Category Archives: Community

THE MOST FANTASTIC DRAGON START!

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Hi,

how wonderful not to sweat too much about a campaign this weekend and yet see it rise already to 21% and nearly 1K! THANK YOU SO MUCH, although I’ll be discussing contributions individually and seeing if I should return any money I think you can’t afford. I’ve also put in an OPT OUT clause if I don’t make it and there will be no hard feelings if anyone changes their mind.

Still wonderful though if you want the book, like the Dragon story and will contribute.

You can become part of that adventure for me by CONTRIBUTING HERE

DCDx

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Filed under America and the UK, Books, Childrens Books, Community, The Phoenix Story

WITH SO MUCH HARM, COME THE ENGLISH RENAISSANCE!

UKIP achieving in the polls, mutterings of the final break up of the BBC, yawning questions about the reality of recovery or the direction of this country, a feeling that social differentials have returned to the 16th Century, without the patronage, and what greater place to look on its real greatness and courage again than through the tradition of its writers and that greatest age of theatre, the English Renaissance! It seems you do not need a rebirth when the kind of productions the Globe company just staged as The Duchess of Malfi are screened on BBC Two, in the new covered theatre next to Sam Wannamaker’s Globe Theatre on Bankside, now called The Sam Wannamaker Theatre. It is a beautiful little house, in fact much smaller than the real Blackfriars Theatre over the water from the original Globe, that the Burbage brothers fought so long to open, and where Shakespeare staged a performance of Henry VIII, in the very place that Henry had announced his Divorce to the Bishops, and the restructuring of the English Church. Perhaps art was never so far from truth as we think. So Ben Jonson referred to the new trend in theatre in The First Folio, with the audience sitting on the stage, the arrival of more expensive seats, candlelight that ended open air rounds and precursored ‘the limelight’, but also the darker, more intense tragedies of Jacobean theatre, in an age tipping towards Civil War.

But so you’ve had a bit of schooling or University and think you know it all, yet to rediscover Webster through this performance was almost miraculous. Perhaps that is the very point of reconstructed houses and doing it as it was, taking you back to the power of individual words and an individual consciousness. It is not the period costumes that naturally get in the way, it is the attempt to make things ‘modern’, when perhaps everything was always the same. It was written in 1612-1613, five years after Shakespeare’s brother’s death, probably the year Shakespeare wrote The Tempest and has all the flaws of the bloody revenge tragedy. Yet so does Hamlet, a stage strewn with corpses at the end, or King Lear, and what is so astonishing about both that age and the play is its profoundly revolutionary nature. In the creation of a woman as ‘The Prince’, and such a remarkable, articulate woman, raising up a man and steward because of his virtue and her love, but destroyed by the coiled lusts of near incestuous family possession and male power, it is feminist par excellence. Yet neither Shakespeare nor Webster would have placed themselves within the constraints of Feminism either, reaching to sound out the source of human tragedy, or the power of theatre to explore the human condition, in the empty glass of life’s performance. When men and woman are at war tragedy must ensue and Art is the struggle to understand. It remains a running question how, after the age of that greatest and most impossibly challenged Queen, Elizabeth I, and the death of a strangely female centric faith like Catholicism, with all its roots in female nature worship too, Puritanism so defined the model both of English power and English brutality, in the explosion of world capitalism that defines almost everything we do.

It is very hard to do such bloodletting on stage without it becoming comic, and yet this production, seemingly perfect for that little, powerful TV Box too – please give us more and you can have my license fee – proved that that very transition to intimate theatre was the movement from external symbols of faith towards the exploration of more intense individual human psychology, perhaps stripped of the life-giving link Shakespeare has to the generative power of nature itself, but set against the attempt to give meaning on any kind of wider philosophical life journey. Does it compare to Shakespeare? Well sometimes, if you see it within the movement of its age and what happened. But above all it and this production underlined the sacred place of theatre, to sound the heights and depths of the human ‘soul’, both foul and beautiful. Funny, careful, perfectly lit by candle light, sinister and deeply sexy, Gemma Aterton as the Duchess was brilliant and, though he will inevitably draw comparisons with Alan Cumming, David Dawson was utterly courageous. Dominic Dromgoole’s direction was a masterpiece of modern ‘period’ theatre, which frankly is just great theatre. Boy, having tried Kickstarter here, do we wish that world Globe venture with Hamlet had succeeded! But have no fear, British theatre is alive and well and living on Bankside (if you can afford the seats) and sometimes on the BBC too.

