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AT 50% FUNDED, ANOTHER VERY PHOENIXY INSTALMENT OF DRAGON IN THE POST

At 50% funded come and help crowd fund this story into a real book, not an Ebook, and sent to you in the post. You can have your name posted here and in the front of the actual book, while you can visit the Indiegogo project right now by CONTRIBUTING HERE

DRAGON IN THE POST

Yet there was one figure in the great kitchens that seemed to take an interest in the three of them that day – Herbert the Kitchen Phoenix. In between his food tastings and his endless tears at the slaughter taking place, the strange bird would suddenly swoop over and check Gareth’s Correcting, or nod as Sarissa strained at the spit, or look on approvingly as fat little Sao finished another batch of dirty plates. He seemed to like the three of them.
They all wondered how the bird moved around so fast, steam coming from his ears, since he seemed so ancient and his feathers kept moulting everywhere. The activity in the kitchens was frantic, and soon several of the scullies were in tears too, at their treatment by the Cooks, but Bouchebold seemed oblivious to it all and in a very good mood.
Until something terrible happened. Gareth had put down his chopping knife, as his arm was aching so much and suddenly noticed those two crates, now marked VERY DANGEROUS.
Well, he had seen too much already to be put off by this, not least his Godfather’s Very Dangerous Book, so when Gareth was sure no one was looking, he slipped over to take a peek.
Both had large white cloths over them and Gareth decided to look at the delivery from the Dark Wood first. He peeled back the cloth and inside were heaped luscious looking berries, a bit like blackberries, except a deep, dark red, and next to them, the strangest looking mushrooms he had ever seen.
They were huge blue-green toadstools, that seemed to have orange eyes in the top of them, which seemed to blink every now and then and stalks of the purest, nastiest looking black. Gareth noticed a sharp scent, coming off the berries, that made his eyes water and as he leant nearer to smell them, pulled back, because a terrible scene had just flashed in front of his eyes.
Gareth Marks thought he saw an animal, like a wild boar, in a wood, throwing up its head, as it crashed to the leafy ground with an arrow in its side. Then the poor creature was on its back, kicking its legs and blood was everywhere, soaking into the soft ground, as little bushes, with berries on them, bloomed from the earth. Gareth hurriedly pulled the cloth over the nasty things, as he thought he saw one of those toadstools quiver and turned to the second crate. A strong smell of salt and sea was filling the air now and, gingerly, Gareth pulled back the cloth, to see five enormous fish. They were like silver Sea Bass, although they had giant rounded heads, and, the strangest thing of all, they seemed to have lizard’s feet too, just below their fins.
Gareth noticed the crate was swimming with water but it was the magical sheen on their scales, silver, red, and a flashing turquoise, that made the boy reach out and touch one, with his forefinger, to stroke it lightly.
As soon as he touched the wet, Gareth felt a jolt run up his arm, as if he had put his finger to an electric socket, at home. Then the strangest feeling washed over him. At first it felt wonderful, like a sudden exhilaration, yet, with it, came an enormous sadness. Gareth’s eyes were suddenly dark, and he could hardly breathe. The sadness, that made him think of Herbert’s tears, was followed by thoughts of his dad, and then his horrid stepfather, and a terrible feeling of anger enveloped him, that made Gareth want to scream.
Then all these feelings were flooding over Gareth at once. He felt as if he was drowning, and in his mind he was underwater, while all around him were shadows of the strangest creatures imaginable. Dark, unformed shapes, flashed past his sight, and his eyes were stinging, as if washed by chlorine in a public swimming pool.
Now Gareth felt an impossible sense of despair too, and was falling, sinking, deeper and deeper, drowning, but he sensed what lay below had no end. It was like passing through the Seer Guard again.
He heard a screech, felt something hard below him, that hurt, but still he was falling, as if being sucked downwards, into the dark, with only the dim sense of sunlight somewhere very high above, getting fainter and fainter. Gareth felt he wanted to die in that moment, to give up, above all to stop the terrible, uncontrollable feelings washing through his being. Yet he felt water on his face, just specks, and could suddenly breath again, and his eyes began to clear.
He saw the Kitchen Phoenix first, hovering high above him, shaking its head and crying, and then Sarissa and Sao were peering down at him too.
“Gareth, are you ok? What happened?”
Gareth remembered thinking what a nice face Sarissa had when she smiled like that, but suddenly he was back, awake, on the hard floor, and now Bouchebold was glowering down at him too, pulling Sao and Sarissa aside.
“Get up, boy,” the Dragon chef bellowed.
Gareth struggled to his feet and looked around guiltily. The whole kitchen had stopped work to look.
“It’s lucky you only touched some water from the Foundless Sea,” said Bouchebold gravely, “and didn’t eat one of those DeathBerries. You’d have been dead on the instant. You have to soak DeathBerries for days, to take the poison out. So to turn them into Bloodberries.”
Gareth gulped.
“If one of those ToadShrooms had woken, and hopped out, they could have got into the grounds, and sown themselves all over the place. They can make people see the strangest things.”
Gareth looked nervously towards the first crate.
“As it was we nearly lost you though,” said Bouchebold, “Only Herbert’s tears brought you back again. No salt in them, only healing.”
Gareth looked gratefully at the old bird, who had perched on top of a casserole dish, the same colour as its feathers. He seemed to be smiling.
Sarissa and Sao were looking with great concern at their friend too
“But if I just can’t trust you to take orders,” scolded Bouchebold, “you haven’t a chance working for me, lad. You’re demoted, right now, to the lowest kitchen Peel Stacker. I’ll think of a real punishment later.”
Bouchebold was looking over to a filthy pile of potato peelings being gathered in a corner.
“Yes, Dragon Chef,” said Gareth miserably, still feeling shaky on his feet.
“WHAT DID YOU SAY?!” boomed Bouchebold, immediately.
Gareth saw the look of terror on the Choppers’ faces and remembered the term he was not supposed to use down here.
