Category Archives: The Arts

WRESTLING DRAGONS ON CORFU AND QUESTIONING THE FISH!

photo (2) Hello, I haven’t run away with the cash, nor spent it celebrating the new United harmony of the British peoples, convinced the Welsh and the real Celts were always the warmest and the best, but flown off to live cheap on Corfu and write Dragon In The Post! Fire Bringer is coming too, thanks to you, although I have a lot to say about the packaged awfulness of Amazon and Createspace, while I’m pondering whether to try and Crowd Fund Light of The White Bear too, giving Phoenix Ark the USP (Unique Selling Point – eeeew) of being the only little publisher to be truly grass roots and completely Crowd Funded. Along with the tag line “The author they couldn’t kill!” I know it might strike terror in the hearts and wallets of backers, not to mention my own, but it would also make a grass roots publishing tale entirely real. Would it work though and how painful would it be?

But is the question now, never go back? I say it because after a lovely few days, following 15 solid days of rain out here and now sharp, Greek sun across that sparking blue, things are not as they seemed or were. The charming waiter on the little island of Vidos, opposite Corfu town, has vanished, to be replaced by a sullen old timer slamming down ashtrays, while I found the beautiful groved restaurant overlooking the sea, at Aloniki Bay, where we had a lovely home cooked lunch when I first arrived too years ago. Yet only to be jipped a vast 14 Euros on the tiny, oily, boggle-eyed fish. Ah me, all is change and sometimes too fast. It seems embarrassing and petty to complain when everyone is going through it, and the nice owner made some amends when he said ‘come back and eat free next time – if you don’t have the fish!” yet it troubled the perfection of this magic isle. But the place is beautiful and rich as ever, Prospero’s Isle, work is being done and the answer is, ever forward, with stories and real life too.

The picture is DCD’s, of the fishy grove and a writer’s lunch table, where at least some postcards have been written!

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THE ACHIEVEMENT OF DRAGON IN THE POST, ELTON JOHN AND THE FAITH OF READERS NOW!

Fire_Cutter_-_Dragon_in_the_Post12_001Do you know how frustrating it is being so close to a goal, small as it is at 4.5k, but 89% funded with under 40 hours to go, yet so many of the people who visit these pages not caring or doing anything. This has been a long fight, sometimes too much about a battle with mainstream publishing, than the life act of writing and storytelling itself. Seeing though, in the noise of the internet which is effecting us all, such little concern for the proper payment of a craft or protection of contracted authors. I’m referring to America but also a promotional campaign during the last crowd funding effort, that asked for support of future books, as it gave out free eBooks. Which saw no support at all, yet something like 8000 eBooks downloaded. What’s the point of saying it’s not good enough? Actually it’s tragic.

That aside, I haven’t complained this time at the pain and impotence of trying to push through, as you watch a clock tick down. Instead I’ve tried to share, encourage, find a way and tell a real life story in blogs. A team of elves have supported and kept pushing, and we really have gone amazingly far, considering how hard it is, to a wonderful £3900 and 73 backers! Is that really going to fail in the last few hours though, or are you going to support something that is quite unique? If it is just a commercial equation there are very good perks up at Indiegogo; the chance of a unique signed copy of Dragon In The Post, a copy of Clare Bell’s Ratha’s Creature, many others and the sense if we could prove this model we could do many other things. In once sense it is upside down, because it’s the story that matters. Yet this has happened because of the breaches of faith in New York and London, such a terrible battle, so filled with hypocrisy, then being swallowed like so many now by the Emperor’s New Clothes of the Internet. So this involves some leap of faith by readers that, with your belief, I can again write a wonderful story, a bit like Elton John saying he could turn anything to music. I need that energy, even if you only like the gem of an eggbox and the dragon idea or believe individual stories and writers should be applauded. Perhaps we all need to see art can be crowd funded to open spirits and make it happen some more.