PA PRESS

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LOOK, TWO SLICES OF CENSORED CHEESE AND THE SHOW MUST GO ON!

So to the opening night and the song of the excited actors – “waiting in the wings”. But the harm of censorship too, just like the need for Royal approval, with the intervention of the head of the King’s secret police, Monsieur Malleece, and the closure of the old Paris theatre! Eeeeek.

But never fear, Bobolan is here, for his very first meeting with Jean Baptiste Moliere, where he finds his courage and persuades him to visit the King of France himself, Louis XIV. Who, as it happens, has a secret taste for musical theatre himself and sings “DOING THE REGAL RAG”. Before a mouse in Moliere’s pocket, who the King can’t hear, leads to a sudden turn around of fortunes…Hooray!

LYRICS – WAITING IN THE WINGS

Reprise

Look who’s back in Paris
Just the name to know
Life’s a gas in Paris
When you’re at a show!

Some are sane, others cracked
Some make pots of clay
But since I was a girl, I’ve longed to act
To act in a Moliere play…

The show is going up
The seats are almost full
Waiting to speak
Feels like a week!
The night is still so young
A song that’s not yet sung
Lord, I feel weak
What do you seek?

And will you hate us
Or will you fate us?
My hands are shaking,
On the verge of fainting,
See what the crowd brings
Think only good things
When you are waiting in the wings…

(Bobolan’s wonder at the crowd…)

At least the play’s a pull
The theatre’s almost full
And that’s a fact,
Waiting to act.

My play will soon be born
Each one’s another dawn.
Will they react
Jeer or applaud?

And will you love it
Tell us where to shove it?
My knees are knocking
Now I’ve torn a stocking
See what the night brings
Hope only good things
When you are waiting in the wings…

Will it be a smash hit,
Will he have to trash it?
Will they their lob some thunder at
Or just come to wonder at…

It’s magic waiting in the wings…

Will it be a smash hit,
Will he have to trash it?
Will they their lob some thunder at
Or just come to wonder at…

It’s magic walking from the wings…

(So Bobolan meets his hero and takes him to see a King, which is quite tricky to stage!)

LYRICS- DOING THE REGAL RAG

It’s really very hard to be King
Even the King of France
They don’t let you play, and never let you sing
And they very rarely let you dance!

It’s really rather drab to be boss
Even as bright as the sun!
They think you’re always stern, or cruel, or cross
And never let you have much fun.

High in Paris
On your toes
(Don’t tell Malleece)
Here’s the way the rhythm goes now –
In my throne room,
Don’t look down
With a show tune
Earn my crown!

It’s really rather dull to be right
Even when I’m Divine!
They don’t let you see the palace in the night
But they always wake you up on time!

I’d rather be an actor of plays,
Isn’t the prospect so neat?
And while away my time, and spend my days
A bishop, villain, slave or cheat!

(Enter messenger)

In my palace
No one knows,
(Even Malleece)
Here’s the way the rhythm goes
Clap, dance, tap, sing
Never pause,
Even Sun King’s
Need applause!

It really isn’t hard to have fun
Doing the Regal Rag
As long as I creep, shaded from the sun
And keep my promise not to drag!

It’s really very tough to be me
Even playing this part,
But since I have to rule, I’ll still be free
And hike your bloomin’ tax to start!

Enter Moliere with a brave Mouse in this pocket…

Mr Moliere’s Mouse (aka CHEESE), Royal Academy of Music workshop. Story, book and lyrics by David Clement-Davies, music by Michael Jeffrey. All rights reserved Phoenix Ark Press 2014.

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A BIT MORE CHEESE IS SERVED!

Well, dears, I can’t help it if nobody listens, but as Bobolan watches and dreams of the theatre and being an actor, so comes the return of the great Monsieur Moliere himself! Of course, longing to be a great tragedian, he was always better at comedy, but right now he is in great singing voice….

LYRICS – Mr Moliere’s Song

Some build ships, others fight
Some make pots of clay,
But since I was a boy I’ve longed to write,
To pen a marvellous play.
Some bake cakes, others sew,
Some just watch the sky,
But since I was lad, I’ve planned the show
To make you laugh and cry.

(ALL)
Look who’s back here in Paris
Just the name you should know
Life’s a marvel in Paris,
We’re hungry for a show.

(ALL)
Some stay young, others age
Some just turn to drink
But all I ever need is an open stage
And paper, pen and ink.

