Category Archives: America and the UK

KICKSTARTING WITH SOOKS, SPOOKS, AUSTRALIANS AND DIARIES OF WIMPY KIDS!

Well, having a go this weekend seemed to move some, or at least got people to really read and so the project on Light of the White Bear edges unofficially over 10% and rises to 18 backers too! Thank you so much, but the reason it’s still only unofficial is that through an Australian fan and DJ in Melbourne called Sierra Jane, friends have promised to donate this week, which will at least get that £3 to edge over 10%. Brilliant.

(STOP PRESS – JUST ROSE TO 20 BACKERS AND OVER £730 and 11% ANYWAY = HOPE)

Just to note one of their friends though, or acquaintances, calling me a ‘SOOK’ on Facebook! Clearly the kind of macho Aus ‘man’ who only posts pictures of himself kissing the girls or being beautiful and likes to engage in cyber sniping from the courage of his blind window on the world. In other words a SPOOK. I keep repeating, back room bullies are always cowards and its a major problem in the ‘culture’ of Facebook and other sites. But cheers for that spontaneous act of kindness and generosity, at such a moment!

Being of a generation that doesn’t use cheap dirt farmer outback slang, a sook means a wimp, un-suckled calf or someone without confidence. Always nice to increase the vocabulary. I was going to post back on Facebook but deleted the link in my email, so a few words about it here instead. Having been published by major houses for years in the UK, Aus, Canada and America I never wanted to have to use a medium like Kickstarter and so yes, on that I lack confidence and at times it feels like failure too, or rather humiliating. In fact, after six years of fighting at a blog, reaching only 10% in a week has made me want to throw in the towel early, even hide in an ice cave, and frankly, if donations don’t triple this week I think it’s exactly what I should. But now there’s still a real chance , so we can still get there and it would be great if you could see the video and follow a finger to a Back This Project button too!

But let me ask such a generous young man (this is known as irony) what he thinks a wimp really is? When your partner and someone you loved deeply and trusted too, right in the place of work and creativity, so stabs you in the back, and with a so-called best friend of years in London too, working on a ‘book’ called Hew, Screw and Glue, but then distorts the truth and so leads to the wrecking of a highly successful career too, it can have painful, indeed sometimes wimpish effects! I prefer Munch’s Scream, which was why a novel was once unfortunately called Scream of The White Bear. Men might imagine the danger and agony of that and the rage that came out too.

But wimps do not fight them on principle for two years, while bound there in contracts – authors have no protections whatsoever if powerful private employers get corrupt – then walk away but blog the truth of it too. A truth that was so much about their cowardice in not standing up to be counted, or just stopping the vicious internal politics, the cynicism, that sadly removed my old publisher, as my editor stole his job as Vice President. Then fight a UK lawyer called Manches, funnily enough specializing in posh divorces, who attacked me, as the President of a New York publishing house banned an entire department from reading my complex blog, and talked about protecting only their careers, but I also refused to be muzzled under European Privacy Laws and went on trying to fight back, despite the invasion. A President who now sits on a board against US Censorship, Michael Jacobs, who tried to trash a reputation he had distorted in front of the US Author’s Guild, until they resisted and as ever that particular bully backed down and gave back ebook rights. This publisher meanwhile were still publishing my books and so crippling a right to proper promotion and free speech too, or any self defence over what really happened with an ex and why. As well as snatching away a livelihood and voice that had taken years to forge. Then wimps, sooks or un-suckled calves don’t build a publishing website of quality over several years single handed and give out articles, stories and poetry completely free, because they are so worried about the ‘culture’ of the internet and still believe in the power of real writing too and telling some kind of truth.

