounding. Since I went head to head with the control freaks in New York, I now realise part of it was about an ache to be directly involved creatively, beyond the long-distance-running sort of loneliness that so affects authors. Oh the joys, not only of writing and conceiving a novel, brilliant or awful, but then designing a cover, finding a facility for banners, logos, whatever, and then seeing work moving towards being realised again. Beyond that, while trying to create your own cottage industry publisher, there are the pearled pleasures of not having to listen to some moronic agent, or even a brand-slotted editor. The only draw back of course is money! Still, hardly the only thing in life. What is absolutely essential to a writer though is the belief that partial work will actually get to some kind of audience. Much coming this week, from instalments to catalogues. A ‘Founder’s Blog’ logo has also been created to distinguish personal posts from the work of the Company. DCD

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STORYTELLERS SHOULD LEAD THE FIELD IN PUBLISHING

From WordPress, David Clement-Davies and Phoenixarkpress.com invites authors, illustrators and designers here, and on Facebook, to tell us how Storytellers and artists can lead the field again, in building a community, rapidly linking friends up for maximum profile, and discussing new forms of storytelling and publishing. Contact us here or on Facebook, under DavidClementDavies. New friends are invited to join the publishing party.

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