I’ve held a hope so long
So fast I’ve run
From what they told me once I’d be
I know their words were wrong
No place I’m me –
Except among the ones who need a show.

I’ve had a dream so long
And though it’s fun
So many tried to hold and bind
But if I let them go
I think you’ll find
That nothing matters now but when we show
Our show.

(ALL)
Look who’s back here in Paris
Just the name you should know
Life’s a marvel in Paris
So welcome to the show.

Some drink wine, others gin
Some just like their facts,
But since I was a nip, I’ve longed to sing
In a show with seventeen acts.

Some bend rules, others bribe
Some must have their say,
But since I was a babe, I’ve ached to scribe
To write a fabulous play.

(ALL)
And since he was a babe, he’s ached to scribe
To write a fabulous play.

(LAST VERSES NOT INCLUDED)

For though my heart still longs
So far I’ve come
From all the ones I’ve left behind
That while their faces stay,
I know they’ve gone
And nothing matters now but what’s to show,
What’s to show?

(ALL)
Some want war, others peace,
Some like Human Rights,
But since I was a boy, I’ve loved the grease
And the dance of flickering lights.
Some are happy, others cracked,
Some think life unfair,
But nothing is as grand, when you want to act
As the plays of Moliere
As a play by Moliere.

 

Story, book and Lyrics by David Clement-Davies, Music by Michael Jeffrey, 2014 Phoenix Ark Press. All rights strictly reserved.

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THE PHOENIX ARK PRESS SOCIAL MEDIA RE-LANDSCAPING PROJECT!

With over 170 dedicated readers instantly following Phoenix Ark Blogs, stories and articles but a quicker and wider outreach on Facebook it is probably easier to follow a story and a crowd funding adventure there. So the second installment of Dragon in The Post has just been put up and you can read the first and the second at the page Stories in the Post – The Dragon tires again by CLICKING HERE Please do Like the page, share it, help build the project but also add your thoughts and comments about whether it is possible and how much it even interests you.

The Kickstarter campaign to turn it into a real book, a thing of beauty and to send it to you, in the post, but also to open a doorway on a grass roots publishing adventure for many brilliant books and ideas was suspended on May 5th, due to the author getting a touch grumpy. It will return!

DCDx

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WITH BRILLIANT FANS, BACKERS AND NOW A MICHELIN STARRED CHEF ON BOARD A STORY AND PUBLISHING EGG WOBBLE ON THE BRINK!

I guess this is really for people like Barb, Mathew and others, backers of Light of The White Bear and long-standing readers here, who haven’t backed the Dragon. So musings on whether I have offended you, by saying too much or having a go at folk who downloaded nearly 8000 free ebooks during a previous campaign, yet didn’t support this time. I really hope not, and you have to realize surviving as a writer can be as difficult as for anyone, but at least I hope I have put a great deal of heart and energy into things. In fact, money or not, large or small, your moral support can be just as important as anything and I have always said a book and publishing project might not even be worth pursuing, even if I hit a 6k target, because somehow a whole doorway has to be opened. One that is not about remorselessly self promoting on Social Media either, but some kind of new spirit, a grass-roots publishing excitement, a shared energy and inspiration, that would get the word and deed out to many people swiftly. To make those Friends of Phoenix Ark Press a reality at last too. So think of a Dragon as leading the charge on many things, like bears, a new wolf book, The Christmas Code and indeed your projects too. Can it be done though?

Dragon in the Post, like that strange blue egg wobbling in Gareth Mark’s suddenly delivered adventure, in the post, now hovers precariously on the brink – at 33% we are nearly at where Light of The White Bear didn’t make it, yet we stall have a fiery 20 days to go! To make the break through. To hatch a publisher. To crack it open!

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With such creative younger fans, one who has just painted us a real egg above, a British Michelin Starred chef now on board too and Backing the Project, who I met many years ago, we can stand with the great Bouchbold in the kitchens of Pendolis, a citadel in Blistag, and cook up many genius life recipes. I have slogged at Social Media, irritated at Facebook, growled too much, but reached many. But I hope this weekend we can all somehow make a little blue Firecutter fly, cut a doorway into wonderful worlds, and I will try to give it back to you, however I can! Come love a little dragon into life then, and a real publisher, and for all my flaws, I will try to start again:

Here’s the link and hope you support and see what it’s about https://www.kickstarter.com/projects/1159695087/dragon-in-the-post

Thank you.