Then go on trying to return to main stream publishing with numerous book projects, although a culture has shattered in the Twitter-jerk of cheap blogging comments (like sook) that pass for Democracy and publishing is one of the most ruthless businesses there are. But also turn around and single-handed sue a publisher in the New York Supreme court last year in Manhattan. That can be a little nerve racking. So fighting not one but two major New York attorneys alone, itself so telling about a publisher’s fears and the truth, who ended up provenly perjuring themselves last year, to win their disgraceful case. Rather it was dismissed on the form of an action alone – process – that ‘Mr Articulate’ in Australia could probably not get his pretty head around if he got out of the outback and studied for years, if he can read or write that is. It was dismissed by a Justice who would not let me speak to the court and did not read it, probably because Justice Cynthia Kern can’t be bothered to pick up epics or apply a real brain, not a position won out of the legal secretarial typing pool! The ultimate result of this belief in the word is losing literally everything you can, including a flat in London. So although it may not be entirely wise, sook or wimp just does not do it! That also annoyed though because said publisher also happens to publish the world selling series Diary of A Wimpy Kid, I guess you could rename it Diary of a Sook in Australia. But since it’s probably about dealing with bullies and growing up too, or at least growing, and part of my function was as a guiding kid’s author, I’m probably on the side of the sook. Except when, years back, you’ve stood under a banner in NYC twenty feet high of that precise series, in competition at your own publisher, and been so knifed by the two editors and women you were meeting there, supposedly to promote and protect my own award winning and contracted work, one of them an ex lover who became such an appalling and dishonest friend. The muse murdered the author. Then I guess life, love or anger, not to mention writing, can get on your head a little. Not sook dear, Barton Fink! But hell, sook’s a good word, and now I am being positive, as you’ll see on a Kickstarter video (forgive the puppetry).

If you’d all like to stop judging instead though and help suckle the struggling calf of publishing Light of The White Bear properly, which means real books, and supporting Phoenix Ark Press too, you can join the Kickstarter mission this critical week by CLICKING HERE

Thank you!

DCD

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Filed under America and the UK, Books, Childrens Books, Community, Culture, Fantasy, Language, Publishing, The Phoenix Story

KICKSTARTING, QUITING, GRIPING OR JUST TRYING TO SPEAK SOME TRUTH?

For that friend called Tim, who tried to lecture me about ingratitude or claiming the ‘right’ to be an artist, somehow going on about some abstract suffering too, bigger than others, I’d like him to know that two new backers, with £7 and £20, are quite as important as £199, or £6000, and have edged me forward too.

Thank you so much, because whatever you can afford is precisely the energy I was talking about. The minimum pledge is £1, but if it was 10p it is a kind of listening too, or that’s how I can at least know! Another way is simply to write to this blog. You see, just words from fans very literally kept me alive a long time ago, so I have a little more experience than Tim. Just as, if people think that raising an eyebrow after only 5 days is giving up, they should know that what I’m talking about is really trying to communicate over six years, not just 30 days.

I’ve done a slightly different thing today then and as well talking to Cynthia Kern at the New York Supreme Court (who I’ve emailed in, bless her cotton socks – go on Cynthia – take the pledge and make up for your rank act of injustice!), or about Michael Jacobs, Mr so-called anti-censorship in New York, I’ve done a little reading from Fell and also speak about good or bad friends too, that became such a monumental issue, in the isolation of it all. But why this was a very hard fought battle and the opposite of some lazy gripe or sob story. The eloquence of stories are the things that should make us sob or laugh, or shout with joy, the need for art, fantasy, drama, catharsis and a mirror to real lives too. But TS Eliot said the artist must separate out the suffering man from the work and maybe that is just a process. Why it was so difficult becoming the story, or that coal face between words and facts, fantasy and reality got far, far too close, with astonishing results.

Never surrender, Light of the White Bear will come out this year at least to ebook! But Tim, a precious friend, is damn well wrong if he thinks this is just complaining, or that I did not earn the right to be an artist. I did and in contract and in humanity my publisher, people I knew very well indeed, had a duty to honour it all. Politics became the driving force instead and it was exploited shamefully.