So with hours to go now, flap some dragon wings please, find some fire in the belly, the passion that make authors risk the life of writing and talk a leap of faith by BACKING DRAGON IN THE POST TOO

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THE SOUTH DOWNS WAY’S HAPPY END, CROWD CAPITALISM AND A DRAGON HAS UNDER 65 HOURS TO GO!

horse (5)This photo of the chalk horse is for Steph, DCD walked as hard as Les Miserables for Kelly, he went with gentle irony for Justin, he spread his wings for Yasmin, he watched kites for Sol, he told stories for Jonathan, he quoted Stevenson for Di, he kept talking and trying for Sheila and he applauded the Ice Bucket challenge for Laura, all of whom have kept standing up for him, when others didn’t. You’ve really made the Street Team and those needed thanks to others too is yet to come.

You can make a difference now too to Dragon In The Post, in these racy last hours, by BACKING DRAGON IN THE POST AND PHOENIX ARK PRESS

You can help the blind by taking the £50 Perk or just sponsor a completed 100 mile walk for the RNIB by pressing JustGiving - Sponsor me now!

DAY SIX

Hooray! It’s a really glorious feeling crossing those great white hunchbacks that edge the bleached blue sea at Eastbourne, those rightly named Seven Sisters, that end at the steadily eroding Burling Gap, to stop at last on Beachy Head and look back on another brilliantly clear blue day. It seemed as if I could really see back across all those hundred miles traversed and straight to Winchester, in the West, once a capital town of ancient Wessex and the Treasury of England. Now I should study the maps, fill out the blogs (with so much missed), put up three little films I made to Facebook and The Indiegogo Gallery too and leave some kind of useful or perhaps inspiring record for anyone wanting to walk the South Downs Way themselves. I think I’ll try to ‘publish it’ and keep on trying to raise money for the Royal National Institute for the Blind. Meanwhile, on the way I came up with a new term for what crowd funding might be about, in the future and an age of such impossible capital differentials. Not America’s hated socialism, not just a shop front window on the internet for the same as ever, but some new idea for a way forward where money is an inevitable part of the scenery but where some new spirit and awareness needs to develop alongside- Crowd Capitalism. What do you think?

But I did it, pack on back, hazel staff in hand, trying to have a go with Dragon In The Post too and I’m chuffed. I blogged it all as I went, even if few were reading, which you can read now by scrolling down or clicking on the page above – “The Winchester Chronicles”. Of course the lack of a ticker-tape parade at the end, or any thronging, cheering supporters, dressed in Dragon costumes, (I call it the James and The Giant Peach Syndrome) can lead to a little deflation. Or perhaps it’s a lack of contributions from folk I encountered on the walk, for a book or charity, who I told my story to. Or that’s mostly coming back into the dizzy, preoccupied world, that really started after winding out from Dean’s Place hotel, after a super-powered, fuller-than-English breakfast, meaning I ate everything. Along the little river Cuckmere, passed that mysterious chalk horse no one knows the name of, through aptly named Litlington and down to the estuary where the Seven Sisters National Park begins and the green fields suddenly exploded with bank holiday trippers, chasing dogs, children, kayakers and of course the cars and buses rattling noisesomely between Eastbourne and Brighton – nyawwwwwgn!

You start to dissolve back into the unremittingly ordinary, dare I say humdrum, the doplar shift of time and life and death. Which every traveller knows the sigh of on their return, like that Stevenson inscription on the Toby Stone on Stanes ‘Street’ – “home is the sailor home from the sea and the hunter home from the hill”. Yet especially from real walkers, there’s a knowing smile or greeting if you are carrying a pack and walking stick and look a little foot sore and many “well done’s” from folk I told, with a real glint of admiration in their eyes. No time for laughing, trendy Japanese tourists then finding the sight of windswept me very griggly – which means a bit of raughing at a weary sigh. “I’m not weary,” I cried indignantly “I just came 100 bloody miles!” No time for the irritating scruff of the traveller at Eastbourne Station either, as I asked about the absurdly long Sunday service, (over three hours, with two changes, although partly because I refused to go back more expensively to London to get to Winchester) and who quipped “Walk it the mate, will only take a week.” “I’m not your mate, mate, and I just did, in six days.” But that put me back in the world too, as did the genteel Eastbourne ticket lady objecting to my cussing. “Oh please, I wasn’t bloody swearing at you and don’t be so bloody provincial.” Still, it was good to stop half an hour in Brighton, since I’ve never been and to touch the still fizzy, saucy picture postcard, Quadrophenia feel of the merry place.

