Category Archives: The Phoenix Story

THE DRAGON AND PHOENIX ARK PRESS TAKE TO THE SKIES OVER THE SOLENT!

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UPDATE: The crowd funded book on Indiegogo, you will get in the post, is now at a soaring 50%!

What an astonishing day driving through the Meon Valley today to Phoenix Aviation in Lee-on-Solent, to take a very first flying lesson with the commendably calm and efficient CFI (Chief Flying Instructor) Steve Cockshott. Out of a perfect misty morning the plumping wheat fields were almost russet as the harvest begins here and the blue skies near crystal glass clear, skirting through lovely morning Hampshire. A very different experience then to the Air Ambulance that I once found myself stuck behind when I once drove to write about Accelerated Freefall, skydiving from 12000 feet in Kent. With little wind, until we landed, near perfect flying weather then, given a touch of royalty at the Argus gate to the airfield too when we learnt that Princess Michael of Kent was nipping in to do some work for the coastguard! Past the old hanger still labelled Overlord, from the war effort, the offices of Phoenix Aviation are housed inside the small control tower and there, with a confident handshake and the remark that he recognised me from the Dragon In The Post Indiegogo film, Steve took us into the briefing room for a quick lesson in Lift, Bernoulli’s Theorem, Ailerons, Control yoke, flaps and something reassuringly called a Stabilator, instead of an elevator on the tail. Basically it makes the 4 Seater Warrior plane we were going up in more stable.

So, when the red wooden model had been put aside, nerves began to calm as we crossed the runway and learned that reassurance is always about knowledge and the intimacy of being hands on. Phoenix have seven planes in all, including 2 microlights, and I was rather amazed to discover that you can reach the level of a solo flight after only 12 hours! But the first real thrill was climbing onto the wing and then into the cockpit, to belt up and don the headsets that allow everyone to communicate with each other and the control tower too. The training inside had taught us the basic movement of the rudder pedals, the brakes just above, you must never use until the last moment and the flaps, while Steve was very clear in showing us how things really and rather simply function. A marked contrast to the bewildering display on the instruments panel, which pilots only glance at, except in cloud, because awareness and real sight is the key, while you must navigate towards the horizon with something through that glass in front of you called a ‘Picture’. So, accompanied by some colourful Hampshire butterflies in the stomach, to taxiing down the short turn to the base of the runway, with nothing but a firm grip on the control yoke and the movement of those pedals. The engine had fired up and I learnt the foolishness of wearing my pointed spanish boots, as too-long toes brushed the brakes but no disaster happened. Then to a sharp turn and stop to check everything, a Roger from the tower and pushing the throttle forward to head down the take off strip. The routine exchange of “I have Control’You have control’, since every plane has dual controls, had returned that mastery to Steve, since no novice can take off or land, and soon we were near the 65 Knotts needed to take off. Chocks away.

So a novice pilot quickly learns, although there is a great deal to learn, that the art of flying is most essentially about the science, the effect of the wind moving at the right speed across the top of the curved wings, so producing reduced pressure above and the necessary ‘Lift’ to carry the 900 Kilogram Dragon bird into the sky. That you have to both know and rely on, because it is a far less dangerous exercise than driving and a very different kind of thrill to say taking to a racing car. It is all somehow dreamier, more peaceful, far more majestic. Then the enemy of the mind is always fear and an over active imagination, not exactly helped by the remark of a flatmate that morning that the average life expectancy of a pilot in the First War was 20 minutes! Not sure it is true, but no dog fights today. We have all experienced it in commercial aircraft but it is a far more thrilling thing too being in your own little cockpit, in potential control, feeling those racing vibrations and suddenly you are in the air, rumbling up a stairway to heaven, with a propeller flashing and breaking light before your eyes. Up to a thousand feet and then that “Picture” before us was like the most brilliant, dreamy oil painting, by a Master of the world and all there is.