I don’t know, I am just trying to talk and be heard and you can judge it by CLICKING HERE

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KICKING BACK AGAINST THE CRITICS OF A KICKSTARTER APPROACH

So predictably the inevitable criticism comes about trying to tell the truth! Just to set the record straight, I’m very grateful indeed to those who pledged, with real hearts. It’s just that this isn’t a new phenomenon, Phoenix Ark was itself created to try and fight a system and explain a very particular story too, and that has been happening not for 30 days, but six years. Those who have not done it could not possibly know what it can be like, right or wrong.

Why in fact should someone pretend they get particular joy though from trying to even communicate, being the all singing promoter they are just not, or not wanting to send round robin emails or push people to take a Pledge, when they had dedicated their life to really communicating and really earned the right to do so too? I must be one of the only writers who told his fans if they didn’t like a story, including mine, then cast it aside and find a better on. It doesn’t matter, just a blip in the system, but when you see the same thing, again and again, who is it that actually stops to talk about the ‘culture’ of it all, the pressure or disconnection? I can assure you what happened over Light of the White Bear was absolutely savage. Go down with a smile, but really don’t be made to engage against the grain of who you are, ever. Besides, the proof of the pie’s in the eating and that’s fine too.

The final truth is that when noise is made you see the stats rising, but no change. Because there are real human beings behind all the Facebook fronts, the communication of how well you are doing, how pretty you are, how fine it all is, including me. So it means that people are willing to note the oddity, or give a tut tut, or a knowing smile, but not actually do a thing. You see I also know the vast majority of people who follow a blog are people I know. Woe betide them if they ever faced what I did, the room 101 to an author, a really rather extraordinary story too, but do they dare to step out of the frame themselves? Not often. The approach to Kickstarter remains then and if you could like to see the real reason the film is available by CLICKING HERE

In the meantime, it’s high time Phoenix Ark turned to comedy, and the London spring, much more fun!

DCD

PA PRESS

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KICKSTARTER PROJECT STUMBLES, SO AUTHOR USES FILM TO TELL THE TRUTH!

Hello all,

failing to hit even a 10% target (!), I’m afraid this never quite famous author is throwing in the towel, or at least throwing it at the camera and using Kickstarter and film to try and speak, to tell some truth about writers, human beings, publishing and the Internet too, even Kickstarter. I’ll still keep my promise to publish just to ebook this year.

You can see what I hope are just some frank words now though by CLICKING HERE.

Kickstarter’s tag line is “It’s Not Just A Project. It’s a story”. What could be truer at ‘The Storyteller’s publisher’ too, Phoenix Ark, which sadly and very stupidly stopped (or was made to stop) telling stories?! Much the problem of crossing the lines of fact and fiction and never become the story yourself!

So to a refusal to beg though and to the back story behind Light of The White Bear too and this attempt here, which, to use an appropriate arctic metaphor, for a long delayed novel about polar bears and melting worlds, is the very tip of the iceberg! To thoughts of what real gratitude is too, any ‘right’ to be an artist or succeed but out of the most basic attack on principle and a person by a major New York Publisher.

Words then to Michael Jacobs, now the Chairman of a campaign against American censorship(!), when this story epitomizes the very meaning of censorship, bullying and ultimately injustice too. I mean that most specifically about a story that could and should have stopped years ago and was not in some spy world, or the US military, but a world of supposedly human values, in books and publishing. I told them long ago Americans always use a hammer to crack a nut.

Words also directly to ‘Justice’ Cynthia Kern of the New York Supreme court too and why she so failed in her job early last year.

Thanks for listening and so many thanks to those you opened their hearts! Never lose the girl, and be nice to each other.

DCD

PHOENIX ARK PRESS

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THE TRUTH OF AMERICAN CENSORSHIP

I nearly fell off my chair laughing when an American friend sent this through.

Shelf Awareness Pro for Wednesday, October 9.

Congratulations to Michael Jacobs, president and CEO of Abrams Books,
who has been elected chairman of the board of the Academy of American
Poets. He is also chairman of the National Coalition Against Censorship
and is a member of the Board of Governors of Yale University Press.