But people’s approval at coming a 100 milles reminded me of that wunderlust back in Tich, something very deep in the blood, from friends who suddenly wished they were coming too, or were out there having their own adventure, an instinct as old and primitive as being free, or wanting to conquer the world. Before you do such a thing, a kind of imagined map in the head develops of possibilities, dangers, ‘anything could happens‘, needed kit or warning notes, but the best is gaining the experience and knowledge of it all and sharing it too. Which is why I was annoyed with myself for moments of un-self-reliance, when I stopped thinking and looking and asked others instead. It seemed to lead to two big mistakes. First the day before yesterday when I went storming off too far south towards the sea, after a cracking and perhaps over confident morning. It had brought me back up to Black Cap, then to the sharp turn south ,above Ashcombe Bottom, to the campsite and weird blue-tied security guards sitting reading The Sun in their unmarked car, outside Housedean Farm. Were they spotting for drugs, protecting the Telscombe’s judge’s family out for a night’s wild camping or trying to cheer up the lonely looking fellow humping his solitary tent back to Brighton. The truth is you can sense a lot of loneliness in people too in their travels and wrestles with the wild. I saw my first seagulls tipping down that hill, and several often sullen looking young camping groups, as well as a pure white cow, not quite as noble as Shadowfax or the deer in Fire Bringer. That farm lies on the thundering A27, where I took a photo of the South Downs Way sign for Facebook, backed by the nasty motorway, then crossed the bridge. So up and out again onto the escarpment, blustery now with a more threatening breath of the sea, and massing clouds, un-wondering whether or not there was any ominous meaning in cows half standing up, half lying down. It’s sitting back in doors in the remorselsy damp of Winchester’s chilly, pre-autumn drizzle that I realise how incredibly lucky I was last week with the weather, and how miserable those downs could very quickly become, caught in a storm, or blown into over emotional shapes on the way, like the trees on the down-tops sculpted into wave forms by the wind. That’s how they grow and how we grow sometimes too, since all exists in its element.

So out passed Loose Bottom, down Jugg’s Road, by Slump Bottom, with posh Lewes to the East, reminding me of the nice bloke in the George and Dragon that lovely sunny lunchtime in Houghton and thoughts of Black Tie picnics at Glyndebourne too, to Swanborough Hill by Home and Long Bottom. That made me think of a children’s series years back about War Time refugee kids in long grey shorts meeting a Mrs Gotobed, in a place called Granny’s Bottom – so coming up with the laughing cry “Go to bed, in Granny’s bottom!” Tee hee. That made me ponder my flatmate Norm’s puns back home though and hurry on to Beachy head. I am almost sure now it was at Swanborough Hill I must have missed the sign and tipped off too far south, after some guy on his Mobile Ap said Southease was 2.8 miles away, but all down hill from here. The truth is I was really trying to tell him about Dragon In the Post, but I took the wrong Down, down the wrong hill! That extended bit of the Way was repaired by Roger and Hazel though, elder walkers as tough as ferrets, who marched me back passed the young stud horses, through the charming village of Telscombe, where that important security guarded judge lives, according to Roger, though centred for big cases in Lewes, and where there is also a neglected Youth Hostel. They kindly pointed out the road again at the motor cross circuit on the hill. Looking at the map now it is 2 miles, so my total detour must have been six. Yet any irritation I’d got it wrong so close to the end, or that long metalled roads just hurt more, was eased by eating wild apples o, and the fact that the sun seemed to blaze again and the weather clear as soon as I got back on The South Downs Way. It felt like magic. It snaked me towards the River Ouse in the valley and so to really charming Southease, with its little railway line beyond, worthy of the Watercress Line back in Arlesford. It wasn’t the newness of the hostel there that appealed, although it was built last year, but the pleasant farm barn style and its busy energy; the original way it’s done too, for adults and children. Like the giant Connect Four set in the garden or the interesting information about nearby Ramdeen, haunt of Virginia Wolf and that Bloomsbury Set we are clearly failing (though not entirely) to re-start back home in Tichborne. So, after the sweet girl in the cafe extended her hours to make me a delicious toasted ham and cheese banquette, with a bottle of larger, irritating her grumpy, plump table wiping colleague and my continued struggles with my draining mobile phone, trying to contact a friend, at 5pm came the momentous decision whether to stay here, or march on over the top for the six and a half miles to Alfriston.

