Tag Archives: Dragon in The Post

A NEW EXCERPT FROM DRAGON IN THE POST

At 69% funded and over £3,100 DCD publishes another except from Dragon In The Post you can read on WATTPAD or listen to the audios in blogs below.

You can join the adventure and contribute too by going to DRAGON IN THE POST IN INDIEGOGO

PA PRESS

Leave a comment

Filed under Books, Childrens Books, Community, Publishing, The Phoenix Story

A MEMORIAL, STEPHANIE JACKSON AND THE DRAGON STREET TEAM

10590049_713426898705227_1996645881_n
10573346_713426908705226_1650886706_n

You know crowd funding feels a bit like fighting the first war, at times, and with Dragon In The Post a little stuck at 69% funded is sometimes like wading through mud, and perhaps just as futile trying to make a key breakthrough! But when you heart is at its lowest there come the Street Team again to inspire and surprise and, for yesterday’s Memorial for the opening of the First War, commemorated so extraordinarily beautifully in a river of poppies outside The Tower of London, 20 year old Stephanie Jackson’s lovely poem:

Upon the bloodied fields of red,
Above the canon roar,
Among the gathered soldier men,
‘Up and over’
Comes the call
‘Those who turn back you shall shoot’
No cowards will survive,
And into no man’s land
They fled
Upon the battle cry.
And now the fields are green again,
Where bodies fell and lay,
Oh so many years ago,
Upon this fateful day.

Stephanie Jackson August 2014

Whether we win or lose this fight I am so proud, so why not come and share your own work too, your ideas, passions, photos and paintings? Most especially we need a great push now and your interest and contributions by SUPPORTING DRAGON IN THE POST HERE

The photos are of the WWI river of poppies flowing around the walls of The Tower of London. The memorial remains there until November 5th.

Leave a comment

Filed under Books, Childrens Books, Community, Publishing, The Phoenix Story

DAVID CLEMENT-DAVIES READS AGAIN FROM DRAGON IN THE POST

Agrings_of_Nyra_by_MoundfreekWonderful that we are 68% funded already, to crowd fund and send out the first edition book DRAGON IN THE POST. So DCD does another reading to encourage you all to please come on board now and back the project too. You can get a signed copy, in the post, Clare Bell’s Ratha’s Creature, support a 100 mile walk along The South Downs Way and receive many other perks by clicking here and BACKING THE DRAGON NOW

To hear the audio just click the arrow below. To hear the first reading too just CLICK HERE Thank you.

The picture is a painting for her own Dragon novel by one of our main backers and great member of the Street Team, Kelly Baker, up at the indiegogo gallery now

PA PRESS

1 Comment

Filed under Childrens Books, Community, Publishing, The Phoenix Story

WOAH, THE DRAGON JUMPS TO 68% FUNDED AND POLE POSITION AT INDIEGOGO SMALL BUSINESS

Fire_Cutter_-_Dragon_in_the_Post

Tremendous and thank you all, the Dragon In The Post project has just jumped to over 3K funded and is at 68%, while, with the time extension to the maximum 60 days allowed, it is now in pole position on the Indiegogo Small Business section at https://www.indiegogo.com/explore?filter_category=Small+Business

We also got into the Indiegogo Newsletter last weekend and are going to appear in the Hampshire Chronicle. A great meeting with the Street team just now and many more merriments to come. But now we really want to start a grass roots publishing fire, something truly authentic and remember this is not just for one book but many others, sent to you in the post.

If you would like to get all the Indiegogo updates direct, enjoy the wonderful gallery of fan art and films being done, get special perks, hear an audio reading and own a First Edition copy too, with your name in the front for supporting, then why not go to Indiegogo.com right now by clicking SUPPORT THE PROJECT NOW

You can also hear the audio reading by clicking the arrow below.

Many thanks.

PA PRESS

Leave a comment

Filed under Books, Childrens Books, Community, Publishing, The Phoenix Story

DAVID CLEMENT-DAVIES READS FROM DRAGON IN THE POST!

Fire_Cutter_-_Dragon_in_the_Post

David Clement-Davies does his first reading from his crowd-funded novel and publishing project Dragon In The Post, that you can also read part of up on WATTPAD

To hear the author reading from Dragon In The Post click the audio arrow below. To go to Wattpad or Indiegogo click on the underlined links. To hear the second instalment just CLICK HERE

If you, your family and children enjoy this reading and story please help us start a grass-roots fire by spreading the word and crowd funding it into a real book, sent to you, in the post by CHOOSING ONE OF THE PERK LEVELS AT INDIEGOGO

Many thanks and although we are doing wonderfully at 53% funded, it ain’t easy, we have ambitions to raise more than the 4.5k target, to open the door on many things, coverage is coming in the Hampshire Chronicle and so the deadline has just been extended to the full-time limit available at Indiegogo of 60 days. That now ends on August 27th but momentum is always vital and remember if we do not hit the 4.5k target by then indiegogo will take a bigger percentage of any money raised.