The three of us were heading out across the Solent now, that edges the airfield, towards the Isle of White and the feeling and the day were glorious. The dwindling patchwork tapestry of fields, roads and houses below, the flashing white yachts cutting slashes of cotton white in the turquoise water, the super tankers hulking the flowing sea and then the majesty and complexity of clouds seen at eye level or below. The colours were magnificent. It felt like suddenly starring in It’s A Wonderful Life, as Steve said ‘you have control‘ and I was flying too, gently holding the nose and wings level, with a splendid bit of machinery thrumming around us. You really begin to touch the joy and power though when you start to turn a plane and bank, as Steve explained more about the controls, awareness and trimming, the deeper mysteries of pitch and roll, unchallenged by today’s weather, with the little wheel between our seats. When you are not in control you have you hands and feet lightly on, just to get the feel, especially when landing or taking off and begin to really learn what must eventually become instinctive. I was perhaps a bit stiff armed with nerves, because relaxation is key, but it began to come more and more, as I flew in towards The Needles, that remarkable display of eroded hard limestone cliffs at the nose of the white island and came back in a cloud riding circle. The Dragon was airborn and starting to learn! The sea was dancing flashing horse tails 2000 feet below us, those all important checks were made for any planes around, and much of the time you are simply cruising, able to chat quietly about a forty minute flight to Cherbourg, Steve’s business partner Frank or the 130 members the little club have. Neither are paid for what they do, the essential cost is fuel and landing fees and any extra goes to help the club. The rates are very competitive.

So we turned into towards the grass airstrip at Sandown, maintained by the £15 landing fee and the very English little cafe, in airfields here purely for the benefit of private aircraft. You come into land downwind, as you enter something called The Circuit, the imaginary rectangle that surrounds any airfield, as you contemplate the kind of holding pattern we have all experienced too. No delays in this case. Two other training craft were coming in, although it seemed more to me, and one not very well, but suddenly after forty minutes we were descending again towards lush green grass, like a large croquet lawn: 100 feet, 30, 5 and down, with very little bumping at all, although moles can be a problem. All far less dramatic than landing in the cockpit of an Airbus, as I did on one travel piece, but far more charming and liberating too. So to another little taxi and parking among the other drowsing craft. I think I had already decided, as had Jim, who came for a flight too and to kindly help make a little film, that after our twenty-minute break and cups of tea this flying thing was the thing. The only problem being the cost, which, to hit those 45 hours needed for a licence, can be around £9000, although it is quite a bit less to master a microlight. It was Jim who took the controls on the flight back, as I perched in the rear of the four seater, with a confidence perhaps increased by his own sailing skills and experience, because although the wind rules are different to waves, up there in the heavens much the same principles are involved. His face was glowing all the way.

Actually as we came back to land again on hard tarmac it wasn’t such enormous exhilaration that I felt, that had passed, but a sense of calm and of expanded knowledge too, that once you have mastered all the things you have to take on board, from actual flying hours to nine exams, it would be a wonderful thing to be able to fly and land your own plane, wondering more and more what it is like to be up there alone in the skies and in such glorious weather. Perhaps a little like flying with your Dragon! It was in all a very lovely experience, only added to as we raced home in the car but stopped at old Titchfield Abbey. I had no idea that extraordinary fortified monastery, dissolved by Henry VIII, became the Hampshire seat of none other than the Earls of Southampton and Henry Wriothesley, Shakespeare’s greatest patron. The bard could well have visited a stunningly beautiful ruin, then a magnificent functioning house, and so many things at Phoenix Ark Press seemed to coalesce. A project is flying then and has further to journey too.

DCD


If you enjoyed this article and are interested in trying to help crowd fund a book and a little publisher you can do so right now by clicking on HELPING A DRAGON FLY If you want to know more about Steve, Frank and the flying club then visit their website at http://www.phoenixaviation.net/ In the next few days we will edit the film and put it up here and in the Indiegogo gallery. The photos courtesy of Jim Plumridge show DCD in the cockpit mid air over the Solent, on the ground thanking Steve Cockshott warmly and with the wooden model in the classroom.

Come on, let’s all go flying!

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A PHOENIX TAKES TO THE SKIES, TO FLY WITH A DRAGON IN THE POST

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To support the thrilling crowd funding book project happening right now at Indiegogo David Clement-Davies is taking to the skies next week (weather permitting) and blogging about his very first flying lesson, in a journey from Hampshire to Sandown, in the Isle of White. It will be at the aviation club there magnificently called Phoenix and you can check out some of the planes by going to http://www.phoenixaviation.net/ We are now flying at 39%, with a month to go, and many more fun projects planned, but we need every inch of your support, sharing and contributions, this weekend please!

Watch this page then, if you like the travel articles that will come from the project, including walking the South Downs Way or join the wonderful chats and artwork being put up on Facebook and in the Indiegogo gallery. But above all come in now and help the story of Dragon In The Post really take wing by contributing in fact and spirit. Thank you for all you support, welcome aboard and chocks away!