I’m glad I did, if it was quite a hike, because the girl’s remark that “I wouldn’t get the satisfaction” if I cheated a little with a cab was absolutely right. Besides, I wouldn’t have met a young man in a Macmillan Cancer t-shirt who had just run 48 Miles in a day from Woking, training for real charity raising, nor a sweet girl with her black mongrel about to walk up Beddingham Hill. Either youth, hope or memory stepped in there, because she was quite wrong that it was only twenty minutes over Firle Beacon to Alfriston – the long evening journey down Bostal Hill took a good forty minutes. But so to private recitations of Gray’s Elegy In A Country Churchyard about drowsing tinklings lulling the too-distant, bloody folds, among the fish eyed sheep, a warm, golden evening, that stealthy fox and the growing shadows of over Alfriston, long before the sun set on the hill, nestled as it is into the darkling folds of the valley. It is an odd place, surrounded with wealthy modern homes, several with Solar Panelled rooves, pompously named driveways and sleek, rich cars, but with a very old centre. So it was a delight to pass The George Inn and see a sign saying its beer licence had been granted back in 1597. That year Shakespeare bought New Place in Stratford, six months after his 11 year old son Hamnet’s death, his brother Edmund was just seventeen, and in the beery, bear-baiting, brothelly reaches of semi-outlaw Southwark, the Rose theatre was still working hard by Winchester Palace in London. While the Swan theatre in Paris Gardens was closed for the summer for staging that lewd and seditious Ben Jonson Play “The Isle of Dogges“. Shakespeare’s troupe had triumphed North of the river in Shoreditch though, their new patron Lord Carey had been enrolled in The Order of the Garter, to become Lord Chamberlain too and for which Will probably wrote The Merry Wives of Windsor, set with Falstaff at the Garter Inn. Two years later The Globe would go up in 1599, after the troupe dismantled the wood from The Theatre and took it south of the river. If the bod at Deans Place is right about the super rich Record Producer’s raves in his mansion nearby though, or the steamy inter marital goings on in the finest hotels, then England is as thankfully as lewd as ever, to be gently reprimanded by Shakespeare’s pricking Fairies. In Shakespeare lust is not the crime, betrayal is.

So to that astonishing purple-blue misty morning yesterday, on walking day six – allowing time out to return to Southampton, and the last push. Not exactly a push, because from Alfriston it all seems to hurry towards you instead and sweep you back into the tide – that was the river, this is the sea. The second irritation at asking the way though was the irritating nasal bloke who stopped with his mates and went on and on and on about what you might see or miss, as the South Downs Way seemed to split into many little tracks here, like its own estuary, then who came out with clunking guide-book phrases like “very historic Alfriston“, or the vital importance of the Long Man of Wilmington too. Which you can only do if you take the eastern track around the Seven Sisters Reserve. The choice of seeing that is balanced against that un-named chalk horse though and the beauty of meandering along the Cuckmere instead at the valley bottom. I confess to a mile’s cheat too by hopping a lift with a Swedish redhead, but even in times of yore they wanted an adventure and I like testing the hitch hiker spirit. So to the sea and up, up, onto those roller-coastal Downs again. As you look along of course, at the Dove- white edges and back along the snaking Down tops to Winchester too, with true pride, you again remember that’s what the Downs you have just crossed are – billions of years of steadily accreting crushed sea shells, chalk, eroded and sculpted by wave and then wind, and given a thin and so very recent layer of earth and grass, farm and housing, forms and passing meanings. Who can remember it all? All being eroded too, as everything is really moving and changing, like the houses at Burling Gap, below the little light House where they shot The Lives and Loves of a She Devil, that are year by year falling into the sea. No wonder the South Downs Way is so clearly marked with wooden signs, to give even more poignancy to those mournful wooden crosses and flowers memorialising sadder endings at Beachy Head, saying CLIFF EDGE. But there, it’s done and it was great.

David Clement-Davies set out on Monday last and reached the absurdly busy Beachy Head Pub on Sunday August 24th, 2014, around 4pm.

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DAVID CLEMENT-DAVIES READS FROM DRAGON IN THE POST!