I’ve already commented on the joke of someone like Michael Jacobs having anything to do with literature or poets. But to see him as Chairman of the National Coalition Against Censorship just highlights the rot going on in America, like the current Government crisis. I’d go so far as to call it evil. Michael Jacobs is the man who fixed an internal enquiry at Abrams, breached book contracts and lied to the US Authors Guild. The Guild lawyer informed me he would try to blacken my name, and insisted he respond, so he backed down. One of the whole points of that fight was the lies my ex and my editor had told over months, and a fight against the most fundamental principles of both law and non-censorship. Then he instructed an entire department at Abrams not to read this blog, while hiring lawyers in the UK to try and silence me too. I resisted. He had already wrecked my career in America, censored my books and stories, behaved appallingly in an extraordinary family crisis in late 2009, exploited a situation to remove Publisher Howard Reeves at Abrams, who he did not like, perhaps because Howard is gay, and finally it has lead to his two law firms provenly perjuring themselves to defend a law action in the New York Supreme Court, which involved a stream of lies and distortions. I have already asked the question, if any of this is libel, why hasn’t Phoenix Ark been taken to court, or elements of a blog removed? Because it is true and they cannot censor it or me.

It is only about money, highly orchestrated sales of questionable series like TTFN or Diary of A Wimpy Kid, upholding the ‘joys’ of text messaging or dubious attitudes inside Abrams to secrets of abusive behaviour, that came to define the abuse of an author and fundamental principles, but Michael Jacobs being an anti Censorship figure-head is like the money lenders deep in the Temple or like appointing President Assad to a Board of Clean Air and Anti-Pollution!

DCD

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MICHAEL JACOBS AT YALE SPEAKING PROGRAMME? GOD HELP AMERICA

Michael Jacobs, CEO at Abrams and an old Yale man, fond of studying rivers, is one of the speakers on the Yale Book Course this year, to draw on the talents of the great and the good in American publishing. Did he have the guts to tell the truth though, about what happened with leading author David Clement-Davies, why Howard Reeves was removed, or why he paid two prominent New York firms of attorneys to totally distort the events of 2008 and 2009? Why he instructed an entire firm not to read an honest blog too, but simultaneously attacked Phoenix Ark Press through UK lawyers Manches. He is an expert in the attempted cover up but every time Abrams have fought shy of the courts, because they know the truth very well.

The man is a natural bully too, so disliked by Howard Reeves, Susan Van Metre and Tamar Brazis, whose little internal conspiracy against David he used completely, to remove Howard Reeves eventually, before he was forced to back down. His blogs on Coleridge and Wordsworth, as if he were any guardian of literature or writers, are a complete insult. Can he really hide the truth of strange and sad events in late 2009 though, the man who comes out with pseudo humble American phrases like ‘God willing’? His reaction was humanly disgusting and filled with cowardice too, as you might expect. Those are the events that one of his attorneys, Edward Davis, provenly lied about on paper before the New York Supreme Court and Justice Cynthia Kern earlier this year, 2013. Clearly at Abrams the plots thicken but are they all as bad as Diary of A Wimpy Kid?

http://publishing-course.yale.edu/current-books

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FEARING FOR THE HOBBIT

Last year I wrote to Simon Tolkien and the J.R.R Tolkien estate with a suggestion, strictly resisted, to write a prequel to The Lord of The Rings, about those terrible, glorious figures The Nazgul, the nine riders, called The Lair of The Nine. It began to get my blood flowing and that ‘Edgar Wallace’ hot feeling at the top of my head, to be wasted in the ether of ‘nos’. But then The Lord of the Rings was for me one of those seminal books, a cross over between the world of children’s books and great adult literature, that is often so vitally expressed by fantasy fiction, ranging from writers like Tolkien to Bulgakov.

