Tag Archives: South Africa

THREE FREE LIONESSES OUT OF THE CAN!

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She doesn’t have a name, such a beautiful wild lioness, even though the guides on our trip had at least got her used to the jeep.  We were about twenty five feet away, after having searched for two days, seeing old, dry tracks, and the remains of a zebra that had been killed months before. Then, bumping through the bush in the Kalahari, that lions will use as shade and cover to take animals, Jonah suddenly spotted what we couldn’t see at all.  He swung the jeep around and there they were, not one but three lionesses, the two more retiring companions almost lost in the tangle of Wait-a-Bit trees next to her, stretching and yawning in the African heat. Breath taking.

I don’t know if I could see the anguish in her face that my companion Arabella did, the tension and strain, that made us warier of moving where we sat. Apparently lions’ eyesight cannot easily distinguish shape and colour, they see blocks, so they react to things breaking out of the frame. That anguish though is because she had had two cubs, a male and female, but a lion, not the father, who had been following these three females around the area, had first killed the male cub, then driven out or killed the female too.  Perhaps new cubs will succeed the little tragedy.

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How gloriously different though, after our experience of meeting two lions in South Africa in a 4 hectare fenced enclosure in Plett Bay, to see these Queens of Jungle and Bush in the true wild and led by such a proud, beautiful, astonishingly powerful creature.  The story of lions though, and the collapse of populations in the late Twentieth Century, is as tragic as  so many wildlife stories.   It has a particular nasty Human side too, in the existence of what they call ‘Canned Hunting’, not here in Botswana where any such hunting is illegal, but in South Africa. Where it is legal to breed lions in captivity – there are something like 8000 captive lions there today – for the private zoo trade, or ‘Petting Tourism’, where Europeans pay high prices to supposedly suckle them for Conservation, but where their final destination is really death at the end of some high paying ‘hunter’s’  rifle. In South Africa three lions are shot for sport every single day and they go for around $60,000.  I don’t know if Donald Trump’s sons have taken such lions, but they have certainly been in the Press for their enthusiasm for Big Game sport shooting. The shameful, cruel and scandalous practice of Canned Lion Hunting, animals often drugged and baited before an easy and senseless kill,  I am sure the likes of that lion of a man Nelson Mandela would not have condoned, was confirmed in 2014 by the South African Supreme Court under Jacob Zuma’s administration.

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The irony in it though is that lion numbers in South Africa have probably gone up because of legal breeding.  Yet, compared with this vision of the true wild in Botswana, what kind of life do those captive animals really have? What kind of sport is it to slaughter them too? Or is that killing of this lioness’s cubs in the wild part of a brutal truth always in the background of existence, human and animal, with increasing populations and ever shrinking habitats, we just have no answer to?  Yet, for all the brutalities of life and the world, surely Man’s real talent could be to avoid that kind of senseless ugliness, and what the wildlife organisation Four Paws describes as “selling brutality”. In the Kalahari, with the raising of endless miles of fencing, partly to try and stamp out Foot and Mouth disease, European meat markets are so sensitive to, natural migration routes have been disrupted and both Zebra and Wildebeest populations decimated.  Inevitably predators like lions have suffered dramatically too.  But at least that hot day this beautiful February in Botswana, three graceful lionesses enjoyed their freedom, only caught in the photo can, and the true wild was there, in all its paradoxical wonder.

David Clement-Davies February 2017.  David travelled with Uncharted Africa, for their website Click Here  If you are interested in opposing the practice of Canned Hunting you can find out more by visiting the Four Paws website Click Here

 

 

 

 

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SUPPORTING THE KALK BAY ARTISTS!

Phoenix Ark are very proud to be supporting and promoting a group of four great artists in South Africa, who have founded a little Collective in Cape Town’s beautiful Kalk Bay, at The Kalk Bay Artists Collective. There Chris Bladen, Pete Strydom, Arabella Caccia and Jean Tiran now have their own workshops, but a lovely gallery space too, currently by invitation, to help support each other and to try and challenge the Gallery system too.

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Chris is a highly renowned fish and wildlife sculptor, whose almost scientifically realistic fish, birds and animals stem from his own love of sports fishing and the environment. They sell around the world.  He is also a superb jeweller. Pete is self taught, but his passion and wit ring out, and his sculptures range from gorgeous sunbirds to humorous modernist camels. Arabella is both award winning painter and sculptor whose work has auctioned at Southebys and, like all of them, is deeply inspired by nature and the shapes inside it, especially trees, to capture the vivid colours and forms of Africa. Jean Tiran is the Master Craftsman of the workshop, but also a wonderful abstract sculptor in his own right. To see them, their Mission Statement, their website and their work, just Click Here

Phoenix Ark and the artists are keen to build long term relationships with buyers, not least because work can be finished to detailed orders and editions.  Links to individual websites can be found by clicking above.  For International clients, even with the costs of shipping and tax, the work still represents considerable value. To contact them you can write directly here, to The Collective or to the artists individually, via the website.