Fire_Cutter_-_Dragon_in_the_Post

David Clement-Davies does his first reading from his crowd-funded novel and publishing project Dragon In The Post, that you can also read part of up on WATTPAD

To hear the author reading from Dragon In The Post click the audio arrow below. To go to Wattpad or Indiegogo click on the underlined links. To hear the second instalment just CLICK HERE

If you, your family and children enjoy this reading and story please help us start a grass-roots fire by spreading the word and crowd funding it into a real book, sent to you, in the post by CHOOSING ONE OF THE PERK LEVELS AT INDIEGOGO

Many thanks and although we are doing wonderfully at 53% funded, it ain’t easy, we have ambitions to raise more than the 4.5k target, to open the door on many things, coverage is coming in the Hampshire Chronicle and so the deadline has just been extended to the full-time limit available at Indiegogo of 60 days. That now ends on August 27th but momentum is always vital and remember if we do not hit the 4.5k target by then indiegogo will take a bigger percentage of any money raised.

PA PRESS

The painting is the wonderful image of a Fire Cutter, a dragon that cuts a door into another world for Gareth Marks, done specially for the project which you can own too as a signed print by being the highest of the next four contributors!

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YASMIN FOSTER’S ART COMES TO FIGHT FOR DRAGON IN THE POST!

Facebook and Social Media ‘Press Release’

CONTRIBUTE NOW OR RAISE YOUR CONTRIBUTION LEVEL TO DRAGON IN THE POST AND, APART FROM OTHER PERKS, ALSO OWN THIS WONDERFUL PAINTING, SPECIALLY DRAWN FOR THE PROJECT, PAINTED, PRINTED AND SIGNED BY YASMIN FOSTER

Fire_Cutter_-_Dragon_in_the_Post

With 23 Days to go, of the highest contributions or raised contributions among the next SIX backers on Indiegogo one person will also own this wonderful Fire Cutter by Yasmin Foster. You can do that right now by going to https://www.indiegogo.com/projects/dragon-in-the-post/x/8028980

Thanks so much Yasmin and other frolics to come. – Contacted local papers, cutting the flying film and training for South Downs Walk! Hope you all had a lovely weekend but we need to up the intensity and contributions. PA PRESS

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NOW IT’S TIME TO GO DOWN, DOWN INTO THE TERRIBLE PARIS SEWERS

So, with the old Paris theatre open again Bobolan gets to see some wonderful acting and dream his dreams, (with an in-the-wings argument about calling a musical CHEESE!) But with all the noise and those enormous human feet around, Scarapino and the rats decide to take it out on the mice and drive the poor Mousette family down into the underworld and the terrible Paris sewers! Where, inspired by Victor’s sewing and Hugo’s writings perhaps, as Bobolan dreams of a play, we really meet that miserable, struggling mass of mousery, who sing their song too…

LYRICS – WE HAVEN’T EATEN FOR A WEEK

We haven’t eaten for a week
We never rest and barely sleep
We’re lost and hungry, cold and sad,
What hope is there
When life is cheap
When life is Maaaa-ad?

We know the price we have to pay
The cost of living every day
We’re racked with illness, half insane
What health is there
When life is cheap
When life is Paaaa-in?

Pain and sadness, fear and sorrow
Total madness, no tomorrow
Tell us why?
Here we live in filth and horror
Born in darkness, raised in squalor
Where’s the sky?

Our friends will cheat us of our bread
We only eat, when someone’s dead
Our only reason, if we fight
What peace is there when life is cheap
When life is bliii-ght?

We pick our living through the dust
But rarely dare to ever trust
We wade through filth and live in grime
What love is there
When life is cheap
When life’s a crime?

Crime and evil
Hate and blindness
No more love and no more kindness
Born to die!

Thus we wade through vice, not virtue
Born to cheat you, raised to hurt you
Tell us why?

ANGELIC VOICES
We wait like shadows for the end
A fate that waits round every bend
What kind of life is this we lead
So wrought with sickness, filled with need?
What can we do but cry and weep
When life’s so cheap.

Story, book and lyrics by David Clement-Davies, brilliant music by Michael Jeffrey, Copyright Phoenix Ark Press 2014. This sequence was sound synced by the multi bafta winner Lee Crichlow. PS M Jeffrey is a twat (this is the personal opinion of the author and has no reflection on any real characters involved.)