“Dragon Chefs?” bellowed Bouchebold furiously, “We’ve no filthy Dragon Chefs in Pendolis.”
Bouchebold had grabbed a huge ladle and seemed about to strike Gareth with it, but he slammed it against the counter instead, again and again, until it bent in two.
“Those lying, preening, self-regarding frauds. With their Blue Ribbons and their smug recipes, and their nasty little self-serving club. It’s all about Gold and Celebrity, nothing else, while half of them couldn’t cook a boiled egg properly.”
Herbert the Kitchen Phoenix had started to cry again to sob, but Bouchebold glared dangerously at Gareth.
“Out of my sight, underling,” he cried, “before I boil you alive in sizzling rabbit fat.”
One of the Choppers had grabbed Gareth’s arm, and was pulling him hurriedly towards the potato peelings.
“Don’t worry,” he whispered kindly, “he’ll calm down soon enough. There’s too much to do, today.”
“But why does he get so…”
“Upset? Because they denied him the Blue Ribbon, of course,” said the Scully, “The greatest accolade in all Blistag. When he was a Dragon Chef himself.You can only enter if you’re a Three Tail Chef, anyway.”
“He was one?”
“Oh, yes, and to none other than the Black Warlock. Before he got quite so dark. Bouchebold hates to talk about it.”
The scully had said this in a whisper but Gareth suddenly felt there was a grave mystery about this Bouchebold.
“It’s a wonder the Dragoman took Bouchebold in at all. But he does like his deserts.”
With that, they heard a scream, from somewhere down those passageways.
“What was that?” said Gareth.
“They’re probably torturing that mute, who brought in a FireCutter, to get him to talk.”
“But that’s silly,” said Gareth, thinking Pendolis horrid indeed, “if he’s mute, he can’t…”
“Don’t do to ask too much here,” said the scully gravely.
Like the others, Gareth got to work again, though among the potato peelings now, near a cook who seemed to be working on a pudding, with a veritable Cornucopia of strange ingredients, that kept drawing the twelve-year-old’s attention away from his peelings. While Bouchebold calmed down rather sooner than he might because the First Cook was suddenly looking towards the pass.
A Lady was standing there, one of the Dragon Maidens, in her high collared red velvet gown. It was the beautiful raven haired girl, they had noticed on the balcony.
“My Lady Mordanna,” piped Bouchebold immediately, pulling out a handkerchief and mopping his brow, then giving a very low bow.
“Good Bouchebold,” said the maiden softly, dipping her head gracefully, “Lord Cracken sends his regards, but wished me to inform you we’re gathering in the great hall. I wanted to see the kitchens too, I admit.”
“Yes, my Lady. And everything is perfectly on time. We’ll serve the Dragoman’s favourite pudding too, tonight. Bloodberry soufflé.”
Mordanna looked rather amused but she was suddenly looking about the kitchen and her eyes had fallen on Sarissa Halleet, looking embarrassed and resentful at that spit.
She smiled rather kindly, then she swung her head to take in Sao, and finally Gareth. The jewel held on forehead, by that necklace, or headlace, sparked in the light of the glowing kitchen fires.
The Dragon Maiden looked very out-of-place in a kitchen, but as she stood there, something strange happened. It was as if all the stove fires flickered and dwindled at once, and a shadow passed over the room. Gareth saw the glow from that archway increase, and wondered again if a Dragon was lurking beyond.
Bouchebold suddenly looked very worried too, as a lost, faraway look came into the Dragon Maiden’s deep, dark eyes.
“Strangers,” she whispered suddenly, in an even stranger voice, “Strangers, here in Pendolis, beyond the Seer Guard. They are important though. Vital in the Dragon Wars. The Prophecy comes, but there is evil among us already from the Black Warlock himself. The Seer Guard shall be breached. Something new is happening, born this very day.”
As Gareth listened, he felt those feelings overcoming him once more, but the stoves blazed in the kitchens again, and the shadow had passed. Mordanna was blinking, as if quite unaware of what she had just said.
“Well, Bouchebold,” she cried cheerfully, “I can’t wait to try your delicious food. The Dragon Warriors are starving.”
The Dragon Maiden turned and swept away, as all the kitchen staff looked rather warily at the First Cook.
“What are you all gawking at,” Bouchebold cried, “you know they can’t remember, when they’ve just prophesied. Now hurry up, we must get the food to the Pass.”
So they began to serve the dishes they had prepared that day, in a frantic flurry of activity. Suddenly starters were moving towards the Pass, to be taken upstairs, by eager servants in gold tunics.
Gareth’s mouth began to water furiously, as he saw that array of food; delicate Sweetmeats, slices of honey coated ham, terrines of liver pate in Brandy, and quails eggs, on a bed of delicate green and red leaves.
All the while, Bouchebold was sweating, shouting out orders, and this time Gareth wished he had forgotten him, because every time Bouchebold caught sight of Gareth he scowled furiously. Gareth thought of some punishment to come and knew that if he could not make up for himself, he would have a very hard time of it indeed, in the great kitchens of Pendolis.
His fear got worse, when he went to collect some soggy potato peelings and knocked over a little jar, of the most horrid looking brown liquid that tipped straight into one of the waiting dishes.
He caught hold of the thing, just in time, and felt he should tell someone but to his horror someone snatched up the dish and hurried it away towards the Pass. But so the main courses were sent up to the rooms above too. Great trays of what looked like sliced Rhinocerous. Platters of rabbit casserole, with duck hearts, chickens and beef, and fishes, and enough food to satisfy an army.
Now the desserts began to move. Oranges in caramel, strangely coloured jellies, delicate sugar biscuits, a huge bowl of red, orange and green triffle, someone said was called The Painted Dessert and all seemed to be going well, until Bouchebold wandered over to the cook nearest Gareth and there was suddenly a terrible roar.
Bouchebold had just dipped his finger into whatever the man had been making.
“Wrong,” he cried, “disgusting. I can never serve Lord Cracken or the new Dragon Warriors that. That’s not a BloodBerry soufflé mix at all, you idiot. It’s ruined.”
Herbert had flown in now, to try the thing himself, and the scrutinising Phoenix shook his head mournfully.
“Well, Herbert,” said Bouchebold, “what’s wrong with it?”
This time the Phoenix seemed totally at a loss. A limp feather dropped from its right wing.