PA PRESS

The painting is the wonderful image of a Fire Cutter, a dragon that cuts a door into another world for Gareth Marks, done specially for the project which you can own too as a signed print by being the highest of the next four contributors!

Leave a comment

Filed under Childrens Books, Community, Culture, The Arts, The Phoenix Story

YASMIN FOSTER’S ART COMES TO FIGHT FOR DRAGON IN THE POST!

Facebook and Social Media ‘Press Release’

CONTRIBUTE NOW OR RAISE YOUR CONTRIBUTION LEVEL TO DRAGON IN THE POST AND, APART FROM OTHER PERKS, ALSO OWN THIS WONDERFUL PAINTING, SPECIALLY DRAWN FOR THE PROJECT, PAINTED, PRINTED AND SIGNED BY YASMIN FOSTER

Fire_Cutter_-_Dragon_in_the_Post

With 23 Days to go, of the highest contributions or raised contributions among the next SIX backers on Indiegogo one person will also own this wonderful Fire Cutter by Yasmin Foster. You can do that right now by going to https://www.indiegogo.com/projects/dragon-in-the-post/x/8028980

Thanks so much Yasmin and other frolics to come. – Contacted local papers, cutting the flying film and training for South Downs Walk! Hope you all had a lovely weekend but we need to up the intensity and contributions. PA PRESS

Leave a comment

Filed under Books, Childrens Books, Community, Fantasy, The Arts, The Phoenix Story, Uncategorized

AT 50% FUNDED, ANOTHER VERY PHOENIXY INSTALMENT OF DRAGON IN THE POST

At 50% funded come and help crowd fund this story into a real book, not an Ebook, and sent to you in the post. You can have your name posted here and in the front of the actual book, while you can visit the Indiegogo project right now by CONTRIBUTING HERE