David

The photos are a special created egg sent yesterday by Stephanie Jackson and a still from the animation, labelled Pummrey Farm. Come and Like The Dragon In The Post page at Facebook too and “Join the story, become part of the adventure.”

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STRANGE PROFESSIONS, BETTER AMBITIONS AND BEING UP TO YOUR NECK IN IT!

An essay on working with wild Coyotes in the Californian Central Valley
by Kelly Michelle Baker

2009-Coyote-Yosemite

You know, it’s sometimes a rough go being a young ecologist. After four-plus years of exams, loans, groans and you finally try to enter the workforce. Then it doesn’t even want you. Most entry-level jobs are only temporary and pay very little indeed, if anything at all. Furthermore, they don’t really want your education, your genius, your dreams; they want your skills set and above all experience. So suddenly that perfect point average that you fought for so laboriously in college is topped by another’s raw field experience. For every fifty applications you submit, you may hear back from just two employers. If you are exceptionally lucky, then you’ll get an interview. If the stars are aligned, you’ll be hired.

So why do we even bother? Simply put: someone has to. The planet is warming. Natural resources are vanishing. Whether or not you’re in the habit of hugging trees, ecology affects everyone and everything, and whatever your profession, you play a role, you have an impact somewhere. As a wise bear once said “Only you can prevent forest fires.” Although last-minute vegetation thinning, so no brush to spread the flames, didn’t save my house from 2012’s Waldo Canyon fire…and luckily Colorado Springs firefighters were more capable than ours. Somewhere out there is an important cause though and we’ve the power and passion to fight for it, so long as the Buzz brings it to the forefront of our often blinkered lives and clipped attention spans.

I sound a little vitriolic sometimes. I can be. The battle for a green earth is just that: a fight. For every winter night that my roommate and I trade indoor heating for a wooly sweater, our neighbor is basking in their own personal furnace. For every day we try to buy sustainable foods, someone is enjoying a Big Mac (in the sense such a thing is enjoyable, if you’ll forgive my culinary snobbery). With over-exploitation and over-population too, it’s an uphill climb and mine are just the little steps. What are the really big ones then? After facing two years of infrequent employment, I finally made the decision to go back to grad school. Although my intentions were necessarily self-serving, and still are to the extent I need a pay cheque, my advocacy has sharpened. That stands to reason; I’m among my own people now, each with their own passion, their own issue too. I adopt their interests and they adopt mine. That’s the glory of education — in finding your calling and running headfirst towards that better tomorrow.

So what am I doing now and how am I becoming a better ecologist? That’s the biggest question you’re faced with entering grad school. I took it very seriously indeed. By asking seasoned faculty members, hounding them sometimes, by turning to the big guns too like the Fish and Wildlife Service, at last I found my answer: I was going to collect coyote poop! I guess you might call it Doo or Die… Laugh. No really, laugh! Please. Poop, fecal matter, dog dung, whatever you call it, is after all inherently funny. The fact that I am up to my neck in it now is even funnier because, as a person with some personal digestive issues myself, as my family well know, perhaps it’s kismet I would at last get to examine the scat of another omnivorous animal. Yet why is collecting scat so important? In that I am perfectly serious and it’s not that obvious either. Here are my field-won justifications then:

sjv-map

1) Coyotes effect everything in the local food chain, probably more than you think, even if you don’t spend your day thinking about it! The best way to find out what they eat is to look at what they leave behind. Although coyotes have an evolutionary aptitude for a predator diet, they’ll eat anything from wild grapes to crickets. Here in the Californian Central Valley we have many crops and in the Fall coyotes start eating tomatoes. Quite a few of them, in fact. Almonds too. This may hinder or help agriculture but whether or not they are scoffing enough crops to cause any substantial damage is beyond the scope of my study, as yet. BUT we can know with certainty that coyotes prevent crop damage by indirect consumption, which brings me to item two:

2) Coyotes eat micro herbivores like voles, rabbits, mice, rats, etc. This is hugely significant. Although we have a few bobcats and birds of prey here that do their own work, coyotes put an enormous dent into what would otherwise be explosive rodent populations. This is good for ecosystems then, as proliferation of any one species may exacerbate disease, encourage invasive species dispersal and so on. But it also has anthropogenic effects. Meaning the balancing act is that Coyotes may eat crops but mice eat MUCH more. About 8% of crop damage per acre comes from birds and herbivores, most of which are themselves prime snacks for tummy rumbling coyotes. Without predators then this statistic would skyrocket. A similar finding was made with the return of wolves to Yellowstone National Park in 1995 by the Naturalist Jean Graighead George, underling the importance of predator activity to healthy biospheres. Out terrain is in fact sparcer, harder, less of the real wild. Given my findings so far, specifically the massive number of voles that coyotes eat in every season and at every refuge, I believe the blushing tomatoes are certainly worth the trade-off.