“Really, Herbert,” snapped Bouchebold, “are you losing your palette?”
“Excuse me, Sir,” said Gareth nervously.
“You,” snorted Bouchebold, as he turned to look at the twelve-year-old, “You dare to interrupt Bouchebold, after all you’ve…
“Er, I think it’s the Cinnamon Flour, First Cook,” whispered Gareth, “He didn’t put in any Cinnamon Flour. I’ve been watching.”
Bouchebold, not to mention the rest of the kitchen retinue, looked at Gareth Marks in absolute astonishment but Bouchebold suddenly blinked and beamed.
“Cinnamon flour,” he cried, “But of course. You’re absolutely right, young man. It’s missing Cinnamon Flour.”
Bouchebold hurried over to a large glass jar, and when he had added six heaped tablespoons of orange-brown Cinnamon flour, then tried the thing, he seemed back to his old self again.
“Redeemed,” he cried, looking fondly at Gareth, “You’ve redeemed yourself, all right. You’ll rise as high as a BloodBerry Soufflé, and work with Bouchebold himself, one fine day.”
Gareth was naturally delighted and Sarrisa and Sao were looking at him in amazement, wondering how on earth their friend had known. They did not see him carefully replacing one of the torn pages of Pendelion’s book in his pocket. At the curling top the fragment said – “Bloodberry Soufflé. A COUNTRY RECIPE.”
“Quick now,” cried Bouchebold, “into the oven, straight. With the reaction of the BloodBerries, especially ones we’ve been soaking for months, it’ll only take five seconds heat. Then it must be served piping hot, with Whipped Dandelion Cream.”
One of the scullies had opened a huge oven, like a terracotta pizza oven, with a stone and glass door and lit at the bottom by an open flame. But as he did so the flame went out. Not just in this oven though, for all the fires in the great kitchens, guttered and died.
“No,” moaned Bouchbold, “not now. It’s impossible.”
“What’s wrong, First Cook?” said Gareth, “Why have the stoves…”
“Dragon Gas,” answered Bouchebold sharply, “the Dragon Gas must have run out. It happens sometimes. They must have forgotten to fill the tanks, but the whole citadel’s fired on it. Pendolis runs on Dragon Power. Farty creatures that they are, especially fed on Buttersqueak, like our Dragon in the next chamber. My pet.”
Gareth wanted to laugh, for the glow beyond had disappeared, and he suddenly realised what that strange smell in the kitchen had been. The kitchen fires of Pendolis were lit by methane gas, from actual Dragons.
“It’s a disaster,” moaned Bouchebold. “We’ll be on bread and water for a month, if Cracken doesn’t get his soufflé. The first day of Dragon Training too, and the whole meal’s failed. I’m ruined, ruined.”
Bouchebold had suddenly stopped though and swung round to look piercingly at Herbert. The old bird suddenly appeared terrified and now it was shaking its beak furiously, and flapping its wings too.
“Oh yes, Herbert,” insisted Bouchebold, “It’s the only way now, my dear old friend. And besides, its near your time, anyway.”
Bouchebold stood back and was holding open the oven door. Herbert had a very resigned look on his face but he suddenly took wing and sailed inside. The Phoenix settled on the ledge, below the huge soufflé tin.
Bouchebold shut the oven door fast and Herbert sat there, peering back through the glass, tears streaming down his feathery face. Bouchebold was crying too but it seemed that his culinary artistry came before anything else.
“Hey, what’s happening, Gareth?” whispered Sao, who had wandered up too. He looked fit to drop.
“Not sure, Sao. The Dragoman wants his favourite pudding.”
Inside the oven the Phoenix had closed its huge eyes and started to quiver. It was as if it was turning itself on, because, suddenly, its wings and feathers caught fire.
The poor bird flared there, before their eyes below the soufflé, and suddenly there was a flash of intense light and flame. Herbert the Kitchen Phoenix exploded into flames, which licked up around the edge of the soufflé tin, and suddenly the dark red Bloodberry mix was rising over the top, as Herbert vanished in a puff of smoke.
Bouchebold pulled open the oven immediately. Below the risen soufflé, Bouchebold was pulling proudly out with a pair of mauve oven gloves, was nothing but a mound of glowing ashes, with a lonely, half burnt feather sticking out.
“A triumph,” cried Bouchbold, regarding the pudding fondly. “Well done, Herbert, cooked to perfection.”
“Poor Herbert,” said Sao sadly, “he’s dead.”
“Well, he looked exhausted anyway,” said Gareth, consolingly, “and he really couldn’t stop crying. Everything seemed to upset him.”
Bouchbold had hurried the piping hot soufflé into the hands of a server, but now he turned towards Gareth and Sao, as Sarissa wandered over.
“You’ve done well, lad,” he said admiringly, and Sao looked at his friend as adoringly as ever, “quite saved the day. So for you, and your friends here too, there shall be a very special reward.”
“Reward,” said Gareth sceptically, feeling utterly miserable for Herbert, who after all had saved his life, when he had touched the fish and the water from the Foundless Sea.
“Of course, Garnet. Tonight there’s extra cabbage, and tomorrow, you’ll be given the morning off. Back to work by elevenses, mind.”
“Tomorrow,” groaned Sarissa, “You mean we have to do all this again? I could sleep for a month. And my arm hurts.”
“You may go with the Stewards,” continued Bouchebold, “out into the countryside, and make sure the Dragon Gas is turned back on.”
“Thanks very much,” said Gareth half-heartedly.
“It’s hard and smelly work, fetching Dragon dung,” said Bouchebold, and he suddenly looked at Gareth sharply, “not to mention very dangerous.”
Sarissa was scowling furiously at Gareth now.
“But it will take you in sight of the young Dragon Warriors,” added Bouchebold significantly, “and their earliest training. Few get to see that, especially from the kitchens.”
Gareth Marks brightened immediately, and with that, they all saw it. The embers in the open oven stirred, and a bright red head popped up and looked around. Suddenly a winged shape exploded out of the oven in a shower of soot, flew into the air and settled safely on the top of the hob and shook itself.
“Hello, Herbert,” said the Great Bouchebold cheerfully, “Welcome back, and very well done. The Dragoman will no doubt reward your greatest sacrifice, too. Perhaps he’ll find you a lady Phoenix.”
The children laughed, for the little kitchen Phoenix was standing there, beaming stupidly, not a tear in its clear, sharp eyes. Its wings were as bright and fresh as if it had been new-born, which, of course, Herbert the Kitchen Phoenix just had!