DRAGON IN THE POST

Yet there was one figure in the great kitchens that seemed to take an interest in the three of them that day – Herbert the Kitchen Phoenix. In between his food tastings and his endless tears at the slaughter taking place, the strange bird would suddenly swoop over and check Gareth’s Correcting, or nod as Sarissa strained at the spit, or look on approvingly as fat little Sao finished another batch of dirty plates. He seemed to like the three of them.
They all wondered how the bird moved around so fast, steam coming from his ears, since he seemed so ancient and his feathers kept moulting everywhere. The activity in the kitchens was frantic, and soon several of the scullies were in tears too, at their treatment by the Cooks, but Bouchebold seemed oblivious to it all and in a very good mood.
Until something terrible happened. Gareth had put down his chopping knife, as his arm was aching so much and suddenly noticed those two crates, now marked VERY DANGEROUS.
Well, he had seen too much already to be put off by this, not least his Godfather’s Very Dangerous Book, so when Gareth was sure no one was looking, he slipped over to take a peek.
Both had large white cloths over them and Gareth decided to look at the delivery from the Dark Wood first. He peeled back the cloth and inside were heaped luscious looking berries, a bit like blackberries, except a deep, dark red, and next to them, the strangest looking mushrooms he had ever seen.
They were huge blue-green toadstools, that seemed to have orange eyes in the top of them, which seemed to blink every now and then and stalks of the purest, nastiest looking black. Gareth noticed a sharp scent, coming off the berries, that made his eyes water and as he leant nearer to smell them, pulled back, because a terrible scene had just flashed in front of his eyes.
Gareth Marks thought he saw an animal, like a wild boar, in a wood, throwing up its head, as it crashed to the leafy ground with an arrow in its side. Then the poor creature was on its back, kicking its legs and blood was everywhere, soaking into the soft ground, as little bushes, with berries on them, bloomed from the earth. Gareth hurriedly pulled the cloth over the nasty things, as he thought he saw one of those toadstools quiver and turned to the second crate. A strong smell of salt and sea was filling the air now and, gingerly, Gareth pulled back the cloth, to see five enormous fish. They were like silver Sea Bass, although they had giant rounded heads, and, the strangest thing of all, they seemed to have lizard’s feet too, just below their fins.
Gareth noticed the crate was swimming with water but it was the magical sheen on their scales, silver, red, and a flashing turquoise, that made the boy reach out and touch one, with his forefinger, to stroke it lightly.
As soon as he touched the wet, Gareth felt a jolt run up his arm, as if he had put his finger to an electric socket, at home. Then the strangest feeling washed over him. At first it felt wonderful, like a sudden exhilaration, yet, with it, came an enormous sadness. Gareth’s eyes were suddenly dark, and he could hardly breathe. The sadness, that made him think of Herbert’s tears, was followed by thoughts of his dad, and then his horrid stepfather, and a terrible feeling of anger enveloped him, that made Gareth want to scream.
Then all these feelings were flooding over Gareth at once. He felt as if he was drowning, and in his mind he was underwater, while all around him were shadows of the strangest creatures imaginable. Dark, unformed shapes, flashed past his sight, and his eyes were stinging, as if washed by chlorine in a public swimming pool.
Now Gareth felt an impossible sense of despair too, and was falling, sinking, deeper and deeper, drowning, but he sensed what lay below had no end. It was like passing through the Seer Guard again.
He heard a screech, felt something hard below him, that hurt, but still he was falling, as if being sucked downwards, into the dark, with only the dim sense of sunlight somewhere very high above, getting fainter and fainter. Gareth felt he wanted to die in that moment, to give up, above all to stop the terrible, uncontrollable feelings washing through his being. Yet he felt water on his face, just specks, and could suddenly breath again, and his eyes began to clear.
He saw the Kitchen Phoenix first, hovering high above him, shaking its head and crying, and then Sarissa and Sao were peering down at him too.
“Gareth, are you ok? What happened?”
Gareth remembered thinking what a nice face Sarissa had when she smiled like that, but suddenly he was back, awake, on the hard floor, and now Bouchebold was glowering down at him too, pulling Sao and Sarissa aside.
“Get up, boy,” the Dragon chef bellowed.
Gareth struggled to his feet and looked around guiltily. The whole kitchen had stopped work to look.
“It’s lucky you only touched some water from the Foundless Sea,” said Bouchebold gravely, “and didn’t eat one of those DeathBerries. You’d have been dead on the instant. You have to soak DeathBerries for days, to take the poison out. So to turn them into Bloodberries.”
Gareth gulped.
“If one of those ToadShrooms had woken, and hopped out, they could have got into the grounds, and sown themselves all over the place. They can make people see the strangest things.”
Gareth looked nervously towards the first crate.
“As it was we nearly lost you though,” said Bouchebold, “Only Herbert’s tears brought you back again. No salt in them, only healing.”
Gareth looked gratefully at the old bird, who had perched on top of a casserole dish, the same colour as its feathers. He seemed to be smiling.
Sarissa and Sao were looking with great concern at their friend too
“But if I just can’t trust you to take orders,” scolded Bouchebold, “you haven’t a chance working for me, lad. You’re demoted, right now, to the lowest kitchen Peel Stacker. I’ll think of a real punishment later.”
Bouchebold was looking over to a filthy pile of potato peelings being gathered in a corner.
“Yes, Dragon Chef,” said Gareth miserably, still feeling shaky on his feet.
“WHAT DID YOU SAY?!” boomed Bouchebold, immediately.
Gareth saw the look of terror on the Choppers’ faces and remembered the term he was not supposed to use down here.
“Dragon Chefs?” bellowed Bouchebold furiously, “We’ve no filthy Dragon Chefs in Pendolis.”
Bouchebold had grabbed a huge ladle and seemed about to strike Gareth with it, but he slammed it against the counter instead, again and again, until it bent in two.