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The Artists of Kalk Bay

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“Ya, artists of all kinds flock here” says Arabella Caccia, as we look down on the skillful little milk swirl paintings of some very convincing birds floating in the top of our cappuccino in Ohana café. A distant descendent of the model for Leonardo da Vinci’s Mona Lisa Arabella tells me about the never so fraught life of South African painters and sculptors. Of course here it is as tough to survive, let alone make it, as it is for any artist, probably made more so for a white half-European like Arabella by the moves towards ‘decolonialisation’ that have dried up municipal commissions and been encapsulated by the recent ‘Rhodes must fall’ campaigns.

The difference being that as the little single rail metro train chuggs along the sparkling coastline, it’s commuter carrying coaches covered in garish graffiti, roughing it in Kalk bay, Cape Town is a much more pleasant place to do it than many. I have penetrated deep beyond the so called ‘lentil curtain’, south of the city toward the Cape of Good Hope, to visit what might be described as the Greenwich Village of Cape Town. It is just edging toward High Season when tourists descend to enjoy churning turquoise waves, cloud curled blue skies that turn every day into an impressionist painting, restaurants, coffee bars and the many curio, antique, art and souvenir shops that crowd the Main Street.

Like Africa, Kalk bay is a very colorful place, and some lively and appealing art work leaps out at the eye. The witty, highly glazed Greyson Perry style ceramic pots in the window of the gallery Agapanthus, one emblazoned with the jolly motto ‘Holy Shit’. The landscapes, portraits and abstracts that pop out of every window, like those of the appropriately named Artvark. The huge hammerhead shark ever flicking statically past the little Shark Centre, fashioned out of endless strips of galvanized tyre, and bolted together with a thousand screws – recession-beating stuff back in the day, considering the price of casting bronze. On street corners poor Africans try to compete with their touristy trinkets – animals fashioned from twisted wire, metal friezes of the townships crafted out of old coke and beer cans, and piles of bangles, bracelets and beads. They are an echo of the finer but also tourist orientated African artwork on sale on the roadside near tourist destinations; endless animal woodcarvings of giant giraffe, elephant  or hippos with seats for open mouths, but also the often very skilled polished stone carvings, also commonly on sale in places like Kirstenbosch botanical gardens.

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Considering how much is around, everywhere, you wonder how anyone makes a proper living, but then there are the more experienced fine artists like Arabella Caccia, or Andrei Stead, whose interesting sculpted human half-cutaways  being appreciated in the Christopher Moller Gallery in the centre of town. Nearby at the Everard Reid gallery they were celebrating their 20th anniversary by inviting a young curator to stage an exhibition that was all student-style installations and anguished videos that did not do it for me. They are places it is important for any artist to cultivate and yet with the very high percentages galleries take, perhaps Arabella and her colleagues and friends have come up with the perfect solution. Near always popular and very artsy Olympia café and bakery, that thrums with locals gorging on some of the best seafood in town, they now share studios, foundary and their own gallery too, a hopeful and enterprising solution to any artistic woes.

Four artists work out of the space, Arabella Caccia, bearded Jan Smutts look-alike Jean Tiran, his green motorbike parked in the forecourt, whose fine abstract bronzes and stone carvings also adorn the space, and who doubles as the bronze caster, patina specialist and master craftsman, and ex dentist Chris Bladen, who does some wonderfully realistic bird and fish sculptures. The whole place is owned by a former salvage diver Peter Strydom, whose often humorous bronzes add a fantasy element to the enterprise. Not yet open, their pieces already dot the airy main room, and adorn the long table where they plan to host several dinners to encourage interest. The problem for any artist is their engagement with their own work and unwillingness for the hard sell or to act in the role of gallery owner, even here, which is itself a full time job. Thus their mutually supporting enterprise is unlikely to replace the need to exhibit elsewhere too, while at times they do face the odd complaint from neighbors. The week before I had seen some of Arabella’s lovely symbolist sculptures in the beautiful gardens of Grand Provence winery in Franshoek, which is also showing her paintings in their dedicated gallery. But now their outfit at Kalk Bay is not only a great place to work and be, but a certain place to exhibit too.

