THE PHOENIX ARK CULTURAL ESSAY – THE LOVELY END OF THE WORLD!

2012 AND THE TWO LANGUAGES?

Just to prove here we are all vaguely nuts, the next Phoenix Ark Cultural essay is on 2012 itself and the much muted Mayan ‘Prophecy’. Much as there is a delight in boyish Professor Brian Cox being so much to the fore at the moment, and all the wonders of Science too – closing your eyes a second to the horror of those Chemical cataclysms like the First World War – it was slightly irritating to hear him say on the Jonathan Ross Show the other day, who like Madonna is of course simply divine, darling, that the end of that calendar is just garbage. Not of course because it is the End of the World, although for someone, somewhere, it always is, and for another a new beginning too. But because of the general interest in it, and the idea it represents some end or change, in the dawn of a new age for Human Consciousness. The Mayans believed in cycles of being, and strange new worlds, until The Spanish and West discovered their old world, or the rival Aztecs, and got away with pretending to be Gods, in their nasty hunt for gold and Christian servitude, in its formalised understanding of it. Well, human consciousness is a very nice idea, as Ghandi said of Western Civilisation, especially new dawns of it, while we need good narrative stories. Tell it to Assad in Syria, by close accounts just the crony of a family regime who have no interest in a political solution, and whose ‘Intelligence Services’ deny the very meaning of language in their horror and stupidity. But in the horrors we have witnessed in the last decade, especially out of unreformed Islam, is there not something more enlightening to be said on the language of God, religions, or at least the Spirit, that might be more helpful than Richard Dawkins going on and on about how Religion is just a virus? Even for Rushdie to write the Satanic Verses, or Phillip Pullman to so astoundingly go to the heart of fantasy and science, but with his final communion still being in some ‘republic of heaven’ demands a certain appreciation of the language, although perhaps a rule of thumb might be when anyone overtalks Science, talk Spirit or imagination, and when they overtalk God, talk Science.

The Mayan end date for jolly old us relates to a Stella, a carved stone, that has the start of what is called one of their Long Counts on it, ending in 2012. Actually the Mayans had various calendars, that worked in complex cycles, and relate both to their astrological and religious years. They were also able to count, and therefore supposedly conceive, in terms of vast periods of time, backwards and forwards, at least their controlling Priests or Royal initiates were, which is supposedly more sophisticated and true than the Christian West’s Six Days Creation, or Archbishop Usher setting the start date of the Earth as Sunday, 23 October 4004 BC. The Mayans knew a little something then, 1200 years before the language, discovery and awareness of modern Science, a word coined in the Eighteenth century, tipped the scales into our realisation of the elements, the fossil record, dinosaurs, Darwin’s rather upsetting Natural Selection, although Evolution is an intrinsic concept in Ovid’s Metamorphoses, and seismic geological activity on Earth. That accumulated knowledge allowing us to contemplate staggering Deep Time, with understandable vulnerability at being so tiny, and now has us peering out into the furthest reaches of spacetime too. Freeing us from the crosses of Sin, guilt and ignorance, perhaps, but at times leaving us just as lost in the void, or unnconnected with one another. So of course did the Babylonians, Egyptians and Greeks know things, looking up and out, and round about. But that is one up for the Mayans, even if, in the 1066 and All That vein of history, human sacrifice is a BAD IDEA.