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THEN OF COURSE ENTER THE YOUNGEST OF THE MOUSETTES AND OUR HERO – BOBOLAN

But if the Mousettes are both troubled and noisy, and Victor is obsessed with practicalities, our stuttering hero Bobolan simply must go on dreaming…

LYRICS – ‘DREAMS’

Dreams, we’re all made of dreams
Or so it seems.
Dreams, we’re all in a dream
What can dreams mean?
I dreamt last night
While I wandered the moon
That her snout was made of cheese.
And I dreamt the earth
As I dozed in my room
Was rich with kindness and ease.
Dreams, we’re just made of dreams
Or so it seems.
Dreams, we’re all in a dream
What can dreams mean?
I dreamt one day that I’d walk like a King
And climb on a marvellous throne
Then love a girl on a beautiful swing
With her I’m never alone.
Oh Dreams, we’re all made of dreams
Or so it seems.
Dreams, we’re all in a dream
What can dreams mean?

(Bobolan’s head almost explodes as he looks around the theatre)

Dreams, we’re all need our dreams
Like bright sunbeams.
Bright, that’s how you should dream
The brightest dream.
To take you far from the dark and fear
To a world where all is light
Where all our loves are so happy and near
And no one fears the night.
Dreams, that’s just what they seem
They’re bright sunbeams.
Dream a beautiful dream
That’s what I mean.
For nothing’s as bright as a dream
There’s nothing as bright as a dream…

(Return of Moliere’s Company to the old Paris theatre)

 

Royal Academy of Music workshop of Mr Moliere’s Mouse (aka Cheese). Story, book and lyrics by David Clement-Davies, music by Michael Jeffrey. Phoenix Ark Press 2014. All rights reserved.

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In Cheese, or Les Mouserables, ENTER THE FAMILY MOUSETTE!

So, ignoring whether the 12 days of Christmas run up to Christmas day, or Twelfth Night, and in a Dickensian spirit of ‘carolling’, a little more of the musical Mr Moliere’s Mouse (Cheese).  Set in Pre Revolutionary Paris it is about the Old Paris Theatre, where a family of mice live below the stage. Our hero, the stuttering Bobolan, who dreams of being an actor, his father Victor, a tailor, uncle Hugo, who wants to be a writer, Victor’s frantic Spanish wife Maria, and the children, Pierre, Collette and Marie Antoinette. Facing Scarapino and the rat’s invasion of the Theatre, and a host of woes, including having to finish Scarapina’s dress, but in the spirit of Pierre wanting to join the army, they sing!

LYRICS – “When you’re really in a hole” – The Mousette’s Anthem

When you’re really in a hole
When you’re down, just like a mole
Draw your sword from out its sheath
Raise your head from underneath
And Mouse the barricades!

When you’re starving, for a crust
When your tail, drags through the dust
Draw your sword from out its sheath
Push your snout from underneath
And Mouse the Barricades!

Twitching, stitching,
Writing, fighting
Looking for some cheese
Flirting, skirting
Often hurting, life is never ease

Forever on the go
Clothes I have to sew!
Just the job
To lead us on to fame.
Oh my god,
Please take me back to Spain!

(Medley)

MARIA
I’m a donya, a Mouse with class
Whose pride you should not shame
Now I’m always slaving, my family’s raving
Just send me/her back to Spain!

ALL
When the Mousettes sing a song
Then the sorrow’s never long
Lift your chin and flash a smile
Find a husband with a pile
And Mouse the Barricades!

Peeking, sneeking
Dreaming, scheming
Dodging Paris cats!
Prancing, dancing
Always chancing,
Waiting for the rats

Forever on the make
(Victor – ‘I’m sewing’!)
Cakes I have to bake!
(Maria – ‘I’m going!’)
Just the job, to lead us on to fame
Oh my God, please take us back to Spain!

We work and slave, just to earn some cheese
But soldiers, we’re singing, a stirring reprise
We toil and chore, just to meet our debts
A family, together, the brave Mousettes!

(Medley)

CHILDREN
When your dresses, are in rags
And your sisters, look like hags!
Thread the needle, start to stitch
Dream you’re happy, loved and rich
And Mouse the Barricades!