David Clement-Davies Copyright Phoenix Ark Press

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THE DRAGON, ART, FIREBRINGER AND THE OLD OR THE NEW?

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UPDATE: The crowd funded book on Indiegogo, you will get in the post, is now at a soaring 50%!

Anyone supporting the Dragon In The Post publishing project knows that one of the reasons I have chosen the Indiegogo Flexible Funding model is that I’m working during all this to bring my first and favourite novel Fire Bringer back into hard copy availability in the UK. That means some POD platform, Print on Demand, although it would be nice to try and get it back into bookshops too. It was published for 12 years and I still think Macmillan did not stand up enough for a book some think a classic and which Richard Adams, author of Watership Down, called one of the best anthropomorphic fantasies known to him..

But in that vein I just contacted the original artist for the book cover, Kenny Mckendry, who said it has brought him and his work much interest over the years and has kindly sent me photos of the original painting. The question to the Street Team then is should I go with an original, classic design or try and do a completely new edition? The painting is above, showing Rannoch as a young stag and you can visit Kenny’s website at http://www.kennymckendry.com

With our needing to get to 50% funding this week you can also see the Dragon In The Post project and support the campaign by CONTRIBUTING HERE

Thank you and going up into the skies today!

DCD

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DAVID CLEMENT-DAVIES RAISES A BISHOP’S FINGER ON THE SOUTH DOWNS WAY!

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UPDATE: The crowd funded book on Indiegogo, you will get in the post, is now at a soaring 50%!

Bollocks. F** off” Not exactly the sort of effortlessly witty retort that a Jane Austen would have a wandering Mr Darcy say to the young bloke who dared to suggest that the August Boomtown fair he and other working lads are preparing in the cradle of the South Downs way was the sort of thing that an old codger like me might enjoy. At least he was good enough to reply “that’s more like it. See you there then“, though when the hills start to thump and pump perhaps he has a point. Good on yer mate and go to hell! I was already prepared for the sight of a half built pirate ship on the hill, among the rising stages, past the near vacant farm lot where Juniper Enterprises let you drive tanks, to create a bit of local enterprise, from the bush telegraph of walking gossip along the ancient road, that I got my very first taste of today, in a ten-mile walk into Winchester. Walkers are a necessarily chatty lot, even the ones on mountain bikes and there were lots of hails and well mets in the first encounters. It’s to prepare already aching legs to help the Dragon In The Post campaign by walking the hundred miles from Winchester to Eastbourne.

Two miles up from the mad little village of …… then, where I’m staying in right now, I’d already decided that such a city boy knew nothing about this hale and hearty, horribly healthy living lark and was cursing myself for wearing heavy denim jeans instead of shorts, let alone Convertible Trousers. Ah me, the things these people have, though all the good climbing and hiking shops seem to have closed down in Winchester, like the soon to be closed Royal Hampshire County Hospital in the remorseless search for more groaningly wealthy real estate. But walking is about awareness, preparation, kit and being able to adapt to the wind and weather, the changing aspects of a landscape’s face, which today remained ravishing nearly throughout. There is very little that is hard about the South Downs Way and, as a mate said, you are rarely more than two miles away from the pub. God it was lovely to get up there though, out through the gorgeous Hampshire fields of near ripened wheat, curling in the breeze like a lass’s careless auburn hair, and to see how well-appointed the ancient track through the landscape is. A right turn by the big hay barn and on to a path that was not only the ancient thoroughfare from the south coast up to Winchester, the capital of the kingdom of Wessex, but which also crosses The Pilgrim’s Way, that I walked a little of to. That track between Winchester, east through South London to Becket’s shrine at Canterbury. Appropriate then for all the work on Edmund Shakespeare and Southwark at Phoenix Ark Press, not least because in the little discoveries about St Margaret’s Church in London and that seething tavern, brothel and theatre district where Shakespeare’s brother Edmund died in 1607, dominated by the Bishops of Winchester’s London palace, two of the most prominent grandees of the church were Henry Beaufort and William Waynflete.