When you think about it is also a Christian idea, in that very troubling story that reaches back to Abraham and Isaac, in any search for any loving God the Father, and in the eucharistic practice of ‘God Swallowing’, that goes back to very primitive societies. Perhaps drinking the wine and breaking the bread in memory is a gentler way of talking about the feast of life and good fellowship, if you do not want to argue the magic of transubstantiation, but if the Mayans intuited the Gods of their Underworld from the huge underground wells and chasms of Mexico, they also seem to have intuited a bloody great asteroid that may have wiped out the Dinosaurs, and ended their particular lizardy stint on the planet. Now those Underground pools are being threatened by building rods from holiday homes, so there’s one down for Science, or its oversuccesful children.Not wanting to be arcane, but still wanting to resist the contempt some scientists launch at the spiritual and cultural history of tricky, brilliant Mankind, and its journey out of what it could not know, because you can only inhabit the language and knowledge you have – or perhaps, if you like books like The Tao of Physics, always sensed somewhere, like waking up – it is delightful to see scientists like Cox, with Darah O’brien at his side, on telly and looking up, live, at the night sky and the marvellous stars and sharing it with the rest of us. Though we seem so driven by the TV or Internet, and the eye cannot easily resist a moving object, perhaps we wouldn’t need to be instructed on it, if we stopped watching TV and looked up in the night in person instead. Good too to see Brian Cox on the very celebrity driven Royal Society Lecture attacking ‘mumbo jumbo’ in talking about how certain theories in Quantum Mechanics are overused or misquoted. His example was the likelihood of electrons suddenly jumping out of their ‘box’, though not impossible, being billions and billions to one, so in fact we are stuck with various kinds of reality, even if at certain levels matter exhibits a simultaneous wave and particle form. Yet at the same time he said to Mr Ross that ‘that everything can happen in the Universe will happen’ , obviously stressing the possible, and the number of tilts we have at Parallel Universes nowadays would please the Buddha in his supposed love of numbers, or suspicion at the ‘10,000 things’. But if it is a fundamental Law that electrons cannot occupy the same space, so any movement affects any other on ‘the other side’ of the Universe, can Scientists not speak up and say what that might mean to human action, or even thought, and whether we should look again at ideas like Koestler’s psi functions of the mind, kinds of telepathy, Jung’s notion of a connected Universal Unconscious, or some really very wacky theories indeed like, dare we say, Holistic Relativity. When Doctors rightly talk of quacks, fakes and manipulators, though who was the quack in the 17th Century, they also frown at the fully acknowledged effectiveness of sugar pills and placebos, and now seem to acknowledge the vitally important interrelation between the mind and the human immune system.

Science’s liberating power from superstition and Religion, or bizarre moralities, in showing us how the world really works is vital to what we are now, and yet, what about those who feel a kind of impoverishment at the all dominating and often extremely arrogant language of scientists, many who just learn it as a given, and could never themselves have cracked the weird counter intuitions of Relativity? It is good to be ‘rational’ but sometimes not too rational, and while we are animals as well, Coleridge believed there was no great thought without feeling. It was of course that marvellous scientist and wild haired man, Einstein, who said that “The most beautiful thing we can experience is the mysterious. It is the source of all true art and all science. He to whom this emotion is a stranger, who can no longer pause to wonder and stand rapt in awe, is as good as dead: his eyes are closed” and on professor Cox’s part he is trying to share the wrapt awe, like a new religion. Although quotes are just that, out of context from the difficult or extraordinary labour or journey, Einstein also said that you can either see “everything as a miracle or nothing as“, because he understood the double-edged sword of language and probably the need to encompass full, even ancient meanings, not close them down, or banish.

So, being a tad brilliant, like mathematical Wittgenstein stressing language itself is a tool, and not the thing itself, Einstein knew how we are also contained within communicating, reaching languages, if we don’t grunt too much. Science is a language too though, or direction for one, sometimes easily provable, and vital in that methodology to prove and reprove, but very often guided by ‘quantum’ or visionary leaps into the unknown, that are quite as bizarre as imagining God or Gods. In Newton’s and Einstein’s cases couched in the specific language of reaching for ‘God’, like some magnificent seeing out, or seeing in. In saying “God does not play dice with the Universe“, with the confidence of some creating God, he grasped the power and ambition to know absolutes. As mathematics is a language, perhaps aspiring to the language of music, but as ‘religion’ and spirituality were or are a valid language too, if well used, especially in the long emergence of human emotional identity. As Arthur C Clarke said though “To any primitive society any advanced technology will appear as magic’, and 400 hundred years ago, and in places today, they would have burnt you for Witchcraft, for coming up with the science of now, which is exactly why Rome had to be pitched off its infallibility ledge. But on the other hand, perhaps anyone nowadays who travels in time back to that very reaching towards other, the constant push to truth or a whole, is publicly ‘burnt’ for being ridiculous. That is not to encourage David Ike believing the Royal Family are all lizards. Perhaps the very success of Harry Potter though is that bright sparks know we don’t always have to start from scratch and, like muggles, reinvent the wheel.