Arabella Caccia, who until recently had her studio in her little garage at her home in Kalk bay, is clearly delighted with the new space, not least with the company and working with people she clearly likes. Art can be an isolated business. But now, achieving new success at places like Grand Province, and still hugely interested in the art scene in Central Cape Town, as well as galleries in London, New York and abroad, she is really able to spread her wings. “It’s freed me up for new ambitions and dreams,” she says as she gaffers a giant piece of artist’s paper to the wall, soon to be blooming with a livid Rothkesque red. Arabella has interest in many artistic forms, a firm believer in knowing the classical rules before you break them, and her wonderful oils of often isolated and ethereal yet also grounded woman provide a powerful contrast to the fine masculine sculptures in the gallery. But recently she has developed a series of images and colours she half jokingly describes as ‘visual Haikus’, inspired by her time in the Tsitsikamma forests east of Cape Town. In the forms of tree bark and flowers she is finding shapes not only echoed throughout nature, but also in human lettering itself. Formed into wax casts too by the crafts men and women in the attached workshops she is also turning the shapes into some highly original sculptures. If what I have seen in Kalk bay is anything to go by she and her colleagues are about to take wing.

The photos show the work of united artists Arabella Caccia, Jean Tiran, Chris Bladen and Peter Strydom in their new gallery space on Windsor Street, Kalk bay and work in progress in Arabella Caccia’s studio.

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RAISING YOUR GAME IN PLETTENBURG BAY? A VISIT TO AN ANIMAL RESERVE

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Perhaps all is managing expectation and when I dreamt of a South African Safari it was certainly dreaming of the real wild. For that though you will have to go up to the Karoo or the Kruger National park and give its perhaps a couple of weeks. Instead, in the Southern Cape, and for a short visit, come the smaller Game Reserves, often in danger of carrying the label of a zoo. But which also allow you to get very close to some wonderful animals you might not even see in the real wild and taste something of the ‘Safari’ experience. One example is the two and a half thousand hectare reserve just above pretty Plettenberg bay. Plettenberg being a place worth a visit in itself, for its delicious golden beaches lapped by the warmer Indian Ocean, lunch at the eccentric Grand hotel, or some Rock n’ Roll among the young at the ‘Plett Rage’, when wealthier finishing students make for the beaches for a party.

Plett game reserve, in life’s weird synchronicities, was, until 2004, a grand farm where my companion Arabella had stayed with the owner for a local wedding. Now it has been converted by the new owner Leon de Kock into a somewhat faded, old colonial style residence, its grounds, little kloofs and water holes populated by bontebok, wildebeest, small herds of zebra, spring and many water buck, hippo, five lolloping giraffe and more. They have just taken in a group of Elephants from the neighbouring Knysna park, though these are Africans, not the smaller Knysna elephant indigenous to the region. At first, in learning the ropes, they lost many animal to cow ticks and tick fever, which must have been distressing, but now the animals seem to be flourishing.

For a start, in beginning to discover the Safari thing, among the endless tourist leaflets here advertising Monkey world, a wonderful bird park, a snake sanctuary, shark diving or the highest buggy jump On Earth, if you’re guaranteed ‘the big five’ raise an eyebrow. Those are the five most dangerous animals to hunt on foot – Lion, Elephant, Rhino, Leopard and Buffalo – though by the end of it we decided it was time for a bit of linguistic social re-engineering and that the term ‘Game’ should be dropped altogether! But the point being that unless they have a caged animal, like the Cat Conservation centre we visited too, you will very rarely see the still plentiful Leopard. Like the roaming packs of wild baboon, Leopard sometimes come over the fence at Plett, sadly at the park recently taking one of the baby Giraffes, but Leopard are not creatures you should expect to get up close and personal with, or especially want to. It always fills me with anguish to see a Leopard prowling a human fence, though all those centres have some benefit in educating the public.

Plett have a little herd of African buffalo, those big horned beasts with such a determined nature that if you get on their wrong side they will start to circle like any predator and hunt you instead. We got close with our guide Kiviet, who had previously worked in Law Enforcement with Cape Conservation on the floral front, in one of the reserve’s open sided tour vehicles, to see the park’s two white rhino – interestingly it was meant to be ‘wide rhino’ from the shape of their mouths – couched in their dusty holes nearby too, their horns cut to deter poachers, one of which is pregnant.