You can join the team at Dragon In The Post by Watching, reading and Contributing Here

PA PRESS

ps The author takes a laconic attitude to the suggestion by one supporter that ariel disaster would at least produce posthumous fame. Too famous already, darling, though is a little worried about the names of planes like Icarus! The things an artist has to suffer these days for his art.

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THE MOST FANTASTIC DRAGON START!

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Hi,

how wonderful not to sweat too much about a campaign this weekend and yet see it rise already to 21% and nearly 1K! THANK YOU SO MUCH, although I’ll be discussing contributions individually and seeing if I should return any money I think you can’t afford. I’ve also put in an OPT OUT clause if I don’t make it and there will be no hard feelings if anyone changes their mind.

Still wonderful though if you want the book, like the Dragon story and will contribute.

You can become part of that adventure for me by CONTRIBUTING HERE

DCDx

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LOOK, TWO SLICES OF CENSORED CHEESE AND THE SHOW MUST GO ON!

So to the opening night and the song of the excited actors – “waiting in the wings”. But the harm of censorship too, just like the need for Royal approval, with the intervention of the head of the King’s secret police, Monsieur Malleece, and the closure of the old Paris theatre! Eeeeek.

But never fear, Bobolan is here, for his very first meeting with Jean Baptiste Moliere, where he finds his courage and persuades him to visit the King of France himself, Louis XIV. Who, as it happens, has a secret taste for musical theatre himself and sings “DOING THE REGAL RAG”. Before a mouse in Moliere’s pocket, who the King can’t hear, leads to a sudden turn around of fortunes…Hooray!

LYRICS – WAITING IN THE WINGS

Reprise

Look who’s back in Paris
Just the name to know
Life’s a gas in Paris
When you’re at a show!

Some are sane, others cracked
Some make pots of clay
But since I was a girl, I’ve longed to act
To act in a Moliere play…

The show is going up
The seats are almost full
Waiting to speak
Feels like a week!
The night is still so young
A song that’s not yet sung
Lord, I feel weak
What do you seek?

And will you hate us
Or will you fate us?
My hands are shaking,
On the verge of fainting,
See what the crowd brings
Think only good things
When you are waiting in the wings…

(Bobolan’s wonder at the crowd…)

At least the play’s a pull
The theatre’s almost full
And that’s a fact,
Waiting to act.

My play will soon be born
Each one’s another dawn.
Will they react
Jeer or applaud?

And will you love it
Tell us where to shove it?
My knees are knocking
Now I’ve torn a stocking
See what the night brings
Hope only good things
When you are waiting in the wings…

Will it be a smash hit,
Will he have to trash it?
Will they their lob some thunder at
Or just come to wonder at…

It’s magic waiting in the wings…

Will it be a smash hit,
Will he have to trash it?
Will they their lob some thunder at
Or just come to wonder at…

It’s magic walking from the wings…

(So Bobolan meets his hero and takes him to see a King, which is quite tricky to stage!)

LYRICS- DOING THE REGAL RAG

It’s really very hard to be King
Even the King of France
They don’t let you play, and never let you sing
And they very rarely let you dance!

It’s really rather drab to be boss
Even as bright as the sun!
They think you’re always stern, or cruel, or cross
And never let you have much fun.

High in Paris
On your toes
(Don’t tell Malleece)
Here’s the way the rhythm goes now –
In my throne room,
Don’t look down
With a show tune
Earn my crown!

It’s really rather dull to be right
Even when I’m Divine!
They don’t let you see the palace in the night
But they always wake you up on time!

I’d rather be an actor of plays,
Isn’t the prospect so neat?
And while away my time, and spend my days
A bishop, villain, slave or cheat!

(Enter messenger)

In my palace
No one knows,
(Even Malleece)
Here’s the way the rhythm goes
Clap, dance, tap, sing
Never pause,
Even Sun King’s
Need applause!

It really isn’t hard to have fun
Doing the Regal Rag
As long as I creep, shaded from the sun
And keep my promise not to drag!

It’s really very tough to be me
Even playing this part,
But since I have to rule, I’ll still be free
And hike your bloomin’ tax to start!

Enter Moliere with a brave Mouse in this pocket…

Mr Moliere’s Mouse (aka CHEESE), Royal Academy of Music workshop. Story, book and lyrics by David Clement-Davies, music by Michael Jeffrey. All rights reserved Phoenix Ark Press 2014.