Yet the very history of Science has seen those absolute steadily pushed from their perches, or at least rearranged, which is not quite the same as encouraging ‘magical thinking’. First Newton’s clockwork vision of the heavens and Gravity, then in the grasping of light, relativity and spacetime, and now the suggestion that a quark may have arrived at one end of the CERN Large Hadron collider faster than the speed of light, which according to Einstein is impossible. To which, by the way, we would dearly love an invite, so we can share some glimpsable meanings with the rest of the laymen in the office, or get out of the box of our heads, where we ‘see’ things too. Meanwhile the gurus of abstract physics chatter with excitement at the muted discovery of the so-called ‘God Particle’ – the Higgs Boson Field. So what is the point, or the wave, of this article? Perhaps it is simply to remind about language, and its connecting vibration of metaphors and multiple meanings too. Perhaps to say too that without art, poetry, music, spirit, the vastly powerful tradition of mythological storytelling, even mumbo jumbo, we are not what we should be, and are reduced to particles and units that can drive us all mad. Like the scientist in William Boyd’s stunning Brazzeville Beach, having a nervous breakdown, as his lover goes off to Africa to discover the brutality of cannibalistic chimpanzees, and the corrupt need for cuddly Flagship species to bring in those popular research grants, as he tries to get his head around the Mandelbrot Set. It is a very beautiful play like Tom Stoppard’s Arcadia, which out of so much cleverness really starts to dance to the music of time, that suggests the aching mystery of how genius is always ahead of its time and can appear completely out-of-place.

But that spiritual and emotional tradition is a langauge absolutely vital to human beings, and a parallel language, that should walk boldly side-by-side the language and purpose of Science. Two super languages trying to be one, and not so much at war, perhaps. They meet, they interconnect, they fight, and hopefully they vie to illuminate, but we for one, if such a thing is possible, do not want to live in a Universe that does not have the language of the human heart, of blessings, love, of the spirit, even sacred and profane, and the extraordinary mystery that still lies on the edge of spacetime, inside and outside the box of beginnings and endings, that it is even possible we have to evolve out of Ovidian nature in order to even comprehend fully. How do you become the thing itself, to understand yourself, or as Yeats put it, “How can we tell the dancer from the dance?” Then you have to be careful how you use that language, and what it transmits to the hearer, because perhaps someone very ill in hospital might not want to hear that the Universe is composed of so much Dark Matter, it can be far too frightening, but their spirit or heart wants to hear that they are going straight to Heaven instead. We are certainly convinced the only Hell is one we make for ourselves or each other, here on earth, inside or out, so fear not dreary death. Scientists are now the high priests, but sometimes they might be less smug about it, or reduce it to silly electrical experiments, that had Jonathan Ross’s hair literally standing on end. We did that in mid school science classes, but if the old madmen and Alchemists did talk garbage, like the Mayans, as well as helping to discover the elements in their cooking pots, Mendeleev also cracked the Periodic table in a dream. Go up to Linton in Devon, with a poet like Shelley in your heart, long before they harnessed the water and streams to create the early hydro-electric dams, and you will sense those immortal intuitions that produced the likes of Mary Shelley’s Frankenstein. Or sit on a Tripod over the Delphic Oracle and contemplate the real vapours that brought psychedelic visions to the Sybles, as they dealt in a reaching abstract language of Gods, that also counted the clock and marked the seasons. But then, yet again, Cox talked of high psychics being real because it was ‘beautiful’, as Crick and Watson said they cracked the structure of the Double Helix because it was beautiful, or New York super scientists speak of the Symmetry theory of particle physics. So perhaps the struggling spirit of a poet like Keats did have something right in his “Beauty is Truth, Truth beauty, that is all ye know on Earth and all ye need to know.”

Or take the mutative and enormously fertile language of Shakespeare, where, out of the ‘dialectic’, to touch a pun, of changing Chaucerian, you can hear the origins of English itself being translated into a new awareness, and a genius was born who might find it impossible to come today, in all our linguistic systematization, that certainly produces accuracy and precision, but can also create profound human impoverishment and separation. In comparison Shakespeare had the most connective imagination of all because there was not split between gods, art and science. Perhaps Scientists need to tell us to keep believing in the phenomenally extraordinary too, but like Bottom in Midsummer Night’s Dream, we love to be translated, and flourish in finding new languages to translate us, and new cultures to be cross fertilised on too. But Shakespeare still has so much to teach about the creative power or the tragic agony of the whole or divided Self. Richard Dawkins may sometimes be inspiring on Unweaving Rainbows, but he ain’t Shakespeare, and for Newton, Einstein, Hubble, so many, it was and is a far, far bigger and more fascinating and, as Einstein said, mysterious journey, born in both Art and Science, than celebrity tricks, and usually wrong to patronize different kinds of searchers through the ordinary miracle of everything.