3) Coyotes have intrinsic value, especially if you love animals, like me. Indeed, to bring back the romance of such animals too is very important, so remember that wily coyotes have those other names too, like the prairie dog, the brush wolf and the American jackal. Some might say this is a little wishy-washy but most nature-buffs can appreciate the beauty of charismatic predators. Coyotes are natives and their presence runs very deep in both human and ecological cultures.

4) Knowing what coyotes eat will lend itself to future research. For instance, if we know coyote are eating mule deer (which can transmit disease to livestock) there could be a study on how bovine-tuberculosis fluctuates in the presence and absence of predators. We could also study seed dispersal and how coyotes spread both wild and agricultural seed. These are just two examples in a hundred possibilities, dozens of which I probably couldn’t dream up, without furthering my education even more.

What’s my real point though, other than to attempt to glamorize, even aggrandize, ecological poo-collecting? I suppose I have many: the first is fight your battles. Take baby steps and stick with them. At the heart of it all, stay learning. Everyone is striving for something (Kickstarter has taught us as much) and even if ridiculous on the surface, try to find the inner merit, even if it may not be immediately so evident. So, keep learning, keep growing, even if that means playing Devil’s Advocate sometimes (as a friend reminded me at my last presentation).

Understanding coyote diet won’t rebuild the polar ice caps by 5 o’clock tomorrow, nor reverse the drought exacerbating wildfires in my own hometown. But it’s a dot of colour and significance in a much grander picture, where sustainability incorporates the wider needs of nature. That’s one hell of a painting. So I hope others will stand beside me with some able brushes and add to the picture too. Be informed in your personal interests and then go much, much further. The world’s very big and there’s much to fix. Get out your tools. Borrow from others and share. With that, I’m off to the seaside to spread the word, which I am trying at my own website too: kellymichellebaker.com

Meanwhile you can spread another word on great animal stories and back DCD’s dreams and animal stories too in crowd funding Dragon In The Post by going to Indiegogo and CONTRIBUTING TO A PROJECT

Kelly Michelle Baker

This article is under copyright to Kelly Michelle Baker: 2014. All rights reserved.

Kelly is a young ecologist in California, a passionate reader and one of the team who supported Phoenix Ark Press over Light of The White Bear and Dragon In The Post. The first picture is a Wikipedia public domain image of a Coyote in the snow, in Yellowstone. The second shows a government map of the San Joaquin Valley in California, where Kelly works. All the backers of Kickstarter projects have been invited to contribute their passion, knowledge, concerns and hopes to Phoenix Ark, working with David’s editorial help, as a little publisher throws the doors open wide.

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DAVID CLEMENT-DAVIES AND PHOENIX ARK PRESS THROW THE DOORS WIDE OPEN!

The one thing I hope you can trust about this blog and tiny publisher is the story is true and also happening now. I have said in a Kickstarter film for Dragon In The Post that I want to make this place ‘Your publisher‘. But what exactly does that mean?! It means that I haven’t stopped listening to people’s stories, even while going on too much about my own, and so I hope this site has a human face. It also means that I was very inspired by the warmth and support that has come from my own readers in all this.

But what has happened is that in the frustration of trying to make something work, amid all the noise, I have had some very acute bits of advice and wonderful offers of support too. Like what exactly is Phoenix Ark Press, from J, or any mission here? So I have re-written a Mission Statement above, pointing out I need first to protect my own work, stories and career again, if I am to do anything else. That will change and evolve itself, just as I put the idea of building in some charity element, but it was rejected at Kickstarter. But if it works, if you and I can really open a door, the idea in future is to go grass-roots, and to cross support writing, journalism and art among other creative people, with crowd funded projects. So I would have to become some kind of lightning conductor to that energy and passion. Let’s start a fire and burn down the Social Media house, or at least make it ours again!