If running such a park as Platt is probably a rich man’s game anyhow, there is certainly the potential of money in the ‘Conservation’ business, in breeding and selling on animals to other parks. It is closely monitored by the Government Environmental agency Cape Conservation, but apparently one stud Buffalo went for close to a million pounds. Its darker side, as we learnt at the Cat Conservation centre, gazing at the slinking Lynx-like Caracal, the Servil cats, or the magnificent White lion showing off his huge, pearly teeth in the sunlight, is something called ‘Canned Hunting’. That is the breeding of Lion, the charging of fees to idealistic foreign students to nurture, study and rear them, but their eventual certain delivery to the gun and easy bullet of some macho moron, paying a premium to feel like a Man. Lion are certainly endangered, as are Rhino, while Cheetah nearly went extinct twice, so perhaps breeding and reintroduction programs are their best hope. Interestingly Elephant do not have a particular value to the breeding business because they are so destructive to the flora.

Plett have two Lions we got right up next to, lounging langerously in their 4 hectare enclosure, like the shy Cheetah in his, or the little group of sadly endangered orange-black wild dogs. You need a license to breed Lion officially, with strict rules for space, much better at Plett I thought than the small enclosures at the private Cat Conservation centre. They had thought the male Lion here sterilized but this time nature got through and the Lioness had four Cubs, moved on I know not where. Actually even the hunting aspect of conserving ‘Game’ is more complicated, since if the entire planet has become something of a zoo, even in the huge African parks culling is often necessary, especially of Elephant, and some argue that re-legalizing the controlled ivory trade would destroy the poaching market and bring in money to the parks. As important is destroying myths like that Asian belief in the aphrodisiac power of Rhino horn, no different to human nails. “Hunting has its place though”, said Tim from Edinburgh, who has given up his family Kitchen business in the UK to become a ranger, still in training, “but don’t get me started on Canned Hunting.” Tim had read the astonishingly violent and graphic Wibur Smith novel I’m reading at the moment, Elephant Song, indeed his knowledge of a Leopard’s attack may well have been lifted straight from its pages.  Smith not only tells a rollicking if very bloody tale but is famous for his research and no holds barred take on Africa. If even a half of it is still true perhaps you’d do well to stay somewhat shy of the real wild, human and animal.

Meanwhile, wild or not, we were on holiday and despite the sense of Windsor Safari Park in the UK, it was delightful to get so close to them all and from our balcony at Baroness lodge to have such lovely views of the twisting Tsitsikamma forest, the burnt orange browns from last year’s fires, and beyond a sweeping range of blue remembered hills, under clouds like Cape surf. The baby hippo raising its little head and flicking its ears in the cool water, the motionless crocodile, the elephant munching magistically not twenty yards away, the little heard of remarkably tame Inyala antelope hiding in the trees by the Lodge’s wooden walkway, or grazing the lawn at breakfast, were all inspiration for a bigger adventure, and to learn more both about the animals and the challenges we all face in trying to honor and conserve them. With the facilities at the Reception’s big lodge they might do something to encourage and sell Conservation studies and conferences here too.

As for the park, the people were warm and friendly and it is precisely for that reason they might be encouraged to raise their game in the hospitality stakes, or take on a bit of the ‘Gordon Ramsey’ makeover. Visits here are perhaps slightly cheaper than other reserves, but it is still a lot of money for your average guest if you are staying, and so a pity that it rests too much on its old colonial laurels: The cracked kettle, the chipped floors, the African artifacts slipping out of their odd frames on the walls, the dim lighting, the tatty Reader’s Digest library, the odd urgency over serving supper by a set time, the lack of choice on the menu, the limited wine list in the land of vines. It’s often my experience that when they say it’s all about the animals, as they do here, they forget we human animals have expectations too for a hard earned buck, and that things so easily done might be attended to with a bit more style for their own business.

Against that I’d set the charm of the roaring fires when it got chilly, the smiling waitresses who like their job, the splendid thunder box of a loo up three stairs and the plentiful breakfasts in the veranda by the pond, beyond the big King Kong gates, flowering with purple water lilies, bobbing with the odd terrapin, and bombarded with beautiful yellow weaver birds urgently stitching their grass nests into pendant purses, in the hope of a colorful future in our very competitive world. Occasionally a hippo wanders up for a dip in the damn and the Hippo road signs add to the charm. We even saw a zebra crossing. I suspect the stock-in trade here are the day visits from Plettenberg and two are really enough to take in the whole park, the best experience being one drive and one ride, on the gently strolling horses, a walk on horseback right among the animals being a different magical adventure in itself. Though families come for Christmas they might encourage longer stays at the lodges themselves, one or two nights are enough, by injecting a new passion and style into the hotelier side of business conservation, though it’s certainly a place to share the love of animals.

David Clement-Davies stayed at Plett Game Reserve at 50% cost, in return for coverage. For information about staying at Plett or daily drives and two hour horse Safaris go to PlettGameReserve.com   The photo shows the Lion and Lioness at Plett.

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