Their huge sculpted tombs dominate that astonishing church behind the altar of Winchester Cathedral, in what many say is the heart of monied England and deeply conservative too. What you might expect from a church town which also houses a prominent British public school. Beaufort was of course an unreformed Prince of the Church, born in France in his beautiful fort and cousin and protector of the young Henry VI. That saintly, mad and vulnerable king at the heart of the Wars of the Roses, who plays such a critical role in Shakespeare’s Trilogy Henry VI, some of the first real English dramatised histories ever to be written and which heralded Shakespeare’s appearance on the London stage. In the play, when Beaufort confronts the Duke of Glouster with the threat of the pope he cries “Winchester Goose, I cry a rope, a rope!“, referencing that fairly unjust running theme about Winchester and Bishops profiting from those Elizabethan ladies of the London Streets, prostitutes called Winchester Geese. Then the old saying was ‘go a pilgrim, return a whore’. Beaufort certainly sired an illegitimate child and in Shakespeare is portrayed as dying cursing both God and Man, a sounding bell for Reformation attitudes. Waynflete is just as interesting though because, in a see that was second only in importance to Canterbury itself, he founded that most beautiful of Oxford colleges, Magdalene, became an elder Henry’s chancellor and also met the rebel Jack Cade in St Margaret’s Church in July of 1450, hard by the White Horse and Tabard Inns, on Long Southwark road. There he arranged a pardon for the rebels, who had marched into London off Blackheath and sacked the city, then fought a pitched battle across London Bridge, but as the forces quickly dissolved and he began to get an idea of who this mysterious Cade was, swiftly reneged on the deal, hunted him down and had his decapitated head paraded on a cart through the London streets. It would make a great film not least because Cade was a clear stalking horse for the Dukes of York and Essex and the rebellion, that also challenged Edward III’s laws on ta and the working age, in the Complaint of the Commons of Kent, really began the first English Civil War. Those were the days when the entire South Downs and East of England was of course so open both to pirates and French marauders, that saw such threat in the overspill of soldiery from the eventual failures of Henry V’s wars in France. Which also produced such corruption. bad governance and resentment against arbitrary power reflected in the so called Green Wax laws. Perhaps it all deserves a jolly pint of Bishops Finger though, that meaty ale so much in evidence down here at Rawlinson End, because the Pilgrim’s Way is marked by exactly that, a Bishop’s pointing finger. It is only approaching Winchester itself of course that you begin to feel how that ancient centre must have dominated everything, not only in the structures of faith and power, but as a centre for the English wool markets, of trade, learning and of legislation.

But back in the clouds, after a little picnic in the sunshine near Cheesefoot Hill, of smoked trout pate sandwiches, boiled eggs, vine tomatoes and a chile cheese that could blow you stinking hiking socks off,all washed down with Apple and ginger juice, these heroic steps were feeling decidedly springy, bucked by hares breaking out through the nodding barley, Emperor butterflies flashing off the gravel tracks and sunlight dashing brilliance off the cannon-shot clouds and the gentle ripple of the Downs southward. So naturally I forget everything that my flat mates had said and took a wrong turn away from St Catherine’s Hill that added a good three miles to the walk and brought the need for some real Bishop’s Finger. Never fear, beyond Tyfford Down and the odd Victorian Waterworks, I shortened with a guilty hitch hike courtesy of the Hampshire Highways man, until I decided I was breaking my own rules and he might be a cereal killer (pun intended), so got out and then another a trudge on tarmac into Shawford and a welcome slouch at the Bridge Inn.

There you can pick up the Itchen Way instead, that meanders so beautifully past that ravishing little river and walk the 3 miles straight into Winchester proper. It was there I started to see the need not to make too many rules about walking though, not too many deadlines or finishing lines, I mean, because the whole point should be both some achievement and the freedom and sheer discovery of it all. So I got a tiny sense of what medieval pilgrimages must really have been like too, when people set out into a dangerous and unknown world – in the relaxation of the shining river and the sudden encounters on the path, dancing with wild flowers, birds and giant Peter Rabbit Dock leaves; A wiry, bright-eyed gent proudly catching a pouting Grayling as silver as his shining hair, kids throwing themselves into a weir gushed pool, dripping, excited dogs chasing river sticks and the very strange fellow I caught texting in his roadside car, dressed like a Scout master, who advised me he does the walk every week.I met him standing in the bushes. Well, the Winchester Ashford road does conceal the biggest dogging site in Hampshire, so who knows?

No such nonsense on this walk, but the noisome hum and rush of another kind of road, on the shoulder of the curling Itchen, that hurtling stretch of the M3 Motorway that caused such a battle at Twyford Down, when they cut through one of the putative sites of King Arthur’s resting place at Sleeper’s Hill and the powers that be did not want their cricket pitch disturbed by views of traffic. It’s an odd feeling coming out of the miracle of sun freckled copses, light and shade, past neat lawns with devilish Gargoyles on the banks worthy of a Dragon In The Post, passed vaguely guilty looking woodland grazing cows, right under the M3 road bridge, graffiteed with a healthy phallus or urban love notes to whoever wos here, united for a time, back into the sheer lost gentility of Winchester.

But with your back on the M3 the nasty hum of modern hurry and worry, going nowhere, drops away again and I remembered that I had once been on the same train as Laurie Lee, as I passed St Catherne’s hill. That neolithic hill fort and later associated with St Catherine was also damaged in the motorway building, but has been restored and gave a sense of the astonishing history of the downs, with many sacred or numinous sites nestled in these hills. It also perhaps solved a little mystery of the Catherine Wheel, since there was once a water wheel here that dominated what is called the Itchen Navigation. Southwark of course had its Catherine Wheel tavern among the hundreds. So to the grounds of Winchester School and the skirting brick of Cathedral buildings appeared. That ancient target. People everywhere now, changing footsteps and at last the Bishop on The Bridge Pub, right by that statue of King Aelfred, Alfred the Great, who drove the Danes from Wessex and where the South Downs Way traditionally begins. A conundrum over a glass of cider then as to whether I should walk from Winchester or ‘home’ from Eastbourne, and only to discover that my lift back had changed his mind and is as unreliable as everyone else in bloody Hampshire. No, perhaps that’s not it, because country life is all about spaces and changes and these lot go on about things like tides and navigating different ways! On the other hand mate, have some Bishops Finger! Over five quid is far too much to charge for a five mile bus ride home too, but how could anyone complain on a day like that? Hmmm, gather the arnica and run a bath, then a flying lesson tomorrow at Phoenix Aviation to help the Dragon fly.