“Those lying, preening, self-regarding frauds. With their Blue Ribbons and their smug recipes, and their nasty little self-serving club. It’s all about Gold and Celebrity, nothing else, while half of them couldn’t cook a boiled egg properly.”
Herbert the Kitchen Phoenix had started to cry again to sob, but Bouchebold glared dangerously at Gareth.
“Out of my sight, underling,” he cried, “before I boil you alive in sizzling rabbit fat.”
One of the Choppers had grabbed Gareth’s arm, and was pulling him hurriedly towards the potato peelings.
“Don’t worry,” he whispered kindly, “he’ll calm down soon enough. There’s too much to do, today.”
“But why does he get so…”
“Upset? Because they denied him the Blue Ribbon, of course,” said the Scully, “The greatest accolade in all Blistag. When he was a Dragon Chef himself.You can only enter if you’re a Three Tail Chef, anyway.”
“He was one?”
“Oh, yes, and to none other than the Black Warlock. Before he got quite so dark. Bouchebold hates to talk about it.”
The scully had said this in a whisper but Gareth suddenly felt there was a grave mystery about this Bouchebold.
“It’s a wonder the Dragoman took Bouchebold in at all. But he does like his deserts.”
With that, they heard a scream, from somewhere down those passageways.
“What was that?” said Gareth.
“They’re probably torturing that mute, who brought in a FireCutter, to get him to talk.”
“But that’s silly,” said Gareth, thinking Pendolis horrid indeed, “if he’s mute, he can’t…”
“Don’t do to ask too much here,” said the scully gravely.
Like the others, Gareth got to work again, though among the potato peelings now, near a cook who seemed to be working on a pudding, with a veritable Cornucopia of strange ingredients, that kept drawing the twelve-year-old’s attention away from his peelings. While Bouchebold calmed down rather sooner than he might because the First Cook was suddenly looking towards the pass.
A Lady was standing there, one of the Dragon Maidens, in her high collared red velvet gown. It was the beautiful raven haired girl, they had noticed on the balcony.
“My Lady Mordanna,” piped Bouchebold immediately, pulling out a handkerchief and mopping his brow, then giving a very low bow.
“Good Bouchebold,” said the maiden softly, dipping her head gracefully, “Lord Cracken sends his regards, but wished me to inform you we’re gathering in the great hall. I wanted to see the kitchens too, I admit.”
“Yes, my Lady. And everything is perfectly on time. We’ll serve the Dragoman’s favourite pudding too, tonight. Bloodberry soufflé.”
Mordanna looked rather amused but she was suddenly looking about the kitchen and her eyes had fallen on Sarissa Halleet, looking embarrassed and resentful at that spit.
She smiled rather kindly, then she swung her head to take in Sao, and finally Gareth. The jewel held on forehead, by that necklace, or headlace, sparked in the light of the glowing kitchen fires.
The Dragon Maiden looked very out-of-place in a kitchen, but as she stood there, something strange happened. It was as if all the stove fires flickered and dwindled at once, and a shadow passed over the room. Gareth saw the glow from that archway increase, and wondered again if a Dragon was lurking beyond.
Bouchebold suddenly looked very worried too, as a lost, faraway look came into the Dragon Maiden’s deep, dark eyes.
“Strangers,” she whispered suddenly, in an even stranger voice, “Strangers, here in Pendolis, beyond the Seer Guard. They are important though. Vital in the Dragon Wars. The Prophecy comes, but there is evil among us already from the Black Warlock himself. The Seer Guard shall be breached. Something new is happening, born this very day.”
As Gareth listened, he felt those feelings overcoming him once more, but the stoves blazed in the kitchens again, and the shadow had passed. Mordanna was blinking, as if quite unaware of what she had just said.
“Well, Bouchebold,” she cried cheerfully, “I can’t wait to try your delicious food. The Dragon Warriors are starving.”
The Dragon Maiden turned and swept away, as all the kitchen staff looked rather warily at the First Cook.
“What are you all gawking at,” Bouchebold cried, “you know they can’t remember, when they’ve just prophesied. Now hurry up, we must get the food to the Pass.”
So they began to serve the dishes they had prepared that day, in a frantic flurry of activity. Suddenly starters were moving towards the Pass, to be taken upstairs, by eager servants in gold tunics.
Gareth’s mouth began to water furiously, as he saw that array of food; delicate Sweetmeats, slices of honey coated ham, terrines of liver pate in Brandy, and quails eggs, on a bed of delicate green and red leaves.
All the while, Bouchebold was sweating, shouting out orders, and this time Gareth wished he had forgotten him, because every time Bouchebold caught sight of Gareth he scowled furiously. Gareth thought of some punishment to come and knew that if he could not make up for himself, he would have a very hard time of it indeed, in the great kitchens of Pendolis.
His fear got worse, when he went to collect some soggy potato peelings and knocked over a little jar, of the most horrid looking brown liquid that tipped straight into one of the waiting dishes.
He caught hold of the thing, just in time, and felt he should tell someone but to his horror someone snatched up the dish and hurried it away towards the Pass. But so the main courses were sent up to the rooms above too. Great trays of what looked like sliced Rhinocerous. Platters of rabbit casserole, with duck hearts, chickens and beef, and fishes, and enough food to satisfy an army.
Now the desserts began to move. Oranges in caramel, strangely coloured jellies, delicate sugar biscuits, a huge bowl of red, orange and green triffle, someone said was called The Painted Dessert and all seemed to be going well, until Bouchebold wandered over to the cook nearest Gareth and there was suddenly a terrible roar.
Bouchebold had just dipped his finger into whatever the man had been making.
“Wrong,” he cried, “disgusting. I can never serve Lord Cracken or the new Dragon Warriors that. That’s not a BloodBerry soufflé mix at all, you idiot. It’s ruined.”
Herbert had flown in now, to try the thing himself, and the scrutinising Phoenix shook his head mournfully.
“Well, Herbert,” said Bouchebold, “what’s wrong with it?”
This time the Phoenix seemed totally at a loss. A limp feather dropped from its right wing.
“Really, Herbert,” snapped Bouchebold, “are you losing your palette?”