In that vein, and because Y for instance has just so kindly offered her own artwork at Deviant Art to help, it’s time to throw the doors wide open, to you, amateur and professional, younger and older! It means possibly helping to redesign this website, to put up new artwork here, to redesign e-book covers and much more. At Kickstarter it means either Backing and/or spreading the word. At first I am afraid the reward, apart from rewards if we hit project targets, is an outlet for you, a chance to work with me, I hope something for your CV. But if we fly, we will see in the future. Would you like to do new e-book covers for Fire bringer, The Sight or Michelangelo’s Mouse? Here is your chance. Would you like to write articles here, on subjects that matter, with my help? I have a lot of journalistic experience. Would you like to learn marketing, at a grass-roots level, or re-design the face of Phoenix Ark Press itself? At every level then that message on the book of the animation for Dragon In The Post needs to become true: “Join the story, become part of the adventure.”

With 23 days to go but now at 30% you can join that story right now, by writing to me here and by BACKING DRAGON IN THE POST

DCD APRIL 2014

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FACEBOOK STRATEGY MEETINGS, GOODREADS AND KICKSTARTING A DRAGON ADVENTURE!

303px-Goodreads_logo.svgdragongood

Only five days in and the little Dragon is flying at 27%. Good meeting yesterday too, many thanks to all who came, although many apologies if I failed to keep the right Facebook page open! It’s the same syndrome of getting a block for ‘friend’ invites, in trying to navigate Social Media at all and break back out. Bit of a dragon or dinosaur here. Therefore an open apology to Facebook people if I have irritated you. I’m sorry.

Especially younger fans and a brilliant ‘Street Team’ were right in saying several things yesterday though. Firstly I can’t lean on them too much and must lead the way myself, (being Top Author and David Clement-Davies (!)) which first and foremost means appealing to my fans and those who know my stories, because why else would people be interested or back Dragon In The Post? Of course there’s a wider ambition in Kickstarting Phoenix Ark Press too, several projects, even cross supporting Kickstarter projects with other authors, artists and illustrators and the idea of ‘Paying it Forward’ as well. I hope the Dragon Street Team will remember that, in talking about work for younger and older, but I doubt that is what appeals first and the first goal is to hatch a Dragon In The Post, and get it out to you, in the post.

The absolute key is the passion of friends and fans then, thus love of books and stories, so also finding the right forum for it all. So despite the outreach, that isn’t necessarily Facebook at all, but Goodreads. (Thank you Kelly and SJand S for that inspiring comment yesterday up at Kickstarter). But at Goodreads I’m working on my page and also just beginning to upload books that I loved and love. I’ve also created a new group there PHOENIX ARK PRESS AND KICKSTARTING GRASS ROOTS PUBLISHING and am starting to send out invites. Poor you. Do come and talk my and your favourite books though, publishing ideas, the Dragon project, whatever you like! I have put some Rules up too. One day I will get the hang of all this and change back, like the Beast in Beauty, I hope, from ruthless or sad Social Media self-promoter, to someone who can share many ideas, adventures and stories. What I want to do is find the space to write. So “Join the story, become part of the adventure” and you can do it more actively too by watching a film, and bumping that target before 26 days elapse by GOING TO DRAGON IN THE POST

Thank you.

DCD – PA PRESS

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KICKSTARTER, DRAGON IN THE POST AND TOPPING YOURSELF ON CAMERA!

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DRAGON IN THE POST

A great and brave start, but the truth of kickstarter and reaching targets, only when any money is drawn down, is much harder while if Dragon In The Post doesn’t build momentum right now, it could easily fail. We are at 26%, which ironically may put people off supporting itself. That would be completely wrong though, not least because the ambition is to go beyond the 6k, open a door on a whole publishing project and bring out Light of The White Bear, Looking For Edmund Shakespeare and many projects together.

Also the received wisdom is ‘no talk of the past‘, a professional video that stays up for the duration and so on. Yet the statistics show that only 73 have watched the video for Dragon In The Post so far, and those that do love it, although the average views only reach 30% of the entire film. As opposed to over 700 that viewed the very personal talks on the Light of The White Bear project, with an average of 50% watched! Is that because people really like the pain of the personal, a sad publishing and private story, and to the shame of those following this publishing blog?! THAT’S YOU! Is it better to weep, top yourself or set fire to the room, than to just engage in the passionate and professional? I hope not, and never surrender, while there is still plenty of time to turn everything around and work some magic. Momentum is vital though.

Be good Phoenix supporters then, come back as backers of Light of The White Bear and both spread the word and BACK THIS PROJECT by CLICKING HERE

Thank you.

PA PRESS

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