It was Frodo’s frantic flight to Riverdale, chased by the blood curdling nine, and the intervention of magic and the racing river, that was so consuming to me at twelve, I think I read the novel three times. The narrative power, scope and mythological complexity of that book is astounding and natural inspiration for Peter Jackson’s great trilogy of movies, now loved the world over, especially by Hollywood accountants. Of course, it was far more than just ordinary fantasy or storytelling to the likes of Tolkien, who, with writers like CS Lewis, with his deeply Christian themes in those doorways to other world Narnia books, formed the Oxford club ‘The Inklings’. For all The Lord of The Rings’ obvious echo of contemporary events, like the rise of the Nazis, the Second World War and the coming of chaos, the fear of ‘shirey’ England’s uprooting, pitted against Frodo’s quest to destroy the Ring of Power, the tyranny that threatens all, Tolkien’s inklings are about real psychic worlds too, inside and out, perhaps concepts of ‘gods’ like Jungian archetypes, and the vital tensions between the imaginative realm and ‘reality’.

But there was that other book, a far younger and gentler novel, a ‘Wind in the Willows’ breath of inspiration and harbinger to The Lord of The Rings, preparing Tolkien to be a far deeper author, The Hobbit. It is already putting fur on folk’s feet and starting to see it curl around the toes to hear that Jackson’s take will also be three films. The Tolkien estate may go on about respecting the integrity of Tolkien’s vision and mythology but they and Jackson are still prey to the temptations of money, mass media and merchandising. MMM…

Can a charming frolic like The Hobbit really sustain three films, even if Jackson does draw on obscure books like The Silmarillion? Such works are what should be kept in the backroom to Tolkien’s genius as a story teller, the Bagginsssssy equivalent of learning Klingon to Trekkies. There is much in The Hobbit, from all those dwarves, to the spidery horrors of Mirkwood, to Barrels Out of Bond and Smaug’s jewel encrusted belly and deathy hot breath. Proving of course a dragon really lies under everything. But it still needs the lightness of a younger work, a more innocent one, and battles and sword fights will not make up for it, while three films may stretch the spider’s web to breaking point. Even The Lord of The Rings films at times voided some of the depth and richness of the novels for me, though its architecture was sustained by the shere scope of such a work, that took seven years to write. Conversely The Hobbit is not epic in sweep, but a rather simple story of journey and return, and far more comfortable, like Bilbo himself and Bag End.

But if to me, though I loved them, the Jackson films rather hashed a very essential element to Tolkien’s core inspiration as writer, the earth, a pagan voice and above all those slow to decide trees, The Ents, fighting against an instinctive fear of mechanisation and the twentieth century, it is an absolute crime that and The Hobbit both void another magic element in Tolkien’s vision, in those deep roots of nature magic, the almost all-powerful Tom Bombadil. Indeed some power that could defeat any darkness, so itself a repeating symbol of needed hope. Like Shakespeare’s fairies they are characters hard to incarnate beyond the writer’s voice, but do not need much and are one of the natural springs to creative genius an author inserts to hint at where it is all coming from in the first place. Still, keep reminding us all that a film is not a book, a very different experience, and there’s lots of wonder and fun to look forward to.

DCD

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WELL DONE AMERICA!

Not so much ‘God Bless’ as well done America, in choosing the right President. Especially in a time of still very high, though falling unemployment, it is remarkable that Obama was re-elected so strongly, and though Romney seemed an attractive and not so extreme figure, in the last throws of the election, Americans can surely feel proud of re-electing a figure of true balance, statesmanship, humanity and stature. Though now we will see how he makes good, especially with the January financial crisis looming, and how it carries around the world.

But one of the ‘prophecies’ in the thriller, The Godhead Game, has just come true, Obama’s second term, as we get closer to that imaginative ‘end of the world’, in this December’s end of the Mayan Long Count Calendar. Not some doomsday proof of apocalypses, though the world is always starting and ending for someone, each moment of our lives, but perhaps an intuition about world events. Perhaps it will be fun seeing how much a thriller gets things right. But very worrying signs are on the horizon, if we don’t all wake up to something, not least in the single most dominant foreign policy issue, Israel’s mounting paranoia about Iran and Nuclear weapons.

They, and the Mayan Long Count, are all themes inside a story and thriller, in The Godhead Game, A Game of Secrets, A Hunt for Skulls, A Battle of Spies, available HERE

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THE MUZZLED BLOG?