If you enjoyed this article or are interested in crowd funding a fairytale DRAGON IN THE POST, you can read part of on Facebook or at Wattpad.com and supporting a little publish too please visit and contribute now to the campaign up at Indiegogo.com by CLICKING HERE . The picture is a public domain image of King Alfred in Winchester. The Boomtown Fair runs from the 8th to the 11th of august.

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A WONDERFUL 42% AND THE LOVELY DRAGON IN THE POST GALLERY GROWS AND GLOWS!

Agrings_of_Nyra_by_Moundfreek

Thrilling to have old friends like Barb back again and supporting Dragon In The Post and we’re now at 42%! I hope you will come and join the fun too then, THIS WEEKEND, because some really lovely art is going up on Facebook and at the Indiegogo Gallery. Kelly Bakers’s Dragon painting above is one of the glowing examples. Because of that I have also made the core Street Team project editors too, who can put up their own ideas directly (passing it by Phoenix Ark first). If we could hit 50% funding by the middle of next week we are really flying but the conversation also begins about how much work it takes to bring people on board and if it can really be a working model in future for Phoenix Ark Press.

Meantime it’s into the skies and the wild blue yonder for DCD next week, who has arranged that very first flying lesson at Phoenix Aviation. We are waiting for the perfect weather to pick the day we fly to the Isle of White. Then the training begins to get in shape to walk the hundred miles of the South Downs way and blog the journey too to help bring support and raise funds too. But read the story as it unfolds to at http://www.wattpad.com/51779081-dragon-in-the-post

If you want to “Join the story and become part of the adventure” it is all explained in the film and project profile for Dragon In The Post by CLICKING HERE AND CONTRIBUTING

PA PRESS

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WITH SO MUCH HARM, COME THE ENGLISH RENAISSANCE!

UKIP achieving in the polls, mutterings of the final break up of the BBC, yawning questions about the reality of recovery or the direction of this country, a feeling that social differentials have returned to the 16th Century, without the patronage, and what greater place to look on its real greatness and courage again than through the tradition of its writers and that greatest age of theatre, the English Renaissance! It seems you do not need a rebirth when the kind of productions the Globe company just staged as The Duchess of Malfi are screened on BBC Two, in the new covered theatre next to Sam Wannamaker’s Globe Theatre on Bankside, now called The Sam Wannamaker Theatre. It is a beautiful little house, in fact much smaller than the real Blackfriars Theatre over the water from the original Globe, that the Burbage brothers fought so long to open, and where Shakespeare staged a performance of Henry VIII, in the very place that Henry had announced his Divorce to the Bishops, and the restructuring of the English Church. Perhaps art was never so far from truth as we think. So Ben Jonson referred to the new trend in theatre in The First Folio, with the audience sitting on the stage, the arrival of more expensive seats, candlelight that ended open air rounds and precursored ‘the limelight’, but also the darker, more intense tragedies of Jacobean theatre, in an age tipping towards Civil War.

But so you’ve had a bit of schooling or University and think you know it all, yet to rediscover Webster through this performance was almost miraculous. Perhaps that is the very point of reconstructed houses and doing it as it was, taking you back to the power of individual words and an individual consciousness. It is not the period costumes that naturally get in the way, it is the attempt to make things ‘modern’, when perhaps everything was always the same. It was written in 1612-1613, five years after Shakespeare’s brother’s death, probably the year Shakespeare wrote The Tempest and has all the flaws of the bloody revenge tragedy. Yet so does Hamlet, a stage strewn with corpses at the end, or King Lear, and what is so astonishing about both that age and the play is its profoundly revolutionary nature. In the creation of a woman as ‘The Prince’, and such a remarkable, articulate woman, raising up a man and steward because of his virtue and her love, but destroyed by the coiled lusts of near incestuous family possession and male power, it is feminist par excellence. Yet neither Shakespeare nor Webster would have placed themselves within the constraints of Feminism either, reaching to sound out the source of human tragedy, or the power of theatre to explore the human condition, in the empty glass of life’s performance. When men and woman are at war tragedy must ensue and Art is the struggle to understand. It remains a running question how, after the age of that greatest and most impossibly challenged Queen, Elizabeth I, and the death of a strangely female centric faith like Catholicism, with all its roots in female nature worship too, Puritanism so defined the model both of English power and English brutality, in the explosion of world capitalism that defines almost everything we do.

It is very hard to do such bloodletting on stage without it becoming comic, and yet this production, seemingly perfect for that little, powerful TV Box too – please give us more and you can have my license fee – proved that that very transition to intimate theatre was the movement from external symbols of faith towards the exploration of more intense individual human psychology, perhaps stripped of the life-giving link Shakespeare has to the generative power of nature itself, but set against the attempt to give meaning on any kind of wider philosophical life journey. Does it compare to Shakespeare? Well sometimes, if you see it within the movement of its age and what happened. But above all it and this production underlined the sacred place of theatre, to sound the heights and depths of the human ‘soul’, both foul and beautiful. Funny, careful, perfectly lit by candle light, sinister and deeply sexy, Gemma Aterton as the Duchess was brilliant and, though he will inevitably draw comparisons with Alan Cumming, David Dawson was utterly courageous. Dominic Dromgoole’s direction was a masterpiece of modern ‘period’ theatre, which frankly is just great theatre. Boy, having tried Kickstarter here, do we wish that world Globe venture with Hamlet had succeeded! But have no fear, British theatre is alive and well and living on Bankside (if you can afford the seats) and sometimes on the BBC too.

PA PRESS

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LOOK, TWO SLICES OF CENSORED CHEESE AND THE SHOW MUST GO ON!