“Excuse me, Sir,” said Gareth nervously.
“You,” snorted Bouchebold, as he turned to look at the twelve-year-old, “You dare to interrupt Bouchebold, after all you’ve…
“Er, I think it’s the Cinnamon Flour, First Cook,” whispered Gareth, “He didn’t put in any Cinnamon Flour. I’ve been watching.”
Bouchebold, not to mention the rest of the kitchen retinue, looked at Gareth Marks in absolute astonishment but Bouchebold suddenly blinked and beamed.
“Cinnamon flour,” he cried, “But of course. You’re absolutely right, young man. It’s missing Cinnamon Flour.”
Bouchebold hurried over to a large glass jar, and when he had added six heaped tablespoons of orange-brown Cinnamon flour, then tried the thing, he seemed back to his old self again.
“Redeemed,” he cried, looking fondly at Gareth, “You’ve redeemed yourself, all right. You’ll rise as high as a BloodBerry Soufflé, and work with Bouchebold himself, one fine day.”
Gareth was naturally delighted and Sarrisa and Sao were looking at him in amazement, wondering how on earth their friend had known. They did not see him carefully replacing one of the torn pages of Pendelion’s book in his pocket. At the curling top the fragment said – “Bloodberry Soufflé. A COUNTRY RECIPE.”
“Quick now,” cried Bouchebold, “into the oven, straight. With the reaction of the BloodBerries, especially ones we’ve been soaking for months, it’ll only take five seconds heat. Then it must be served piping hot, with Whipped Dandelion Cream.”
One of the scullies had opened a huge oven, like a terracotta pizza oven, with a stone and glass door and lit at the bottom by an open flame. But as he did so the flame went out. Not just in this oven though, for all the fires in the great kitchens, guttered and died.
“No,” moaned Bouchbold, “not now. It’s impossible.”
“What’s wrong, First Cook?” said Gareth, “Why have the stoves…”
“Dragon Gas,” answered Bouchebold sharply, “the Dragon Gas must have run out. It happens sometimes. They must have forgotten to fill the tanks, but the whole citadel’s fired on it. Pendolis runs on Dragon Power. Farty creatures that they are, especially fed on Buttersqueak, like our Dragon in the next chamber. My pet.”
Gareth wanted to laugh, for the glow beyond had disappeared, and he suddenly realised what that strange smell in the kitchen had been. The kitchen fires of Pendolis were lit by methane gas, from actual Dragons.
“It’s a disaster,” moaned Bouchebold. “We’ll be on bread and water for a month, if Cracken doesn’t get his soufflé. The first day of Dragon Training too, and the whole meal’s failed. I’m ruined, ruined.”
Bouchebold had suddenly stopped though and swung round to look piercingly at Herbert. The old bird suddenly appeared terrified and now it was shaking its beak furiously, and flapping its wings too.
“Oh yes, Herbert,” insisted Bouchebold, “It’s the only way now, my dear old friend. And besides, its near your time, anyway.”
Bouchebold stood back and was holding open the oven door. Herbert had a very resigned look on his face but he suddenly took wing and sailed inside. The Phoenix settled on the ledge, below the huge soufflé tin.
Bouchebold shut the oven door fast and Herbert sat there, peering back through the glass, tears streaming down his feathery face. Bouchebold was crying too but it seemed that his culinary artistry came before anything else.
“Hey, what’s happening, Gareth?” whispered Sao, who had wandered up too. He looked fit to drop.
“Not sure, Sao. The Dragoman wants his favourite pudding.”
Inside the oven the Phoenix had closed its huge eyes and started to quiver. It was as if it was turning itself on, because, suddenly, its wings and feathers caught fire.
The poor bird flared there, before their eyes below the soufflé, and suddenly there was a flash of intense light and flame. Herbert the Kitchen Phoenix exploded into flames, which licked up around the edge of the soufflé tin, and suddenly the dark red Bloodberry mix was rising over the top, as Herbert vanished in a puff of smoke.
Bouchebold pulled open the oven immediately. Below the risen soufflé, Bouchebold was pulling proudly out with a pair of mauve oven gloves, was nothing but a mound of glowing ashes, with a lonely, half burnt feather sticking out.
“A triumph,” cried Bouchbold, regarding the pudding fondly. “Well done, Herbert, cooked to perfection.”
“Poor Herbert,” said Sao sadly, “he’s dead.”
“Well, he looked exhausted anyway,” said Gareth, consolingly, “and he really couldn’t stop crying. Everything seemed to upset him.”
Bouchbold had hurried the piping hot soufflé into the hands of a server, but now he turned towards Gareth and Sao, as Sarissa wandered over.
“You’ve done well, lad,” he said admiringly, and Sao looked at his friend as adoringly as ever, “quite saved the day. So for you, and your friends here too, there shall be a very special reward.”
“Reward,” said Gareth sceptically, feeling utterly miserable for Herbert, who after all had saved his life, when he had touched the fish and the water from the Foundless Sea.
“Of course, Garnet. Tonight there’s extra cabbage, and tomorrow, you’ll be given the morning off. Back to work by elevenses, mind.”
“Tomorrow,” groaned Sarissa, “You mean we have to do all this again? I could sleep for a month. And my arm hurts.”
“You may go with the Stewards,” continued Bouchebold, “out into the countryside, and make sure the Dragon Gas is turned back on.”
“Thanks very much,” said Gareth half-heartedly.
“It’s hard and smelly work, fetching Dragon dung,” said Bouchebold, and he suddenly looked at Gareth sharply, “not to mention very dangerous.”
Sarissa was scowling furiously at Gareth now.
“But it will take you in sight of the young Dragon Warriors,” added Bouchebold significantly, “and their earliest training. Few get to see that, especially from the kitchens.”
Gareth Marks brightened immediately, and with that, they all saw it. The embers in the open oven stirred, and a bright red head popped up and looked around. Suddenly a winged shape exploded out of the oven in a shower of soot, flew into the air and settled safely on the top of the hob and shook itself.
“Hello, Herbert,” said the Great Bouchebold cheerfully, “Welcome back, and very well done. The Dragoman will no doubt reward your greatest sacrifice, too. Perhaps he’ll find you a lady Phoenix.”
The children laughed, for the little kitchen Phoenix was standing there, beaming stupidly, not a tear in its clear, sharp eyes. Its wings were as bright and fresh as if it had been new-born, which, of course, Herbert the Kitchen Phoenix just had!