I read today of David Walliams and his time in the Priory, perhaps he can only speak about years later. It happened on the edge of celebrity and he describes his experience as terrifying. So it was in 2008/9 for me and the more I think of the way I was treated by my own publisher, the more I think I should sue, however I can. They saw it well, my editor telling me she was sorry she saw me in so much pain, yet still did what they did. I also told them of how an anti smoking drug I used, Champix, has been noted across the web as producing psychosis and suicidal depression. Yet still a CEO could try and defame me and distort what happened to the US Authors Guild. The only thing that matters to them is money. This must find an end.

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THE MUZZLED BLOG?

29th September 2012

The problem with talking about the past, or even leaving this blog up for six months, is it’s a place of neurosis, shame and even psychological harm for me. It’s just that somehow I will not let Abrams get away with what they did to a writer, person, work and the law. With what they did to truth, me and my stories. Rather than being some simple ‘Mr Stalker’ back in 2008, to the ‘Damsel in Distress’, with someone I saw as potentially my wife and after two years together, I was, at times, on my knees to my ex in New York, though on a phone from London. Asking not only for love, or even a friendship also reversed, but for my privacy to be respected or protected, as their own author, who a publisher said was “loved at Abrams”. Bound there with five novels, an enormous thing in any writing life and career. It is because of issues in my past, I’ve found hard to cope with sometimes, especially as ‘children’s author’, having some small public profile, but any split up involves the feeling of invasion. But I alone know the journey of my own books, the huge emotional process that involved, which is why I so feared what an ex did, and so asked her not to, at the heart of my American publisher. She knew about previous publishing fights too and a ten-year struggle to start taking off as a writer in the US, but it made no difference.

When I told an ex what I had been through already though, for nearly a year, trying to tour professionally too, as company support started to vanish, the person who just refused to read FELL, that book joked about by her and my own editor, as I wrote us into it so happily, asked “am I evil?” and I answered “of course not”. Dangerous and awful labels at that level, among supposedly adult or sophisticated people, and with presumed higher knowledge of the process of art and writing itself, indeed of metaphor. Especially out of a family there, perhaps, with darkness in the background we discovered while going out, I think part of the reason for such an obsessive sense of privacy or rights on her part, especially related to Children’s Books. But with literally no imagination for other’s rights or privacies at all. Dangerous labels she then used against me, and my own editor heard too, but just left there outrageously for five months.

Pathetic to plead too, but I literally could not just walk away, or curl up and die, and the psychological invasion became terrible, trying to work there, and produced massive writer’s block too. As intense as was the rage that came out, at times, because I could not protect myself, so lashed out in words, like the cornered animals I was writing about in my fantasy novel. My own editor saw it fully, and it was much the reason I tried to take power back in a much lighter novel. As I later lashed out in a way that shook a whole firm. My ex though, having so betrayed trust with her “Hew, Screw and Glue” book, slammed a door but had invaded me over another friend in London too, living up the road. With her personally extreme reversals, silence and passive aggression in the place she was, that she said she found ‘hard’ for months in early 2008, but did anyway, she simply went to another man, and changed a phone number, as she warned she might. But first leaving me completely in the dark, as did the people I knew so well and needed to work with, right next to her, she then left a distortive accusation in the background, disappeared, and let a destruction of an entire career unfold. “I wish you peace,” it was tagged, in an official company email, when I tried to contact through my publisher, talking of how she had found life happiness, as the people on the inside of course won. I have never heard from her since, but she never stood up to stop a thing professionally, as she could so easily have done. It was the full expression of the power and harm we had been arguing about before, now relayed into a limitless future. That’s love in New York City, for two years together, friendship, truth, or just the business of books.