So to the opening night and the song of the excited actors – “waiting in the wings”. But the harm of censorship too, just like the need for Royal approval, with the intervention of the head of the King’s secret police, Monsieur Malleece, and the closure of the old Paris theatre! Eeeeek.

But never fear, Bobolan is here, for his very first meeting with Jean Baptiste Moliere, where he finds his courage and persuades him to visit the King of France himself, Louis XIV. Who, as it happens, has a secret taste for musical theatre himself and sings “DOING THE REGAL RAG”. Before a mouse in Moliere’s pocket, who the King can’t hear, leads to a sudden turn around of fortunes…Hooray!

LYRICS – WAITING IN THE WINGS

Reprise

Look who’s back in Paris
Just the name to know
Life’s a gas in Paris
When you’re at a show!

Some are sane, others cracked
Some make pots of clay
But since I was a girl, I’ve longed to act
To act in a Moliere play…

The show is going up
The seats are almost full
Waiting to speak
Feels like a week!
The night is still so young
A song that’s not yet sung
Lord, I feel weak
What do you seek?

And will you hate us
Or will you fate us?
My hands are shaking,
On the verge of fainting,
See what the crowd brings
Think only good things
When you are waiting in the wings…

(Bobolan’s wonder at the crowd…)

At least the play’s a pull
The theatre’s almost full
And that’s a fact,
Waiting to act.

My play will soon be born
Each one’s another dawn.
Will they react
Jeer or applaud?

And will you love it
Tell us where to shove it?
My knees are knocking
Now I’ve torn a stocking
See what the night brings
Hope only good things
When you are waiting in the wings…

Will it be a smash hit,
Will he have to trash it?
Will they their lob some thunder at
Or just come to wonder at…

It’s magic waiting in the wings…

Will it be a smash hit,
Will he have to trash it?
Will they their lob some thunder at
Or just come to wonder at…

It’s magic walking from the wings…

(So Bobolan meets his hero and takes him to see a King, which is quite tricky to stage!)

LYRICS- DOING THE REGAL RAG

It’s really very hard to be King
Even the King of France
They don’t let you play, and never let you sing
And they very rarely let you dance!

It’s really rather drab to be boss
Even as bright as the sun!
They think you’re always stern, or cruel, or cross
And never let you have much fun.

High in Paris
On your toes
(Don’t tell Malleece)
Here’s the way the rhythm goes now –
In my throne room,
Don’t look down
With a show tune
Earn my crown!

It’s really rather dull to be right
Even when I’m Divine!
They don’t let you see the palace in the night
But they always wake you up on time!

I’d rather be an actor of plays,
Isn’t the prospect so neat?
And while away my time, and spend my days
A bishop, villain, slave or cheat!

(Enter messenger)

In my palace
No one knows,
(Even Malleece)
Here’s the way the rhythm goes
Clap, dance, tap, sing
Never pause,
Even Sun King’s
Need applause!

It really isn’t hard to have fun
Doing the Regal Rag
As long as I creep, shaded from the sun
And keep my promise not to drag!

It’s really very tough to be me
Even playing this part,
But since I have to rule, I’ll still be free
And hike your bloomin’ tax to start!

Enter Moliere with a brave Mouse in this pocket…

Mr Moliere’s Mouse (aka CHEESE), Royal Academy of Music workshop. Story, book and lyrics by David Clement-Davies, music by Michael Jeffrey. All rights reserved Phoenix Ark Press 2014.

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NOW IT’S TIME TO GO DOWN, DOWN INTO THE TERRIBLE PARIS SEWERS

So, with the old Paris theatre open again Bobolan gets to see some wonderful acting and dream his dreams, (with an in-the-wings argument about calling a musical CHEESE!) But with all the noise and those enormous human feet around, Scarapino and the rats decide to take it out on the mice and drive the poor Mousette family down into the underworld and the terrible Paris sewers! Where, inspired by Victor’s sewing and Hugo’s writings perhaps, as Bobolan dreams of a play, we really meet that miserable, struggling mass of mousery, who sing their song too…

LYRICS – WE HAVEN’T EATEN FOR A WEEK

We haven’t eaten for a week
We never rest and barely sleep
We’re lost and hungry, cold and sad,
What hope is there
When life is cheap
When life is Maaaa-ad?

We know the price we have to pay
The cost of living every day
We’re racked with illness, half insane
What health is there
When life is cheap
When life is Paaaa-in?

Pain and sadness, fear and sorrow
Total madness, no tomorrow
Tell us why?
Here we live in filth and horror
Born in darkness, raised in squalor
Where’s the sky?

Our friends will cheat us of our bread
We only eat, when someone’s dead
Our only reason, if we fight
What peace is there when life is cheap
When life is bliii-ght?

We pick our living through the dust
But rarely dare to ever trust
We wade through filth and live in grime
What love is there
When life is cheap
When life’s a crime?

Crime and evil
Hate and blindness
No more love and no more kindness
Born to die!

Thus we wade through vice, not virtue
Born to cheat you, raised to hurt you
Tell us why?

ANGELIC VOICES
We wait like shadows for the end
A fate that waits round every bend
What kind of life is this we lead
So wrought with sickness, filled with need?
What can we do but cry and weep
When life’s so cheap.

Story, book and lyrics by David Clement-Davies, brilliant music by Michael Jeffrey, Copyright Phoenix Ark Press 2014. This sequence was sound synced by the multi bafta winner Lee Crichlow. PS M Jeffrey is a twat (this is the personal opinion of the author and has no reflection on any real characters involved.)