So, at this end, with Two Languages in the kitbag, and trying to remember a child’s wonder at looking up and reaching out with confidence into the stars, Phoenix Ark are making the Mayans some kind of Flagship Species and thoroughly looking forward to the End of the World – around the December Solstice, although it would be, wouldn’t it, because they liked solstices – and hope you are too.

PHOENIX ARK PRESS

The picture shows the Crystal Skull in the Wellcome Trust gallery at the British Museum, one of several such skulls in London, the Smithsonian in Washington and the Musee de Quay Branly in Paris. It was bought from Tiffany and Co in New York in the 19th Century by the French collector Eugene Boban and is connected to the writings of the English ‘explorer’ Frederick Mitchell Hedges, who sued The Daily Mail in the 1920’s for libel when they accused him of being a fraud, and lost. The British Museum have tested it and far from being pre-Columbian, metal tool wheel scorings prove it is 19th Century, although original pre-columbian skulls exist. It would have been the centre of a world plot in ‘The God Game’, for all to enjoy, if the forces had massed, or perhaps George Lucas had not got there first, in the rather overblown and silly Indianna Jones and The Crystal Skulls, much as Spielburg is a god.

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Scottish Independence and Andrew Neil

God, the comic Hardiph Singh’s take on Scottish Independence on This Week was so irritating it deserves a blog on its own, to tell comics to stick to what they do. Why, in a world that needs more responsible connection, is Alex Salmond pressing the Independence issue, on what Bill Bryson defines a ‘small island’? The ‘political experiment’ that left one Tory MP there was not the Tory Party’s alone, but Labour’s too, in Tony Blair’s playing the game. As for Scotland always being an ‘Independent Nation’, as Singh claimed, it rather ignores the Stuart reign in England, or the deep irony of Henry VII’s banning, in a partly Welsh dynasty, the Welsh language and so throttling Wales. Besides, the Scottish enlightenment had much to do with many threads that also lead to central chambers like Westminster, the oldest parliament. That is not to trumpet the arrogance of Westminster, in ignoring vital and creative identity, it is to say, that especially with the problems in Europe, and aid agencies handing out food and medical care in Athens, why are ‘we’ even speaking of breaking apart? To us Alex Salmond may be a brilliant politician, but he is a little man, who has no stature as a world statesman, but perhaps that is the regionalising crisis of little Britain. Is it only about regionalised money and power? Incidentally, the show’s host Andrew Neil’s purchase of the literary agency PFD, for £2 million, when authors’ rights alone bring in £1.5m, is perhaps the end of times, in the effective rents gleaned from all those authors’ blood, sweat and tears. Although he is still strangely good himself, if much too flip with words and his own much enjoyed celebrity.

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A LETTER TO WORDPRESS ON ADVERTS

Dear WordPress,

it is a surprise to see adverts on our blog, and apparently their possibility was written into terms since 2006. Perhaps it is a compliment to the little success of a blog last year, with 18000 visits, with adverts clearly tailored to content too, but on the other hand, since we do not all want to turn into the Stepford Wives, you seemed to make much of freedom of speech, and a ban on WordPressers themselves adding adverts. What exactly is your policy? Since we have written to your editors several times to see if you might highlight a blog that was a fight for writers and artists’ voices in publishing, on some very interesting issues too, perhaps you can send us a little cheque to help support us! Not too grumpy in the ‘real’ world, but is not one truth of the Internet that you cannot get the profile and traffic, unless you have the resources to pump up the volume? Perhaps in the spirit of truth you will highlight this blog instead and turn us into an uncapitalised version of The Huffington Post. Actually, since we have given energy, stories, poems and articles completely free, and with no resources but the human, and have just seen an ad for Home Insurance for the Over Fifties, can you please take the bloody things away?

best wishes, Phoenix Ark Press

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CORIOLANUS AND RALPH FIENNES