My own ten-year editor though, now Vice President, after openly threatening me months before on the subject herself, and turning off the tap of support, showed no duty of care either, breaching my privacy to an outside editor and publisher, I heard on the grapevine from my own New York agent, who later jumped ship. That alone is called basic editorial malfeasance and pretty outrageous considering her written instruction to me that I should effectively “keep my mouth shut.” Um, writers are not editors, even if it all poured out in emails and into the wrong places in such distress. Then, once my apology had taken too much blame, and she felt she had the green light to discuss it with me openly on paper, she came in with a sledge-hammer, attacking me personally, and openly breaching conditions in written contract too. In a complete expression of editorial power and abuse, that destroyed editorial sensitivity and trust in commissioned work in progress. You cannot imagine the pain of that, a personal nightmare now raised to the level of semi-official company line, or at least a small department inside a company, Amulet, when I was allowed no say and no defence either, until I refused to work. Only then was I told “a firm takes this sort of thing very seriously’. Sure, but who is the firm? Let alone how awful it was being discussed and judged ‘personally’ at work, by two women once at the centre of my life, but having that alliance between an ex and my editor, intimate with my ex’s new man too, as I saw when I flew to New York. It was like having acid poured into an openly wounded psyche, a wound that had got bigger for two months of dialogue before a number was changed, as an ex knew, but instead cynically used a label to gloss everything. I say cyncically because I am sure it was discussed internally as strategy.

Especially after I had almost begged for some kind of help or understanding about growing internet addiction too, with a medical issue involved too, after having openly talked healing with a partner and in my books, as I felt my emotional life over. But rather than show understanding, or the ‘compassion‘ she started patronisingly mouthing, the woman who had also called all porn ‘evil’ not only rejected everything we had been, but called me literally evil too, though quickly tried to reverse it. She knew it’s implications. “Life is unfair” was and is her only bottom line though, and “Hew, Screw and Glue” you too, buddy. The outcome of the story proves that. It is why her pride in being like a self-described “self cleaning oven” became so awful and unilateral in those circumstances too.

Out of what had been severe psychic disturbance already then, near breakdown, it was me against my own publisher, with betrayed love and friendships in the background, in both New York and London, still trying to work and function. Going mad alone in a flat, in fear and agony, well used words, it lasted for a year and more and brought repeated thoughts of suicide. Abrams tried to push me out, backed down, reversed it, then half backed down again, but I walked away, then Abrams pursued me right up to 2011, to muzzle a blog and hide the truth. Their outrageous assertion was the protection of my ex’s career, or privacies they so destroyed, even Human Rights, when I had repeatedly asked for this all to just stop, for everyone’s sake. They openly denied my Human and contracted rights and showed very little Due Process at all.

My own commissioning editor destroyed the wonderful working conditions we had had before too though, and cut off all channels with people there I had loved working with, even against protected say in a cover written into contract, after promising help with a book. The threats, acts of contempt, duress and bullying went on for months, before I threw down a pen, and forced an ‘enquiry’. I could not go on, did not become a writer for that, and they would have forced a book into print they did not think good enough, and which would itself have harmed my writing reputation. They mutilated principles of Moral Copyright too, let alone written contract, that held another novel there four years. I proved their enquiry a white-wash, with its fifteen minutes by phone and editors lying about a major breach of trust issue written all over my communications. My bright and very ambitious editor was fully aware of the political implications, long before I lost the plot, or begged, or why else threaten with “we will protect our girl” in early 2008, then describe me as a ‘good person’ when I apologised and asked for help? Why good? Because I decided not to take it elsewhere, even though the threat was already huge. Yet seeing me ‘in so much pain’, did nothing objective to help or maintain proper editorial duty either, nor bring needed peace back. My publisher warned me on the phone “You know what could happen” and called me a “nice guy”, but what kind of nice guys are they, and was it really necessary? I raise the charge of IIED, Intentional Infliction of Emotional Distress. In New York a woman who had hot coffee spilt on her was awarded a million dollars!