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NOW IT’S TIME TO GO DOWN, DOWN INTO THE TERRIBLE PARIS SEWERS

So, with the old Paris theatre open again Bobolan gets to see some wonderful acting and dream his dreams, (with an in-the-wings argument about calling a musical CHEESE!) But with all the noise and those enormous human feet around, Scarapino and the rats decide to take it out on the mice and drive the poor Mousette family down into the underworld and the terrible Paris sewers! Where, inspired by Victor’s sewing and Hugo’s writings perhaps, as Bobolan dreams of a play, we really meet that miserable, struggling mass of mousery, who sing their song too…

LYRICS – WE HAVEN’T EATEN FOR A WEEK

We haven’t eaten for a week
We never rest and barely sleep
We’re lost and hungry, cold and sad,
What hope is there
When life is cheap
When life is Maaaa-ad?

We know the price we have to pay
The cost of living every day
We’re racked with illness, half insane
What health is there
When life is cheap
When life is Paaaa-in?

Pain and sadness, fear and sorrow
Total madness, no tomorrow
Tell us why?
Here we live in filth and horror
Born in darkness, raised in squalor
Where’s the sky?

Our friends will cheat us of our bread
We only eat, when someone’s dead
Our only reason, if we fight
What peace is there when life is cheap
When life is bliii-ght?

We pick our living through the dust
But rarely dare to ever trust
We wade through filth and live in grime
What love is there
When life is cheap
When life’s a crime?

Crime and evil
Hate and blindness
No more love and no more kindness
Born to die!

Thus we wade through vice, not virtue
Born to cheat you, raised to hurt you
Tell us why?

ANGELIC VOICES
We wait like shadows for the end
A fate that waits round every bend
What kind of life is this we lead
So wrought with sickness, filled with need?
What can we do but cry and weep
When life’s so cheap.

Story, book and lyrics by David Clement-Davies, brilliant music by Michael Jeffrey, Copyright Phoenix Ark Press 2014. This sequence was sound synced by the multi bafta winner Lee Crichlow. PS M Jeffrey is a twat (this is the personal opinion of the author and has no reflection on any real characters involved.)

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THEN OF COURSE ENTER THE YOUNGEST OF THE MOUSETTES AND OUR HERO – BOBOLAN

But if the Mousettes are both troubled and noisy, and Victor is obsessed with practicalities, our stuttering hero Bobolan simply must go on dreaming…

LYRICS – ‘DREAMS’

Dreams, we’re all made of dreams
Or so it seems.
Dreams, we’re all in a dream
What can dreams mean?
I dreamt last night
While I wandered the moon
That her snout was made of cheese.
And I dreamt the earth
As I dozed in my room
Was rich with kindness and ease.
Dreams, we’re just made of dreams
Or so it seems.
Dreams, we’re all in a dream
What can dreams mean?
I dreamt one day that I’d walk like a King
And climb on a marvellous throne
Then love a girl on a beautiful swing
With her I’m never alone.
Oh Dreams, we’re all made of dreams
Or so it seems.
Dreams, we’re all in a dream
What can dreams mean?

(Bobolan’s head almost explodes as he looks around the theatre)

Dreams, we’re all need our dreams
Like bright sunbeams.
Bright, that’s how you should dream
The brightest dream.
To take you far from the dark and fear
To a world where all is light
Where all our loves are so happy and near
And no one fears the night.
Dreams, that’s just what they seem
They’re bright sunbeams.
Dream a beautiful dream
That’s what I mean.
For nothing’s as bright as a dream
There’s nothing as bright as a dream…

(Return of Moliere’s Company to the old Paris theatre)

 

Royal Academy of Music workshop of Mr Moliere’s Mouse (aka Cheese). Story, book and lyrics by David Clement-Davies, music by Michael Jeffrey. Phoenix Ark Press 2014. All rights reserved.

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In Cheese, or Les Mouserables, ENTER THE FAMILY MOUSETTE!

So, ignoring whether the 12 days of Christmas run up to Christmas day, or Twelfth Night, and in a Dickensian spirit of ‘carolling’, a little more of the musical Mr Moliere’s Mouse (Cheese).  Set in Pre Revolutionary Paris it is about the Old Paris Theatre, where a family of mice live below the stage. Our hero, the stuttering Bobolan, who dreams of being an actor, his father Victor, a tailor, uncle Hugo, who wants to be a writer, Victor’s frantic Spanish wife Maria, and the children, Pierre, Collette and Marie Antoinette. Facing Scarapino and the rat’s invasion of the Theatre, and a host of woes, including having to finish Scarapina’s dress, but in the spirit of Pierre wanting to join the army, they sing!