The Ralph Fiennes directed Coriolanus, that stars him too, looks promising, in contrast to the high production but low truth value Roland Emerich movie Anonymous, asking “Was Shakespeare a fraud?“, and peddling the tedious Edward Devere, Earl of Oxford theory about authorship. In interview Fiennes talked about how as relevant Shakespeare is today as he ever was, despite any difficulty with language, and, as a footnote, a project here on Shakespeare and Southwark has noticed how the Fiennes family name, though not a theatrical family then, turns up in Southwark Cathedral, 400 years back. It was of course his brother who played Will himself in lovely Shakespeare in Love. But without seeing the film, we wonder how true the film stays to a fascinating play. Coriolanus is not only the high patrician, who scorns the ‘democratic‘ voices of the mob, or the hopes of Republican Rome, but the essential soldier, whose life and power is undermined by the matronly Roman virtues of his mother Volumnia, when he is banished. In that it is much about male identity. The Nazis initially banned the play, then changed their mind and put it on the school curriculum! No doubt they completely misunderstood Shakespeare’s purpose, in the act of the play, and the journeys towards comedy or tragedy, in human beings over reaching themselves. But it is a work that asks two vital questions too, in Gaius Martius’ Coriolanus’ journey away from all-powerful Rome – “There is a world elsewhere” he cries, but also “as if a Man were author of himself“. It is a question about individual freedom and human identity so essential to Shakespeare, but one he repeatedly asks in seeking the almost Godlike power of his own writing, that it makes it a much neglected work.

Coriolanus is released on January 20th

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IN THE COMPANY OF WOLVES

Did you see Brian Blessed, on QI the other day, as large and jolly as the Green Giant, talking about how he had met a wolf dog, I think on an expedition to Mongolia? He said how much it loved him, feeding it Mars Bars in his tent, and how, being a lusty fellow and missing his wife terribly, he almost kissed the splendid creature. It reminded me of visiting a wolf sanctuary in Colorado, while on tour for my dearly beloved ‘publisher’ Abrams, when I snogged a wolf. Well, actually, it gave me a wolf kiss through the fence, all tongue and slobber, but before you think it so terrible, apparently wolves’ saliva is enormously clean and can kill any known germs dead. Well, that’s what they told me! As ever, hearing those animals howl cut through the soul, but I also heard of how, when one wolf lost his mate, he dug a hole to lie in, and when he howled that night the whole pack stayed strangely silent. Ah, we have much to learn from animals, but Brian Blessed’s friend accompanied him up through the snows on what must have been the most thrilling walk. He may be accused of ham, or frightening the deaf, but I will always remember his triumphant Augustus in the BBC’s rarely matched I Claudius, bemoaning the state of Roman marriage.

DCD

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A HAPPY NEW YEAR, WITH SLASHED PRICES

PHOENIX ARK PRESS, perhaps influenced by the cut price, serialised thriller that became a Christmas sensation, now being fought over by publishers, are delighted to announce the repricing of ebooks, in line with reader’s pockets and expectations. David C Davies’ richly artististic vampire novel, The Blood Garden, which creates a new vampire crime genre, Dominic’s Sand’s venture into renaissance murder, ICE, and the delightful little children’s fairy tale, Michelangelo’s Mouse, telling the tale of a painting rodent who wants to be famouse, are now all available at only 99p, and a dollar and a half in the US.

Happy New Reading Year and please spread the good word!

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A WONDERFUL READER’S LETTER AND A HAPPY CHRISTMAS FROM PHOENIX ARK PRESS

FROM LHUNA
I still think about my first read through The Sight this time of year, aptly in the cold of winter. Profound books have a habit of getting adopted into a readers subconscious, changing them sometimes, I guess that’s the power of media. Sometimes it will snow outside and I’ll think of Larka’s pain and eventual courage. Kar’s lifelong loyalty and romance, turn to insanity, and then liberation through Larka’s blessing. That stuff doesn’t leave a readers mind, not if they feel it deeply enough.

So I know how hard it must be to actually write a story, and mentally experience the characters, when the fictional world becomes drawn from miserable real world experiences, those taken from some very dark places. Scream of the White Bear is obviously pulls some challenging emotional associations. But thankfully, readership and message never hinges on just one avenue. And you have all the voice and freedom to explore more than any of us have. I’d like to see Scream at some point, but in a form true to the love of storytelling, or out of a drive to send a message into the world, not out of pure obligation. Because trust me, as readers we’ll follow wherever genuine emotion is found, as with the characters in The Sight and Fell. That’s why your wolves don’t leave me. That’s why Larka never ‘actually’ left Kar.