David Clement-Davies Copyright Phoenix Ark Press

Leave a comment

Filed under Books, Culture, The Phoenix Story

THE DRAGON AND PHOENIX ARK PRESS TAKE TO THE SKIES OVER THE SOLENT!

rt7544364645636456IMG_1624

UPDATE: The crowd funded book on Indiegogo, you will get in the post, is now at a soaring 50%!

What an astonishing day driving through the Meon Valley today to Phoenix Aviation in Lee-on-Solent, to take a very first flying lesson with the commendably calm and efficient CFI (Chief Flying Instructor) Steve Cockshott. Out of a perfect misty morning the plumping wheat fields were almost russet as the harvest begins here and the blue skies near crystal glass clear, skirting through lovely morning Hampshire. A very different experience then to the Air Ambulance that I once found myself stuck behind when I once drove to write about Accelerated Freefall, skydiving from 12000 feet in Kent. With little wind, until we landed, near perfect flying weather then, given a touch of royalty at the Argus gate to the airfield too when we learnt that Princess Michael of Kent was nipping in to do some work for the coastguard! Past the old hanger still labelled Overlord, from the war effort, the offices of Phoenix Aviation are housed inside the small control tower and there, with a confident handshake and the remark that he recognised me from the Dragon In The Post Indiegogo film, Steve took us into the briefing room for a quick lesson in Lift, Bernoulli’s Theorem, Ailerons, Control yoke, flaps and something reassuringly called a Stabilator, instead of an elevator on the tail. Basically it makes the 4 Seater Warrior plane we were going up in more stable.

So, when the red wooden model had been put aside, nerves began to calm as we crossed the runway and learned that reassurance is always about knowledge and the intimacy of being hands on. Phoenix have seven planes in all, including 2 microlights, and I was rather amazed to discover that you can reach the level of a solo flight after only 12 hours! But the first real thrill was climbing onto the wing and then into the cockpit, to belt up and don the headsets that allow everyone to communicate with each other and the control tower too. The training inside had taught us the basic movement of the rudder pedals, the brakes just above, you must never use until the last moment and the flaps, while Steve was very clear in showing us how things really and rather simply function. A marked contrast to the bewildering display on the instruments panel, which pilots only glance at, except in cloud, because awareness and real sight is the key, while you must navigate towards the horizon with something through that glass in front of you called a ‘Picture’. So, accompanied by some colourful Hampshire butterflies in the stomach, to taxiing down the short turn to the base of the runway, with nothing but a firm grip on the control yoke and the movement of those pedals. The engine had fired up and I learnt the foolishness of wearing my pointed spanish boots, as too-long toes brushed the brakes but no disaster happened. Then to a sharp turn and stop to check everything, a Roger from the tower and pushing the throttle forward to head down the take off strip. The routine exchange of “I have Control’You have control’, since every plane has dual controls, had returned that mastery to Steve, since no novice can take off or land, and soon we were near the 65 Knotts needed to take off. Chocks away.

So a novice pilot quickly learns, although there is a great deal to learn, that the art of flying is most essentially about the science, the effect of the wind moving at the right speed across the top of the curved wings, so producing reduced pressure above and the necessary ‘Lift’ to carry the 900 Kilogram Dragon bird into the sky. That you have to both know and rely on, because it is a far less dangerous exercise than driving and a very different kind of thrill to say taking to a racing car. It is all somehow dreamier, more peaceful, far more majestic. Then the enemy of the mind is always fear and an over active imagination, not exactly helped by the remark of a flatmate that morning that the average life expectancy of a pilot in the First War was 20 minutes! Not sure it is true, but no dog fights today. We have all experienced it in commercial aircraft but it is a far more thrilling thing too being in your own little cockpit, in potential control, feeling those racing vibrations and suddenly you are in the air, rumbling up a stairway to heaven, with a propeller flashing and breaking light before your eyes. Up to a thousand feet and then that “Picture” before us was like the most brilliant, dreamy oil painting, by a Master of the world and all there is.