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THEN OF COURSE ENTER THE YOUNGEST OF THE MOUSETTES AND OUR HERO – BOBOLAN

But if the Mousettes are both troubled and noisy, and Victor is obsessed with practicalities, our stuttering hero Bobolan simply must go on dreaming…

LYRICS – ‘DREAMS’

Dreams, we’re all made of dreams
Or so it seems.
Dreams, we’re all in a dream
What can dreams mean?
I dreamt last night
While I wandered the moon
That her snout was made of cheese.
And I dreamt the earth
As I dozed in my room
Was rich with kindness and ease.
Dreams, we’re just made of dreams
Or so it seems.
Dreams, we’re all in a dream
What can dreams mean?
I dreamt one day that I’d walk like a King
And climb on a marvellous throne
Then love a girl on a beautiful swing
With her I’m never alone.
Oh Dreams, we’re all made of dreams
Or so it seems.
Dreams, we’re all in a dream
What can dreams mean?

(Bobolan’s head almost explodes as he looks around the theatre)

Dreams, we’re all need our dreams
Like bright sunbeams.
Bright, that’s how you should dream
The brightest dream.
To take you far from the dark and fear
To a world where all is light
Where all our loves are so happy and near
And no one fears the night.
Dreams, that’s just what they seem
They’re bright sunbeams.
Dream a beautiful dream
That’s what I mean.
For nothing’s as bright as a dream
There’s nothing as bright as a dream…

(Return of Moliere’s Company to the old Paris theatre)

 

Royal Academy of Music workshop of Mr Moliere’s Mouse (aka Cheese). Story, book and lyrics by David Clement-Davies, music by Michael Jeffrey. Phoenix Ark Press 2014. All rights reserved.

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In Cheese, or Les Mouserables, ENTER THE FAMILY MOUSETTE!

So, ignoring whether the 12 days of Christmas run up to Christmas day, or Twelfth Night, and in a Dickensian spirit of ‘carolling’, a little more of the musical Mr Moliere’s Mouse (Cheese).  Set in Pre Revolutionary Paris it is about the Old Paris Theatre, where a family of mice live below the stage. Our hero, the stuttering Bobolan, who dreams of being an actor, his father Victor, a tailor, uncle Hugo, who wants to be a writer, Victor’s frantic Spanish wife Maria, and the children, Pierre, Collette and Marie Antoinette. Facing Scarapino and the rat’s invasion of the Theatre, and a host of woes, including having to finish Scarapina’s dress, but in the spirit of Pierre wanting to join the army, they sing!

LYRICS – “When you’re really in a hole” – The Mousette’s Anthem

When you’re really in a hole
When you’re down, just like a mole
Draw your sword from out its sheath
Raise your head from underneath
And Mouse the barricades!

When you’re starving, for a crust
When your tail, drags through the dust
Draw your sword from out its sheath
Push your snout from underneath
And Mouse the Barricades!

Twitching, stitching,
Writing, fighting
Looking for some cheese
Flirting, skirting
Often hurting, life is never ease

Forever on the go
Clothes I have to sew!
Just the job
To lead us on to fame.
Oh my god,
Please take me back to Spain!

(Medley)

MARIA
I’m a donya, a Mouse with class
Whose pride you should not shame
Now I’m always slaving, my family’s raving
Just send me/her back to Spain!

ALL
When the Mousettes sing a song
Then the sorrow’s never long
Lift your chin and flash a smile
Find a husband with a pile
And Mouse the Barricades!

Peeking, sneeking
Dreaming, scheming
Dodging Paris cats!
Prancing, dancing
Always chancing,
Waiting for the rats

Forever on the make
(Victor – ‘I’m sewing’!)
Cakes I have to bake!
(Maria – ‘I’m going!’)
Just the job, to lead us on to fame
Oh my God, please take us back to Spain!

We work and slave, just to earn some cheese
But soldiers, we’re singing, a stirring reprise
We toil and chore, just to meet our debts
A family, together, the brave Mousettes!

(Medley)

CHILDREN
When your dresses, are in rags
And your sisters, look like hags!
Thread the needle, start to stitch
Dream you’re happy, loved and rich
And Mouse the Barricades!

VICTOR
I’m a Tailor, A Mouse of threads
A King of bows and braids
Now I’m always sewing, my clothes are growing
So Mouse the Barricades!

ALL
When you’re really in a hole
When you’re down, just like a mole
Draw your swords from out their sheaths
Stand up straight, not on yours knees
And Mouse the Barricades,
And Mouse the Barricades!

Story, book and lyrics by David Clement-Davies, music by Michael Jeffrey, Phoenix Ark Press 2014. All rights reserved.

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BITING DOWN ON THE MOULDY CHEESE!

I tell you what, this Mr Moliere’s Mouse thing may be a work of incandescent genius, but what it needs is a bit more bite! So to go inside the old Paris theatre and meet the villains of the piece, lording it up in their balconies, Scarapino, his lady love Scarapina, having her beautiful birthday dress made by Bobolan’s tailoring father Victor, and the rats. Their theme song is very Kurt Weil!

LYRICS – Song of the Rats

Teeth, teeth, as yellow as bile
Ready for work, both mean and vile
Stand on guard at the theatre door
Greet the leader with an ea-ea-ea-ea-ger paw

Kings of crime, Lords of vice
Making slaves of the stupid mice,
Stay awake, don’t take a nap
There’s nothing as strong as a dir-ir-ir-ty rat

Teeth, teeth, as yellow as bile
Ready for work, both mean and vile
Stand on guard at the theatre door
Greet the leader with an ea-ea-ea-ea-ger paw

Spreading hate, loving rage
Always there, to hog the stage
On the move, can’t sit still
The rats bring the teeth that will make mice ill!

Teeth, teeth as yellow as bile
Ready for work both mean and vile…

Enter Scarapina and Scarapino, talking of his Lady wife’s tail…

From Mr Moliere’s Mouse (aka Cheese) by David Clement-Davies and Michael Jeffrey, Copyright Phoenix Ark Press 2014. All rights strictly reserved.

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