Best wishes, stay warm this winter.

Dear Lhuna,

what a charming and deeply touching letter. When people talk of ‘getting over’ sadness or disappointment, and I know that is probably to encourage, I’m afraid Scream went far deeper than that. It is not a question of easy self pity either, but of what can flow in thought, feeling, insight and story. That is why what Abrams ended up doing was not only wrong towards a person they knew so personally, but as part of any creative or artistic process too. I have ‘fought’ to hold some voice and independence in even creating Phoenix Ark too, but it has also been too much of a battle at times and stolen away a very simple joy, which is my being able to do what I do best, or did, tell creative and powerful stories and share them with readers in the most appropriate and professional way too. Indeed it was intrinsic to my voice and life power too. But my stories have always been drawn rather deeply from life battles and experience and that’s why Scream almost killed me off. That can sound melodramatic but many writers have talked about the risks they can take with what they write and how it can harm or help their lives. Anyhow, it was lovely to hear from you again, to know that past stories have inspired and to you and all who have dipped into Phoenix and found something at least interesting, have a very Happy Christmas Hols and a very brilliant and creative New Year.

DCD

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GUILT AT A KIND READER’S EMAIL

I love your novels and everything about them please tell when your novel “Scream of the White Bears” will be released in the United States, sir? I check any Page and every page about your books once a week because, I’m so busy but I make time to check your books! Please when will u release it in the United States??? We’re all dying inside to read it!!!! 🙂 :):):)
PuddleJumper

Oh dear, that makes me sad and guilty again, because despite promising to get to it this year, I am afraid I am trying to survive and earn a crust too, so I have turned to a non-fiction project I would dearly love to do. I promise I will get to Scream though, even if it cannot be published mainstream, and it will certainly come out in the US in some form. Thank you for writing and if there has been any disappointment I am very sorry, but it was not as great as the hurt and disappointment I faced over it. It is what makes it a difficult thing to revisit. Love your name, by the way.

DCD

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GOLDMAN SACHS

God, the ex Goldman Sachs man on Newsight tonight, Richard Sharp, is the reason bankers should be heaped in scorn. The smugness of the man, the attempt to blame a world crisis on Government debt alone and the complete disinterest in people out there too, even if they haven’t a clue how to fix it, or survive in the bewildering system. Those people within the city and Wall Street knew it was a no lose game there, because capitalism could not afford to allow them to fail. They are still the ones able to take their huge slices and in the US 1%’s share in the cake has gone up by 300%. Meanwhile youth unemployment is at its highest since records started.

It may well be that Labour turned Britain into a super casino, and did many harms, but banks pushed loans, debts, products, services at us, as if there was no tomorrow, and then, when the fan got covered in nastiness, the risks of lending to small businesses were throttled on the page. The complexity of derivatives though, the gamboling and speculation on parcels of debt, the hiving off and corruption, in cases like Enron, means those smuglet bankers have played games that have had vast effects on the rest of us. But quite apart from the unconcern of a man like Sharp, in the face of such extraordinary scenes in New York and London, what about the wider issues of Capitalism in allowing 7 billion to live together well on a shrinking and self consuming planet? They will not tell that truth because no one knows how to deal with it. It was that trader this year, talking about how he looked forward to crises in the chance to make money, like many clever speculators, though others lose the gamble, who told us that Governments don’t rule the world, Goldman Sachs does. That’s why Sharp doesn’t like politicians attempting to intervene, which is surely half the point of politics, but if we really think we live in a Democracy can someone please tell us how to vote down the technocrats Richard Sharp? Well, in Greece and Italy technocrats are in the seats and Dan Snow argues it is a momentary Democratic tweaking, but we will see.

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DERREN BROWN AND THE SECRET OF LUCK – FROM TONY THE PAGAN

A comment from a participant – the marvel and mystery deepens.

Apart from the simple fact that I was in the front row of the audience and watched the dice roll all the way down the chute (that you can see me actually building on the show at one point) into the glass bowl. There were a few practice rolls off camera and Wayne’s wife handed the dice to him each time (Derren never touched it). The choice of number was the audience’s and the choice of roll was Wayne’s. We could’ve done the show without Derren for what he contributed.

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