VICTOR
I’m a Tailor, A Mouse of threads
A King of bows and braids
Now I’m always sewing, my clothes are growing
So Mouse the Barricades!

ALL
When you’re really in a hole
When you’re down, just like a mole
Draw your swords from out their sheaths
Stand up straight, not on yours knees
And Mouse the Barricades,
And Mouse the Barricades!

Story, book and lyrics by David Clement-Davies, music by Michael Jeffrey, Phoenix Ark Press 2014. All rights reserved.

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BITING DOWN ON THE MOULDY CHEESE!

I tell you what, this Mr Moliere’s Mouse thing may be a work of incandescent genius, but what it needs is a bit more bite! So to go inside the old Paris theatre and meet the villains of the piece, lording it up in their balconies, Scarapino, his lady love Scarapina, having her beautiful birthday dress made by Bobolan’s tailoring father Victor, and the rats. Their theme song is very Kurt Weil!

LYRICS – Song of the Rats

Teeth, teeth, as yellow as bile
Ready for work, both mean and vile
Stand on guard at the theatre door
Greet the leader with an ea-ea-ea-ea-ger paw

Kings of crime, Lords of vice
Making slaves of the stupid mice,
Stay awake, don’t take a nap
There’s nothing as strong as a dir-ir-ir-ty rat

Teeth, teeth, as yellow as bile
Ready for work, both mean and vile
Stand on guard at the theatre door
Greet the leader with an ea-ea-ea-ea-ger paw

Spreading hate, loving rage
Always there, to hog the stage
On the move, can’t sit still
The rats bring the teeth that will make mice ill!

Teeth, teeth as yellow as bile
Ready for work both mean and vile…

Enter Scarapina and Scarapino, talking of his Lady wife’s tail…

From Mr Moliere’s Mouse (aka Cheese) by David Clement-Davies and Michael Jeffrey, Copyright Phoenix Ark Press 2014. All rights strictly reserved.

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A BIT MORE CHEESE IS SERVED!

Well, dears, I can’t help it if nobody listens, but as Bobolan watches and dreams of the theatre and being an actor, so comes the return of the great Monsieur Moliere himself! Of course, longing to be a great tragedian, he was always better at comedy, but right now he is in great singing voice….

LYRICS – Mr Moliere’s Song

Some build ships, others fight
Some make pots of clay,
But since I was a boy I’ve longed to write,
To pen a marvellous play.
Some bake cakes, others sew,
Some just watch the sky,
But since I was lad, I’ve planned the show
To make you laugh and cry.

(ALL)
Look who’s back here in Paris
Just the name you should know
Life’s a marvel in Paris,
We’re hungry for a show.

(ALL)
Some stay young, others age
Some just turn to drink
But all I ever need is an open stage
And paper, pen and ink.

I’ve held a hope so long
So fast I’ve run
From what they told me once I’d be
I know their words were wrong
No place I’m me –
Except among the ones who need a show.

I’ve had a dream so long
And though it’s fun
So many tried to hold and bind
But if I let them go
I think you’ll find
That nothing matters now but when we show
Our show.

(ALL)
Look who’s back here in Paris
Just the name you should know
Life’s a marvel in Paris
So welcome to the show.

Some drink wine, others gin
Some just like their facts,
But since I was a nip, I’ve longed to sing
In a show with seventeen acts.

Some bend rules, others bribe
Some must have their say,
But since I was a babe, I’ve ached to scribe
To write a fabulous play.

(ALL)
And since he was a babe, he’s ached to scribe
To write a fabulous play.

(LAST VERSES NOT INCLUDED)

For though my heart still longs
So far I’ve come
From all the ones I’ve left behind
That while their faces stay,
I know they’ve gone
And nothing matters now but what’s to show,
What’s to show?

(ALL)
Some want war, others peace,
Some like Human Rights,
But since I was a boy, I’ve loved the grease
And the dance of flickering lights.
Some are happy, others cracked,
Some think life unfair,
But nothing is as grand, when you want to act
As the plays of Moliere
As a play by Moliere.

 

Story, book and Lyrics by David Clement-Davies, Music by Michael Jeffrey, 2014 Phoenix Ark Press. All rights strictly reserved.

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