It became sustained psychological torture for an author, using my good name and career, five novels with them, and entire future livelihood, after the pain of what had happened ‘personally’, out of an ex’s almost complete negligence and double standards, even possible malice, to threaten and force silence. Not for everyone’s benefit at all, but theirs alone, so that a secret would not get beyond a department, especially to a CEO. Why could an ex not allow just a professional peace though, in a small department? In law that is called Improper Motivation, and it was very nasty indeed. It became so mendacious that lies were told everywhere, promises broken, and there was no editorial trust or honest comment. I only learned what my own editor really thought of a manuscript in process from my own vanishing agent. Which even a bullying CEO could not deny, when he accepted my attack on the grounds of collusion, and breach and repudiation of contracts, and work started again in mid 2009 with a new editor, for a time. What they did when a family issue came into the frame is just unbelievable, but then it’s a pretty unbelievable story.

The pain has returned, and confusion too, because though it could have been stopped at key moments, on their front, it’s source goes back six years too, to a woman who asked and promised for care over relationships and trusts, I gave her at every turn. Who asked me not “to make her the last to know”, yet did that absolutely to me, at a puerile and completely selfish level of consciousness too. But somehow I will find a way out, and end a disgraceful human and artistic story forever. Either that, or end this blog itself, now ‘The Muzzled Blog’, but you see the former writer’s problem! Love and work are surely the two things that really matter in anyone’s life, and both were stripped from me, in the same place, totally ruthlessly in the end, or because New York companies are places of awful fear and back stabbing. My ex’s projected life fears were enormous though. They tore aware my power in the world, well published writing, rights even in contract, and my ability to earn, while the end of that line is now losing my flat too.

It was disgraceful or shaming on my part sometimes, sure, especially with my sense of a family name, as I lost control of words, touched breakdown and nearly went mad, though have never harmed anyone in my life. As I writhed, trying to get out of a place I could not and trying to explain it to an editor too, let alone understand it myself. But utterly disgraceful, indeed possibly criminal, on the part of people I knew intimately for years, and New York publisher Abrams. Where I was tortured trying to work in safety and my career thrown in a trash-can, my publisher removed, and the two women who did the real damage in the first place, very much in cahoots, got straight to the top. It is not because of my editor’s special editorial skills, certainly not the dreadful edit she delivered to me, but more importantly under the wrong conditions, also begged for back and denied because of her ‘power over her list’, nor love for books, people or publishing at all. It is because my editor brought in huge bestsellers like The Diary of A Wimpy Kid and Hello Kitty to Abrams. She used my book The Sight to get her job, supposedly Fire Bringer too, but for her “loyalty is a tricky thing.” I think that’s why a CEO removed a man he did not get on with, who was far nicer and more imaginative and who all his authors liked. It has implications too about how men are always painted the villains nowadays.

In every other sphere of life there are employment protections, legal standards, means of redress, we have come to expect as very basic, but not in the one place where the fundamentals of freedom of speech and human vision themselves actually begin, Publishing. Because it is only commercial success that gives a writer any real power or protection, if good relationships, which is what it is really about, become so damaged. I am watching as any say in the printed copies of my lauded published books is stripped away too. In reverse, people inside publishers are protected by each other, share schemes and pension plans, and the interrelations of big money makes them much like the Cartels we complain about in banking. Editors move between publishing houses and so does negative gossip and ‘ ‘decision making‘. I could not stay at Abrams because I would not be just ‘owned’ and abused like that, my legal rights stripped away, the very principle of true editorial interchange and dialogue destroyed. There needs to be an Ombudsman to stop those individual nightmares, or release pressures for both writers and editors too, but the degree of open abuse that took place at Abrams, over so long, is phenomenal, and I fear has done lasting emotional harm.

“We are willing to bring happier memories into the future” my own editor informed me, at one point, after I apologised in a way meant to protect everyone and be heard, to an author under two contracts, with two published novels there. But only if I shut up about an ex who had broken such trusts, personal and professional, so harmed very happy memories here, but then left an impossible and distortive accusation right at the heart of a firm, that I was not even allowed to defend. It’s consequences distorted everyone’s judgements and actions. Thanks for the legal and editorial principle, and the happy memories too. I will look to real friends, and pray for small miracles elsewhere.

DCD

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