The three of us were heading out across the Solent now, that edges the airfield, towards the Isle of White and the feeling and the day were glorious. The dwindling patchwork tapestry of fields, roads and houses below, the flashing white yachts cutting slashes of cotton white in the turquoise water, the super tankers hulking the flowing sea and then the majesty and complexity of clouds seen at eye level or below. The colours were magnificent. It felt like suddenly starring in It’s A Wonderful Life, as Steve said ‘you have control‘ and I was flying too, gently holding the nose and wings level, with a splendid bit of machinery thrumming around us. You really begin to touch the joy and power though when you start to turn a plane and bank, as Steve explained more about the controls, awareness and trimming, the deeper mysteries of pitch and roll, unchallenged by today’s weather, with the little wheel between our seats. When you are not in control you have you hands and feet lightly on, just to get the feel, especially when landing or taking off and begin to really learn what must eventually become instinctive. I was perhaps a bit stiff armed with nerves, because relaxation is key, but it began to come more and more, as I flew in towards The Needles, that remarkable display of eroded hard limestone cliffs at the nose of the white island and came back in a cloud riding circle. The Dragon was airborn and starting to learn! The sea was dancing flashing horse tails 2000 feet below us, those all important checks were made for any planes around, and much of the time you are simply cruising, able to chat quietly about a forty minute flight to Cherbourg, Steve’s business partner Frank or the 130 members the little club have. Neither are paid for what they do, the essential cost is fuel and landing fees and any extra goes to help the club. The rates are very competitive.

So we turned into towards the grass airstrip at Sandown, maintained by the £15 landing fee and the very English little cafe, in airfields here purely for the benefit of private aircraft. You come into land downwind, as you enter something called The Circuit, the imaginary rectangle that surrounds any airfield, as you contemplate the kind of holding pattern we have all experienced too. No delays in this case. Two other training craft were coming in, although it seemed more to me, and one not very well, but suddenly after forty minutes we were descending again towards lush green grass, like a large croquet lawn: 100 feet, 30, 5 and down, with very little bumping at all, although moles can be a problem. All far less dramatic than landing in the cockpit of an Airbus, as I did on one travel piece, but far more charming and liberating too. So to another little taxi and parking among the other drowsing craft. I think I had already decided, as had Jim, who came for a flight too and to kindly help make a little film, that after our twenty-minute break and cups of tea this flying thing was the thing. The only problem being the cost, which, to hit those 45 hours needed for a licence, can be around £9000, although it is quite a bit less to master a microlight. It was Jim who took the controls on the flight back, as I perched in the rear of the four seater, with a confidence perhaps increased by his own sailing skills and experience, because although the wind rules are different to waves, up there in the heavens much the same principles are involved. His face was glowing all the way.

Actually as we came back to land again on hard tarmac it wasn’t such enormous exhilaration that I felt, that had passed, but a sense of calm and of expanded knowledge too, that once you have mastered all the things you have to take on board, from actual flying hours to nine exams, it would be a wonderful thing to be able to fly and land your own plane, wondering more and more what it is like to be up there alone in the skies and in such glorious weather. Perhaps a little like flying with your Dragon! It was in all a very lovely experience, only added to as we raced home in the car but stopped at old Titchfield Abbey. I had no idea that extraordinary fortified monastery, dissolved by Henry VIII, became the Hampshire seat of none other than the Earls of Southampton and Henry Wriothesley, Shakespeare’s greatest patron. The bard could well have visited a stunningly beautiful ruin, then a magnificent functioning house, and so many things at Phoenix Ark Press seemed to coalesce. A project is flying then and has further to journey too.

DCD


If you enjoyed this article and are interested in trying to help crowd fund a book and a little publisher you can do so right now by clicking on HELPING A DRAGON FLY If you want to know more about Steve, Frank and the flying club then visit their website at http://www.phoenixaviation.net/ In the next few days we will edit the film and put it up here and in the Indiegogo gallery. The photos courtesy of Jim Plumridge show DCD in the cockpit mid air over the Solent, on the ground thanking Steve Cockshott warmly and with the wooden model in the classroom.

Come on, let’s all go flying!

1 Comment

Filed under Adult Fiction, Books, Community, The Phoenix Story

THE DRAGON, ART, FIREBRINGER AND THE OLD OR THE NEW?

SONY DSC

UPDATE: The crowd funded book on Indiegogo, you will get in the post, is now at a soaring 50%!

Anyone supporting the Dragon In The Post publishing project knows that one of the reasons I have chosen the Indiegogo Flexible Funding model is that I’m working during all this to bring my first and favourite novel Fire Bringer back into hard copy availability in the UK. That means some POD platform, Print on Demand, although it would be nice to try and get it back into bookshops too. It was published for 12 years and I still think Macmillan did not stand up enough for a book some think a classic and which Richard Adams, author of Watership Down, called one of the best anthropomorphic fantasies known to him..

But in that vein I just contacted the original artist for the book cover, Kenny Mckendry, who said it has brought him and his work much interest over the years and has kindly sent me photos of the original painting. The question to the Street Team then is should I go with an original, classic design or try and do a completely new edition? The painting is above, showing Rannoch as a young stag and you can visit Kenny’s website at http://www.kennymckendry.com

With our needing to get to 50% funding this week you can also see the Dragon In The Post project and support the campaign by CONTRIBUTING HERE

Thank you and going up into the skies today!