LYRICS – “When you’re really in a hole” – The Mousette’s Anthem

When you’re really in a hole
When you’re down, just like a mole
Draw your sword from out its sheath
Raise your head from underneath
And Mouse the barricades!

When you’re starving, for a crust
When your tail, drags through the dust
Draw your sword from out its sheath
Push your snout from underneath
And Mouse the Barricades!

Twitching, stitching,
Writing, fighting
Looking for some cheese
Flirting, skirting
Often hurting, life is never ease

Forever on the go
Clothes I have to sew!
Just the job
To lead us on to fame.
Oh my god,
Please take me back to Spain!

(Medley)

MARIA
I’m a donya, a Mouse with class
Whose pride you should not shame
Now I’m always slaving, my family’s raving
Just send me/her back to Spain!

ALL
When the Mousettes sing a song
Then the sorrow’s never long
Lift your chin and flash a smile
Find a husband with a pile
And Mouse the Barricades!

Peeking, sneeking
Dreaming, scheming
Dodging Paris cats!
Prancing, dancing
Always chancing,
Waiting for the rats

Forever on the make
(Victor – ‘I’m sewing’!)
Cakes I have to bake!
(Maria – ‘I’m going!’)
Just the job, to lead us on to fame
Oh my God, please take us back to Spain!

We work and slave, just to earn some cheese
But soldiers, we’re singing, a stirring reprise
We toil and chore, just to meet our debts
A family, together, the brave Mousettes!

(Medley)

CHILDREN
When your dresses, are in rags
And your sisters, look like hags!
Thread the needle, start to stitch
Dream you’re happy, loved and rich
And Mouse the Barricades!

VICTOR
I’m a Tailor, A Mouse of threads
A King of bows and braids
Now I’m always sewing, my clothes are growing
So Mouse the Barricades!

ALL
When you’re really in a hole
When you’re down, just like a mole
Draw your swords from out their sheaths
Stand up straight, not on yours knees
And Mouse the Barricades,
And Mouse the Barricades!

Story, book and lyrics by David Clement-Davies, music by Michael Jeffrey, Phoenix Ark Press 2014. All rights reserved.

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BITING DOWN ON THE MOULDY CHEESE!

I tell you what, this Mr Moliere’s Mouse thing may be a work of incandescent genius, but what it needs is a bit more bite! So to go inside the old Paris theatre and meet the villains of the piece, lording it up in their balconies, Scarapino, his lady love Scarapina, having her beautiful birthday dress made by Bobolan’s tailoring father Victor, and the rats. Their theme song is very Kurt Weil!

LYRICS – Song of the Rats

Teeth, teeth, as yellow as bile
Ready for work, both mean and vile
Stand on guard at the theatre door
Greet the leader with an ea-ea-ea-ea-ger paw

Kings of crime, Lords of vice
Making slaves of the stupid mice,
Stay awake, don’t take a nap
There’s nothing as strong as a dir-ir-ir-ty rat

Teeth, teeth, as yellow as bile
Ready for work, both mean and vile
Stand on guard at the theatre door
Greet the leader with an ea-ea-ea-ea-ger paw

Spreading hate, loving rage
Always there, to hog the stage
On the move, can’t sit still
The rats bring the teeth that will make mice ill!

Teeth, teeth as yellow as bile
Ready for work both mean and vile…

Enter Scarapina and Scarapino, talking of his Lady wife’s tail…

From Mr Moliere’s Mouse (aka Cheese) by David Clement-Davies and Michael Jeffrey, Copyright Phoenix Ark Press 2014. All rights strictly reserved.

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CHEESE – THE CURTAIN RAISER!

For a bit of a laugh and to say Happy Christmas and New Year to Pietrasanta and one and all, the opening of the Musical Cheese (AKA Mr Moliere’s Mouse) workshopped all those years ago at The Royal Academy of Music in London.  ‘N as the man says, God Bless Us Every One!

LYRICS – THE SONG OF THE MOB

Where is this and what are we
Wondering what our fate will be?
Marching bravely through the light and shadows,
Paris raises alters and a gallows
Seeking our destiny
Bondage or liberty

Waiting gaily till they serve our supper
Slaving daily for our bread and butter
Yearning for a thrill
Learning how to kill

Look – we’re called the mob
That’s our job!

Have you known such poverty
Can they want equality?!
Sewing clothes that cover toff or peasant
Making, baking, plucking scrawny pheasant,
Theatres, for you to see
Prisons, won’t set us free

Come join us
Come out and join us – The People

Finding roles that we can make our mark in
Paris street girls love to strike a bargain!
Fighting, for a slice
Gambling, with the dice
Dear, they’re such a mob,
That’s our job!