DCD

Leave a comment

Filed under Books, Childrens Books, Culture

WALKING IN THE FOOTSTEPS OF JANE AUSTEN?

austen_house_600

UPDATE: The crowd funded book on Indiegogo, you will get in the post, is now at a soaring 50%!

Well it can’t be all bad that in the Hampshire fundraising frolics this month there is now one of our posters trumpeting Dragon In The Post hanging in the home of one of the greatest novelists of all time, Jane Austen! The house is barely 10 miles from where I’m staying, in the gentle village of Chawton in Hampshire, so no writer worth his ink could fail to make the little pilgrimage to the charming home of the woman who changed the face of the English novel forever. There is little either quaint or twee about the way they have created an excellent museum there, where I committed an appropriate act of sacrilege by laying my hand on the writing table of Jane herself.

It was also a little treat to cross swords with one of her biographers, Deidre Le Faye, who I found with the house manager Ann Channon sitting on a bench in the lovely garden. Ann came as a cleaner 23 years ago and has now progressed to proud guardian, of a home and family story that can at times move her to tears. Behind a pair of magnificent coloured sun glasses Deidre meanwhile raised an understandably dragonish eye to my own efforts, and indeed ignorance about Austen, although also pointed out that in Austen’s day, and indeed from the days of Shakespeare and the first printed ‘Bookes’, these things were often done by private patronage or by subscription. So we are in fact in illustrious and honourable company! I did not know that Austen, who did not move from her home near Basingstoke to the house until 1807 and only updated some of her most famous works like Pride and Prejudice there, published anonymously or under the tantalising label ‘By a Lady‘. Never married, living in the house with her brothers for a time, who both became admirals in the British Navy, I was also astonished to learn that Jane died at the tender age of only 41, perhaps of tuberculosis. How sad.

Like ‘The Birthplace‘, the Shakespeare family home in Stratford On Avon, I’m not entirely convinced by shrines to writers, or what they exactly tell you about the landscape of the creative imagination, kingdoms to themselves. But it was lovely to wander round, to see that perfectly neat Austen handwriting, amid the delicate bonnets and recreated Georgian dresses, to hear Deidre dismiss with a disgusted snort the claim that one especially ugly portrait might be authentic, as her TLS article had long established, then to catch snatches of the fictional miracle in the facts of living that accompanied such a very realistic author: the face of an unctuous Mr Collins in a portrait one of her clerical relatives, or the confident echo of that immortal opening “It is a truth, universally acknowledged” in the often ironic pattern of her busy and practical letters. Then to the navy sword her brother Charles was given by none other than Simon Bolivar and the tale of how the trust brought home her little Turquoise ring last year, proudly displayed with two little Topaz crucifixes, replicas of which are soon to find their way into the groaning gift shop, filled with pricey Austen nick-nacks.

Like Chawton, that has more houses now but probably the same number of inhabitants as in Austen’s day, and so unlike the swelling new town of Basingstoke, that has helped to swamp glorious and astonishingly beautiful Hampshire with tarmac and Leisure Parks, it was all rather genteel, as the sun shone down in the pretty garden, through the graceful yew trees that have grown mightily since the days when Austen was relatively unknown and the younger saplings perhaps couched the house privy. A hungry young family of swallows dipped from their nest in the room beside the gift shop, as Deidre kindly signed a biography for me and a collection of edited letters, and with hope of my own project still very much alive, all seemed ordered and right with the world. Perhaps the spirit of genius will come along with us, but what our own magnificent £1900 would have been and done in Austen’s time! The family were never rich, incidentally, nothing compared to the likes of a Mr Darcy, although one of the brother’s was adopted by a finer family, so got to make it to one of the big houses. If Jane, who called one of her publishers a rogue, might have been bemused by crowd funding, the Internet or the plight of the modern author, I wonder what she would have thought of the flying machine that plans to take us skyward this Wednesday, or my efforts to walk the 100 miles of the South Downs Way. Perhaps her eye and pen would have thrilled at the richness of the Hampshire wheat fields at this time of year, the magic blue glint of a field of wild borridge across the rolling lanes and the numinous glow of the super moon that hangs in the night skies, or perhaps found more meat and matter in the simple facts of survival. If you want to visit Jane Austen’s House, that got 50,000 visitors last year, the times are below, or indeed if you want to support a modern author you can find a novel sent to you, in the post, by going to Indiegogo and BACKING THE PROJECT

David Clement-Davies July 2014

The photo is a pubic domain image of Jane Austen’s House Museum, which is at http://www.jane-austens-house-museum.org.uk/. The opening times vary throughout the year but it closes beteen 4.30 and 5pm. Tickets are £7.50 for Adults, £6 Senior Citizens and £2.50 for children between 6 and 16. Deidre Le Faye’s studies of Austen include Jane Austen – The World of her novels published by Frances Lincoln and Janes Austen’s Letters published by OUP.

Leave a comment

Filed under Uncategorized