Death is never far away
And fear is just the price we pay
So tell me, where’s my bread,
I need to ply a trade
And so I’ll fight, not be afraid
This I say

Drinking lovely grog
Scoffing, snails and frog,
Hear that noisy mob,
Spare a bob!

(The Mob speak)

Hope is waiting round the bend
A hope that never, ever ends
So show me to his bed
I ache to know the way
And live to love another day
Thus I pray

(The Church Doctors and Nobles speak)

Love is what we need to feel
A love as deep as it is real
Oh help us on our way
And take me by the hand
Together we can understand
Hand in hand

(Nothing more!)

(MEDLEY)

Where is this and who are we
Do we want fraternity?
Raising houses, filled with hope and sadness
Paris brings us joy or lonely madness
Bitter, our life can be
Life’s not – quite up to me!
Scrambling up from filth and utter squalor
Even Priests can wear a dirty collar

Come be us
Your heart beats through us – in Paris

Love is what we need to feel
A love as deep as it is real
So help us on our way
And take me by the hand
Together we can understand
Hand in hand

Living in the drains
Stinking, for our pains
Strolling through the park
Loving, in the dark
Fighting, for the King
Freedom, that’s the thing!
Jostling, in the crowd
Testing – what’s allowed
There, we’re quite a Mob
Just the job!

Enter Mr Moliere!

Copyright David Clement-Davies, Story, Book and lyrics and Michael Jeffrey, Music, Phoenix Ark Press 2014. All rights reserved.

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TO CELEBRATE A DRAGON STREET TEAM PHOENIX UNVEILS THE MUSICAL ‘CHEESE’!!!

Hello, in fact it’s called Mr Moliere’s Mouse (aka CHEESE or Les Mouserables!), written my David Clement-Davies and Michael Jeffrey and work shopped at The Royal Academy of Music in London. It’s about a family of mice who live under the stage of the old Paris Theatre, the Mousettes, and especially the youngest and bravest, our hero – Bobolan. Poor Bobolan has absurdly long ears he keeps tripping over and is teased mercilessly because of his terrible stutter. But who, while trying to avoid the rats led by the vicious Scarapino, high in the balconies, goes on dreaming of one day becoming a great actor. Just like the celebrated playwright Jean Baptiste Moliere, who returns one day to woo the whole of Paris with his genius. Never give up on your dreams!!!

This song is about Bobolan’s meeting with the pretty Colette, as the Mousettes flee down into the terrible Paris sewers – So the all important bit happens, falling in love, as they sing the duet ‘Now I know his face…“. Though the recording is scratchy, the young performers at the Royal Academy were wonderful and this is in honour of them and the young talent who have helped Phoenix Ark Press.

To return to the right place in the story too JUST CLICK HERE

LYRICS

What’s this, what’s this feeling,
Tell me, am I dreaming dreams?
Now I know his face
Now I’ve seen that smile
How my heart is racing
Shall I stay a while?

Now I’ve touched his hand
Now I’ve heard his voice
Is this understanding
That I have no choice?
No choice – but to love him, no choice – but to care
Is it true I love him, now I know he’s there?

Tell me, show me, is this love – that I feel?
Show me, tell me, can this be real?
Tell me, show me, is it wrong, is it right,
Am I feeling – love at first sight?
What’s this, such a feeling
Pinch me, am I dreaming – dreams?

Now I’ve seen that face
Like the summer skies
How my soul is pacing
Will he realize?

And how shall I love him
How should I care
Should I simply miss him
Till he’s standing there?
Tell me, show me, is this love – that I feel?
Help me, tell me, can this be real?
Tell me, show me, is it wrong, is it right,
Am I feeling, love at first sight?

Now I’ve seen his face
Now I love those eyes
This is understanding
That I’ve found the prize.

What’s this,
What’s this feeling?
Tell me,
Am I dreaming – dreams?

So Bobolan, lost in the sewers, further from the theatre, turns and sings of his love for Collette too. (The song is just over 5 and not 7 minutes)

Copyright Clement-Davies and Jeffrey 2014, Phoenix Ark Press. Story, book and lyrics by David Clement-Davies, Music by Michael Jeffrey. Unathorised redistribution of this work in any other form is strictly prohibited. All rights reserved.

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May 17, 2014 · 1:21 pm